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Язык оригинала: Русский #31 |
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Гуру
Регистрация: 07.12.2008
Адрес: Москва
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I was not referring to you, and curators and people, to present this work Stavropol Museum. Variants of this motif in B.-B. set. The very first (mid 1900-ies.) And the famous painting is in the State Tretyakov Gallery. One version of 30-ies. can see in the gallery Gorshina in Khimki. Another option I intend to buy. If this happens I sudovolstviem send you her picture. And what is in the Stavropol Museum to the artist's work is irrelevant. I see a big difference between these works, it becomes particularly evident when one is in front of all the images. Find a job from the State Tretyakov Gallery, compare them and to you all soon become clear. Best regards.
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Язык оригинала: Русский #33 | |
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Гуру
Регистрация: 19.09.2008
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Цитата:
No wonder you did not see the difference! Works are stored in the State Tretyakov Gallery and RM refer to 1900 - tym years, and the work of the Stavropol Regional Museum, was written in 1953 - eat year. This means that the difference is as much fifty (50) years old! Images must be different! By the way, the work of Khimkinskiy art gallery and also differs greatly from the capital, and from Stavropol, what now and we do not recognize the work of Byalynitsky-Birula? The fact that the artist was in demand and was wont to repeat their work on throughout his life. This is a common practice among artists. Do not be surprised that, in addition you listed later pops up another version of this work. Incidentally, the work is stored in the Stavropol Museum, was written in 53 - I eat and was already there in the 50 years, as is well known, Witold Kaetonovich died in the 57 - th year, that is, the picture was in a museum or immediately after death artist, or even been written specifically for the meeting and got there during his lifetime. Why should it take in the museum collection of students, epigones or just questionable work of some strange people, if the artist himself or the people who knew his work, his work can provide in large quantities? It's no secret that B.-B. was very prolific. From the above it follows that the work is stored in the Stavropol Regional Museum, true beyond any doubt. Byalynitsky - Birulya Kaetonovich Witold (1872-1957) "Early Spring" in 1953 Stavropol Krai Museum: |
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Язык оригинала: Русский #34 |
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Пользователь
Регистрация: 20.03.2009
Адрес: Минск, Беларусь
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Judge the authenticity of the photograph as something not very professional, especially on poor-quality photos.
At the base of the school of art in the context of which is creativity B.-B. is the image and therefore to judge the "untidiness" paintings by the fact that a piece of cardboard is not colored is not quite correct. VK was not necessarily to prescribe the entire canvas in order to achieve that perfect tone, color and impeccable spatiality. I have no doubts about the authenticity of this work, given the fact that I know her history from writing to this day. The work is very beautiful, "Crystal" ... Here's a new photo> pictures, the same is not very good (too lazy to build a light and a tripod to unpack))) |
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Язык оригинала: Русский #35 |
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Гуру
Регистрация: 07.12.2008
Адрес: Москва
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Tjutchev
I hold my opinion. The more that agree with him many friends collectors, as well as one of the heiresses B-B. But we digress. You can congratulate me. Bought another job B-B. |
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Язык оригинала: Русский #36 | |
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Гуру
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Цитата:
Congratulations! B.-B. - A good artist. But that man is a relative of the artist, by itself, does not make him a specialist in the works of this artist. In my practice cases supporting this thesis was enough. |
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Язык оригинала: Русский #37 |
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Гуру
Регистрация: 24.05.2008
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So your practice is too short.
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Язык оригинала: Русский #38 |
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Гуру
Регистрация: 29.04.2008
Адрес: Париж
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dedul'echka relatives are different
I think Tjutchev rights - someone's family ties themselves does not make him an expert in the work of this artist. In other words, professionals are not born, they become. |
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Язык оригинала: Русский #40 | |
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Гуру
Регистрация: 19.09.2008
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Цитата:
Korotka my practice or the length, the question of the relative. But the fact that it allows me to make such allegations, that's for sure! And the argument about the size of others is usually characteristic of those who have nothing to measure ... Note, I also speak exclusively About practice (linguist to understand). |
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