Well, what is reflected in the samovar?

[tivat]

Letter to the COP, in my inbox is dated November 13.
>

[Кирилл Сызранский]

Сообщение от sur

Well, that you can not resort to torture.
I am sure that you give this opportunity all you forum (the country) will turn it into a concentration camp.

You here, tovarisch.
>

Added after 58 seconds

Сообщение от tivat

Letter to the COP, in my inbox is dated November 13.

I read a long time thought. (c) >

[I-V]

Сообщение от Cyril Syzran ; 1853781 "

Then some "Authority" commented: Still Life " is a suspicion ... definitely is ! . This composition of the crank , this is too studious , fearing an error pattern ...».

That is causing mistrust figure , and Guriev , Igor believes drawing a "weak" , but this - " diligent, fearing mistakes" - so would agree to something one either weak or hard-working

In fact, the contradiction is only apparent. For example , a selection of pictures Michael Jackson fans : http://www.liveinternet.ru/users/sfv...post110301139/
VERY carefully , but very weak. Because , in fact, carefully, what weakness in the figure is the fear of making a mistake.

[Santa]

Сообщение от World; 1855661"

Maybe you letter from Mr. Christianson to show?

Leave yourself, I'm not interested.

Here is the opinion of Ms. Adaskinoy Natalia Lvovna, it would be very interested to hear.
For your, world expert psychics (in photo) are clearly >

Сообщение от World; 1713341"

A specialist in the west do not.

For the uninitiated ..
ADASKINA Natalia L.
MSU art
Degree Candidate in Art
Specialization
HISTORY OF ART, art and culture, FINE ART OF THE XX CENTURY RUSSIA

Occupation
TG, head of the department of modern graphics

The main curatorial projects and exhibitions
Participation in the organization of museum exhibitions in the State Tretyakov Gallery, with the participation of foreign TG et al

Conference:
Participation in the Interdepartmental Commission for the avant-garde, including reports
Participation in conferences TG
Vipperovskie reading

Selected publications:

    Petrov-Vodkin Masters of Soviet art in the collection of the Tretyakov Gallery. Moscow, 1970 AL 1.25
    VHUTEMAS. His role in shaping the basic principles of artistic pedagogy of the 1920s. //TG ​​Issues of Russian and Soviet art. Proceedings of the final conference. In January 1972. Issue 11, Moscow, 1973 with. 167-198 1.25 AL
    VHUTEMAS. Printing Department. //TG ​​Issues of Russian and Soviet art. Proceedings of scientific conferences, 1972-1973 gg. Issue 111, 1974 s.343-369 1.8 AL
    Educational system KS Petrov-Vodkin. //TG ​​Essays on Russian and Soviet art. Articles, publications, news. L., 1974 s.280-307 1.8 AL
    The materials in the catalog: "Self-Portrait in Russian and Soviet Art", Moscow, State Tretyakov Gallery, 1977
    Personality and age <Based on materials of "Self-Portrait in Russian and Soviet art"> //Works 1977 № 8 p.11-17 0.4 AL
    Oleg Vukolov. A series of "New Names". Moscow, 1977, an AL
    B. Tabor - educator (About the course theory of composition) //Soviet art history '77 /2, 1978 with. 211-232 1 AL
    Popova of the relationship between color and form. //Problems of creative thinking and design. "Proceedings VNIITE", a series of Technical Aesthetics 17. , 1978 p.97-100 0.25 AL
    The "Production Workshop main office" - the first Soviet design education program. //Problems of the history of Soviet architecture. Collection of scientific papers number 4. , 1978 p.50-53 0.2 AL
    Lyubov Popova. Way of becoming an artist-designer. //Technical aesthetics. 1978 № 10 p.17-23 0.8 AL
    Problems of industrial art in the work of LS Popova. //Artist problems of subject-spatial environment VNIITE Abstracts of conferences, seminars, meetings, 1978 to. 57-62 0,3
   

Читать дальше... 

On peculiarities of the modern approach to artistic matters in shaping the spatial arts and design. (The relation of conceptual and plastic). //Art and combinatorial problems of morphogenesis. "Proceedings VNIITE", a series of technical aesthetics. Issue 20. Moscow, 1979, p.94-107 0.75 AL
    Introductory course VKhUTEMAS (1920-1926). //The traditions and origins of domestic design. "Proceedings VNIITE", a series of technical aesthetics. Issue 21. Moscow, 1979, sec. 44-62 AL 1
    Self-Portrait in Soviet art //Soviet Painting 76/77, Moscow, 1979 p.41-55 0.65 AL
    Dialogue with nature: The problem of still life in art, KS Petrov-Vodkin //Soviet art '78, 1980 1 AL
    Tabor and "industrials" //Technical aesthetics. 1980 № 7 p.17-21 0.5 AL
    On the stylistic features of the search in contemporary art. //Problems of stylistic unity of the objective world. "Proceedings VNIITE", a series of technical aesthetics. Issue 24. M. .1980 p.47-66 1 AL
    Stylization in its relations to the problem of style. //Problems of formalization means of artistic expression. VNIITE. Proceedings of conferences, seminars and meetings. Moscow, 1980, p.74-75, 0.1 AL
    Easel and production in the printing industry: The evolution of artistic views NN Kupreyanova //79 /80 Soviet schedule 6, 1981 s.298-307 0.9 AL
    Plafonds Ivan Nikolaev //Decorative Arts of the USSR in 1981 number 1 0.75 AL
    A formal method of artistic refraction propaedeutics as creative concept (to the question). //Theoretical concepts and creative schools in the design. "Proceedings VNIITE." A series of technical aesthetics. , 1981 p.8-January 23, AL
    On the organizational forms of experimental designer. //Design in the culture system. VNIITE. Abstracts of conferences and meetings. Moscow, 1982 p.19-20 0.2 AL
    Style. Stylization. "Retro". //Technical Aesthetics 1982 № 5 p.18-24 0.6 AL
    VHUTEMAS-VHUTEIN. On the 60th anniversary of the foundation. (Conference Report on December 22, 1980 VNIITE) //Soviet art history '81 Issue 1, Moscow, 1982 s.373-377 0.4
    From the history of poligraffaka VKhUTEMAS: Objective and analytical, and creative and artistic personality began teaching. //The modern design and heritage VKhUTEMAS. "Proceedings VNIITE." A series of technical aesthetics. Issue 34, Moscow, 1982 January 27 p.11-AL
    L. Popova work to create a "color subject" VKhUTEMAS. //Problems of Russian and Soviet art. GTG Materials and Research. L., 1983 p.172-187, an AL
    <Speech at the "round table" Problems of Design in the domestic porcelain> //Technical aesthetics. № 10 1983 p.8-9
    Formation of a design concept LS Popova GVYTM-VHUTEMAS 1921-1923 years. //Some Problems of development of domestic design. "Proceedings VNIITE." Technical Series No. aesthetics. P.43-41, AL 60 1
    Speech at the "round table". Design and pictorial information. VNIITE //Technical Aesthetics 1983 № 12 p.5
    Drawings and watercolors by Kuzma Petrov-Vodkin at the exhibition in Moscow. //Soviet graphics. 8 AM, 1984 0.4 AL
    The Artist and the environment //Soviet iskusstvoznanie'83. Issue 1 (18), Moscow, 1984 p.5-31 1.6 AL
    The Artist and the Environment [Second Edition] //Problems and trends of Soviet art easel. M., 1986 p.118-142 1.6 AL
    Modern art process and the problem of tradition. <The workshop report critical of the Commission of the Union of Artists. Palanga, September - October 1983>. In collaboration with V. Kostin. //Soviet art history '83. Issue 2. Moscow, 1985, s.384-389
    Unknown figure, KS Petrov-Vodkin //Works 1985 № 11 0.2 AL
    Printing of Liubov Popova //Inter Schedule 86 /1. <International Quarterly Journal of visual culture and media. Publication of the International Organization of Journalists> c.20-25 0.3 AL
    Doulton in Petersburg //Art and Design April 1986 London p.52
    Constructivist fabrics and dress design. //The Journal of Decorative and Propaganda Arts. 5 Summer 1987 p.144-159
    Retrospectivist as a creative unit of Soviet design object-spatial environment of the 30s. //Socio-cultural challenges of life and objective environment. "Proceedings VNIITE", a series of technical aesthetics Issue 52 p.70-84 1 AL
    Residential Interior 30s in the USSR: draft and life. //Furniture and living environment. "Proceedings VNIITE" a series of technical aesthetics, Issue 56, Moscow, 1988 p.52-68, 1, AL
    Environmental approach as a worldview. //Urban environment. VNIITAG Proceedings of the conference. Part 1. Moscow, 1989 0.3 AL
    Lyubov Popova - Russian avant-garde artist //Works 1989 № 5
    30s: contrasts and paradoxes of Soviet culture. //Soviet art history 25. Moscow, 1989 p.5-38 1.5 AL
    Problems of studying the Soviet art of the 1930s //Art in 1989 with the number 6. 13-17
    Theory and creativity: LS Popov INKhuK. //History of domestic design. "Proceedings VNIITE", a series of technical aesthetics issue 59. 9-23 1 AL
    Theorie, pedagogie, theatre, design. //Lioubov Popova par Natalia Adaskina et Dimitri Sarabianov. Paris, 1989 p.190-340, 345-386. 10 AL
    Theory, Teaching, theater and design. //Dmitri V. Sarabianov and Natalia L. Adaskina Liubov Popova. New-York, 1990 10 AL
    Creativity Liubov Popova 1920. The theater. Production art. Documents (publication). //LS Popova 1889-1924. Catalogue. Exhibition of works on the centenary of the birth of the State. The Tretyakov Gallery Ars Publications Limited. 1990 (paper and materials). An AL
    Ensemble and the image of the ensemble. //Architectural ensemble as a form of realization of fusion. VNIITAG. Moscow, 1990, p.112-137
    [Introductory text to the directory] Retrospektive Vyatscheslav Koleytschuk 1965-1990 Stadtsparkasse Kassel Brand Kasse 1990
    Art Pedagogy Stanislaus Kirpicheva from a historical point of view //Architecture, Building and Russia № 12 1990
    Artistic image at home and peace: interior genre in the domestic arts 70s. //Architecture and Culture. VNIITAG. M., 1991 1 AL
    Figurative artistic aspects of the urban environment: the problem of "environmental image." //Urban environment. The design and architecture. VNIITAG part 2. Moscow, 1990, p.109-146, 2 AL
    On the study of artistic culture of the 30s. //Actual problems of Soviet art. Transcript of Plenary session of the Committee on criticism and art history of the Union of Artists of the USSR on 24-25 January 1989 AM. 1990 p.18-20 0.4 AL
    <Introductory article> //Eugene Lindin. (Exhibition catalog). Moscow, 1992 0.1 AL
    Die Rolle der WCHUTEMAS in der russichen Avant-Garde //Die Grosse Utopie die Russische Avantgarde 1915-1932 Schirn Kunshalle Frankfurt [1992] s.81-93 1a.l.
    The Rolle of WHUTEMAS in the Russian Avant-Garde //"The Grate Utopie" Russian Avant-Garde 1915-1932 Gugenhaim Museum New-York 1992
    <The Dutch edition>
    VHUTEMAS and its role in the Russian avant-garde. //The Great Utopia Russian avant-garde 1915-1932, Moscow, 1993
    <Speech at the "round table"> //Problems of studying the history of secular architecture. VNIITAG. Moscow, 1992
    Art Russian avant-garde theory (the problem of language arts) //Problems of Art 1 /93 p.20-January 30, AL
    <Second Edition>. Art Theory Russian avant-garde //Works. 1993 № 1-3
    East and West in the creative minds of Russian avant-garde motifs, images, and style. //Architecture in the world. Proceedings of the conference "East - West: the interaction of tradition in architecture." Issue 2. VNIITAG. Moscow, 1993, p.86-90 0.75 AL
    <The booklet for the exhibition> B. Koleichuk. Moscow, 1994
    Theatrical avant-garde style as a laboratory. //The search for style. Proceedings of the international conference on the 100th anniversary of MJ Ginsburg. The State Museum of Architecture. Moscow, 1994, pp.37-50
    The Destines of Avant-garde under Totalitarian Rule: Unofficial Art of the 1910-1940-s in the Costakis Collection. //Russian Avant-Garde 1910-1930. The G. Costakis Collection. Athine 1995 p.576-590
    Die inoffizielle Kunst der dreissiger Jarre in der Sowjtunion. //Berlin - Moscow Berlin-Moskau 1900-1950. Prestel Munhen - New-York in 1995 s. 385-390 1 /2 AL
    Unofficial art ZO-ies in the USSR. //Moscow, 1996, s.385-390 1 /2 AL
    "The human right to be divine ...": The place and importance of religious motives in the works of K. Petrov-Vodkin. //The Bible in art and culture. Proceedings of the conference "Vipperovskie reading - 1995." Issue XXVIII. Pushkin Museum in Moscow, 1996, p.251-271 0.6 AL
    The Artist in the center of the world: Petrov-Vodkin and its relationship to the culture of East and West. //Russian Art between East and West. Proceedings of the conference. State Institute of Art. Moscow. September, 1994. Moscow, 1997, s.296-311
    GAHN and poligraffak VKhUTEMAS //Problems of Art X1 (2 /97), Moscow, 1997, p.24-34
    Decline of the avant-garde in Russia //X1 Problems of Art (2 /97) with M. 1997. 264-273
    Neoclassicism in the early works of Petrov-Vodkin. //The fate of the twentieth century neoclassicism. State Institute of Art. Moscow, 1997, p.96-106 1 /2 AL
    RAKhN, Vkhutemas, and the Graphic Arts //Experiment /Experiment A Journal of Russian Culture Vol. 3 Los Anjelos 1997
    Ivan Aksenov: a sketch for a portrait. //Art History 2 /98, Moscow, 1998 s.525-539
    The first Parisian painting, KS Petrov-Vodkin "Chaos" //W Conference: Expertise and attribution of Fine Art November 25 - November 27, 1997, Moscow. Proceedings of the conference. Moscow, 1998, p.102 -105
    Ways of avant-garde fusion. //Avant-Garde 1910 - 1920. Interaction of Art State Institute of Art, Moscow, 1998 p.6-15
    Kinetics of contradictions. //Works. 1998. Russian-German edition p.48-49. [On the work of V. Koleichuk].
    Liubov Popova and her contemporaries //Amazons of the avant-garde New York 1999, p.185-190. <2nd edition <Deutsche Guggenheim Berlin 1999>
    On two understandings of the classics in Soviet artistic culture. //Art history. 2 /99. Moscow s.449-458
    Les ide'es de Kandinsky en Russie. //Catalogue /Kandinsky et la Russie. Fondation Pierre Gianadda 2000
    On two understandings of the classics in Soviet artistic culture. //Russia and Germany. Cultural relations, art, literature in the first half of the twentieth century. Proceedings of the conference "Vipperovskie reading - 1996" Volume XXIX National Museum of Fine Arts, AS Pushkin Moscow 2000
    Decline of the avant-garde in Russia. //Poetry and painting. Proceedings of the NI memory Khardzhiev. Drawing and general wording, MB Meylaha and DV Sarabianov. M. 2000 p.148 - 158
    LA Bruni A note on teaching drawing [Afterword, publication, and comments, NL Adaskinoy] //LA Retrospective Bruni M., 2000, p.49 - 56
    View from Russia, the view of history //The view from here - personal view of cultural identity in contemporary Russian and American art International Workshop manual printing TG Moscow 2000 p.20 - 29
    On the threshold of constructivism. //Legacy - modern art museums of the International Conference, 1998. Samara 2000. 151-159
    Place in history. Self-determination of Russian avant-garde of the 1920s. //Russ Russian avant-garde issues of representation and interpretation of the collection based on the conference on the exhibition "The Museum at the museum. Russian avant-garde collection of the Museum of Artistic Culture in the State Russian Museum "(St. Petersburg, Russian Museum, 1998) C-II-B with 2001. 195-201
    Location KS Petrov-Vodkin's Russian art early decades of the twentieth century. //VE Borisov-Musatov and "Saratov school," Proceedings of the Seventh Bogolyubov Readings on the 130th anniversary of VE Borisov-Musatov Saratov. 11-14 April 2000 Saratov - 2001 p.53-64
    Symbolism in art avangardistov.O "symbolist formalism" //Art History 1 /01 from Moscow. 352-362
    Vom Kubo-Futurizmus zum Suprematizmus und Konstruktivismus. - Die Ausstellungen 0,10 und 5 x 5=25. //Mit vollen Kraft. Russische Avantgarde 1910-1934 Hamburg 2001
    Avant-garde in Tretyakov Gallery //State Museum of Contemporary Art. Thesaloniki. Greece. + Publication of the Greek language.
    Lubov Popova. Ivan Puni Albertovich (Background paper). //Illustrated Dictionary of Russian Art Encyclopedia of World Art, Moscow, 2001 with. 361 and 374
    "Victory" and the defeat of Russian avant-garde (in English. And Greek). //Proceedings of the conference at Delphi in 1996, "Russian Avant-Garde (1910-1930): Failure to plan. - "" Victories "and" Defeats "of the Russian Avant-Garde. //The Russian Avant-Garde (1910-1930): an unfulled plan.R. 31 - 42. 2002 or 2003.
    The symbolism in the work of avant-garde artists. //The symbolism in the forefront. Academy of Sciences Institute of Art of the State Commission for the Study of Avant-Garde 1910-1920-ies, Nauka, 2003, p.10-22
    Collage before and now. Exhibition Catalogue //MC RF, Pushkin Museum, State Tretyakov Gallery, Moscow, 2003, p.3-5.
    Paradoxes of Soviet art: "Experience mirologii" Nikritin artist /art history. 2 /03, Moscow, 2003. S.423-446
    Two Understanding of the Classic in Soviet Artistic Culture //Soviet Mass Culture (Guest Editor: Karen Petrone) - Russian Studies in History Fall 2003 /Vol., No.2, p. 32-48. Reissue of article number 82.

Added after 7 minutes 7 minutes
I found a very interesting excerpt from "terrible " stories related to the attics and experts ..

Сообщение от World; 1668683"

I know one young man who went to Russia , where he was shown by Kandinsky , found in the attic. Some "experts" confirmed authorship . He gathered all that he had, borrowed from friends, then smuggled it across the canvas hefty different countries, too, for big money.

See the photo and identified .. >
After all -

Сообщение от World; 1854721"

No wonder I can not find here . Keith Christiansen, ( curator of European painting of the New York Metropolitan Museum of Art , is also not " provincial newspaper journalist " , and the museum , like, not worse Hvolynskogo ), received by E-mail a photo of one of our picture , replied in detail, when it was written, in which the artist drove

That's how the author defined the attic Kandinsky seen. Photo by > >

[Мира]

Сообщение от Santa

See the photo and identified .. >

Come on , Santa, do not worry you so, but then I look, you've already written three posts about the "look at photos and identified ." Let me tell you one more card.
The picture that is sent to the New York Metropolitan , a native of Maastricht, is a Dutch flea market the March , ( for those not in the subject line ).