Orientalism back?

[sergejnowo]

Сообщение от Eugene

Interesting lot at an auction in geleree Leonid Shishkin
LOT 40.Verush-Kowalski, A. (1849-1915) "Rider"
Canvas /maslo.39 x 30 cm
Expert opinion, VA Petrova
480 000 - 520 000 rub. http://www.shishkin-gallery.ru/aucti...40.html#bottom

Alfred Kowalski-Wierusz a realist, a leading artist of the Munich school of the late 19 th, early 20 th century on the themes "around and around horses.
Not the work itself, not the signature does not inspire confidence.
Вложение 1137073
http://www.google.ru/images?q=Alfred...w=1440&bih=787

wonder how much went away ...?

[Евгений]

Сообщение от sergejnowo

LOT 40.Verush-Kowalski, A. (1849-1915) "Rider"
Canvas /maslo.39 x 30 smEkspertnoe conclusion, VA Petrova
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wonder how much left ...

420 tons rubles. http://www.shishkin-gallery.ru/
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Сообщение от iside

interest in Orientalism is returned. And what are masterpieces in Qatar Museum of Islamic Art !..

Irina thanks for the comment.
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Сообщение от iside

Jean-Leon Gerome, one of my favorite artists, is now an exhibition of his 60 works in the Museum Thyssen-Bornemiza, which will continue till May 22.

Museum Thyssen-Bornemisza http://www.museothyssen.org/microsit...museo1_en.html
An exhibition site of the museum Museo Thyssen-Bornemisza Paseo del Prado 8, 28014 Madrid, Spain
                         Jean-Léon Gérôme (1824-1904)

                                                      From 15 February to 22 May 2011

[Евгений]

Painter, pedagog.Zasluzhenny UzSSR of Arts (1953). UzSSR National Artist (1964). Member of the Union of Artists SSSR.Zinaida M. Kovalevskaya major artist, teacher and master of genre, was born in 1902 in g.Volske.Ee father interested in art and ethnography. Working in the schools of Kazan, he gave lectures to students at home iskusstvu.V Kovalevsky was often an artist P. Benkov, well-known researcher of art of Central Asia prof. BP Däniken, art PE Kornilov, historian and bibliographer P. Dulsky, etc. Almost all of them have been in Central Asia, studied its history, art and etnografiyu.V 1927 Kovalevskaya graduated from the Kazan Art School where her teachers were NI Feshin and PP Benkov, who presided over the growth of its professional skills to the rest of his life.

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Thesis Kowalewski "soap factory was acquired by the State Museum of Tatarstan ASSR.Esche in 1926 by artist shall AHRR, leaves for a trip to the creative collective of Tartary, to the Urals, Siberia, Krasnoyarsk, and paints "Kindergarten", "Melting of Gold," Tatarka, laundress, "" Pioneer, "" Threshing on the farm. " These works professionally not yet perfect, but they say the active interest of the artist to life. This painting exhibited at AHRR in Kazan and Moscow, and also became the property of the State Museum of Tatarstan ASSR.Letom 1930 Kovalevskaya was invited to Samarkand to work as a painter of the Department of Ethnography of the Uzbek State Scientific-Research Institute (UzGNII). Leaving on business trips the Department of Ethnography and Artel Embroidery "work of women", Kovalevskaya studied Uzbek national ornament, performs sketches of embroidery. from her trips she brings a lot of watercolor sketches and drawings of women and children. craftsmen of the old Labor city tells her story picture "craftsman" (1932). Painting depicts a bygone primitive cottage industry and hard work remeslennnka unwinding kokony.Hudozhnitsa saw the entrance to the Shahi Zinda necropolis foolishness of bigots and klikushi.Ona opposes religious dope in "The Whirling Dervishes are deceiving the people" (1935). In an effort to capture new in the life of the Uzbek people, she paints "The youth brigade" - the enthusiasm of young people competing and "Oktyabrina." The New Face of the Uzbek woman, she reveals in the pictures "in bed" (1937), "Winner of Bike Ride" (1939) and others . During the Great Patriotic War, Kovalevskaya, together with all artists, all the force of his talent served as a common cause of defeating the enemy. Already in 1941 it created a significant work, "Young znachkisty" in 1942 - the picture "Return to the victory." Patriotism and humanism of the Uzbek people the artist reflected in the film "In the new family" by showing concern for the evacuated children. The last two paintings were exhibited at the All-Union traveling exhibition "The Patriotic War in Moscow, (dekabr1942 g). Productive work in the war years, the artist paints, suggested by the very zhiznyu.Tak born painting" Children visiting the wounded "(1943). In spacious house on hospital beds lie and sit wounded. In the wide-open door with light spring entered guys brought gifts, and his genuine care nursery lasku.Naibolshim surrounded by the most seriously ill. Here, composite tsentr.Otsyuda artist leads the viewer into the painting to the recovering wounded, came out for a stroll to the sun, to zhizni.Za during World War II pictorial language Kovalevskaya became richer. Expand the subject of her works. In 1943 she successfully defended her thesis work externally on the scenic artist faculty of the Leningrad Art Institute. Ilya Repin. Multifaceted and fruitful work of Kovalevskaya in the postwar years. Art of Uzbek embroidery Kovalevskaya dedicates one of the best post-war paintings of Master of Folk Art "(1947). He served as a prototype for a long time acquaintances and loved it from the embroiderer Artel Trud women." On the boards of the vast courtyard Artel old masters discuss the design and quality embroidery Suzane, the performance of their young pupils. Girls with attention listen live comments highest embroiderers, wiser by experience and knowledge. So in a creative collaboration creates a new work of folk art. The entire group of tightly linked with a finely written scenic surroundings. The ruins of the mosque Ekbi Khanum, the closing track, seem to underline the continuity of the Soviet arts and community art with the artistic traditions of the past. In this picture the artist overcame etude incompleteness, frequently encountered in her previous rabotah.Kartina "Master of Folk Art has received well-deserved recognition of the Soviet and foreign audience (in 1948 she exhibited at the" Soviet Woman in Art "in Paris). Leaving a suburban farms, watching the life and work of farmers, the artist creates works that show the transfigured face of the collective farm village and its workers. These are the "Collection of tomatoes," "Bonuses cotton pickers" (1949), "The Congress noble cotton pickers" (1951). In 1951, Kovalevskaya completes the picture "The first elections to the Supreme Council in Samarkand." It conveys the triumph of the artist's first free elections on Dec. 12, 1937 g.Vmeste with all the people are going to elect their supreme authority and an elderly woman, an Uzbek, and a girl and an old man, hoary with age . In vivid and richly painted the artist conveys the solemnity and importance sobytiya.Vazhnuyu side pictorial talent 3.M.Kovalevskoy is portret.Krupneyshy Soviet painter B. Johanson wrote once: "The portrait is rightly viewed as a vertex of art. The gift of a portrait - this is a special dar.Mozhno own immaculately pattern and form, have coloristic talent, and at the same time ... do not be portretistom.Dlya to be a painter-portraitist, but all the necessary professional qualities you need to have another - more important, the specific ability feel the inner world of man. "This gift, and these qualities have Kovalevskaya. This is evidenced by the performance of portraits of artists PP Benkov and M. V.Teplova.Osobenno interesting portrait of the oldest artist MV Teplova, which soulfully revealed the inner world of an artist-anomalous and still-lifes. Her still lifes - it is life itself, nature. Sometimes, still life and landscape are inextricably fused. This is her still life with fruit in okna.Hudozhniki Samarkand, and with them, and Kovalevskaya, frequent Urgut - the most beautiful place in the area. The result of these visits were the landscape "Urgut" (1957) and genre painting "The ditch" (1957). In "Urgut" poetically convey the beauty in the evening in the mountains. Last rays of the setting sun gilded the mountain, at the foot of which dissolves in the twilight collective farm village. Above the village is spread gray smoke from the fires. By the mountain rivulet kids were driven to the watering ovets.Shiroky swab is replaced here fine painting, transmitting the enchanting beauty of mountain scenery. The story of genre painting "The ditch is simple and pravdiv.Devushki stopped to rest at the arik. One of the "they entered the ditch and refreshed vodoy.S bicycle jumped off and caught the boy teaches girl Field tsvetok.Shutki girlfriends increase her embarrassment. In this lyrical scenes artist talks about waking up the first feeling of love, of the profound changes that have occurred in the spiritual life of the Uzbek youth. This change corresponds to a poetic landscape transfigured sela.Liricheskoe mood is achieved and the expressiveness of a warm color, and emotional life zhivopisi.Tvorcheskoy 3. Kovalevsky and was accompanied by her teacher deyatelnost.Za twenty years of pedagogical work she has contributed greatly to the preparation of Young hudozhnikov.S1932po1949 Kovalevskaya was taught painting at the Art uchilische.Pervye Samarkand, Uzbek artists, painters - Students PP Benkov and 3. M. Kowalewski. In 1953, in Tashkent in connection with the 50-th birthday and 25 anniversary of creative activity Kowalewski took her personal love life-affirming art vystavka.Lyudi Kovalevskoy.Uchenikami Kowalewski are folk artists of Uzbekistan Abdullaev.A.A, Abdullaev.L.A.

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Pavel Petrovich Benkov was born in Kazan on December 8 (December 20 New Style), 1879. He graduated from the St. Petersburg Academy of Arts, where he studied from 1901 to 1906. Continued his education in Paris at the Julian Academy in 1906.
C in 1909 and 1929, PP Benkov taught painting at art schools in Kazan. In the years 1928-29 Benkov traveled to Central Asia, which literally shook its bright colors and all solvent sunlight, which is literally bursting with warmth flowed on the streets of Bukhara, Samarkand and Khiva.

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The artist decided to radically change their fate and move to Samarkand. Agree that a commonsense point of view, the act is ambiguous - to change the established way of life, to leave a prestigious job, students, the opportunity to obtain favorable orders. The artist believed that Central Asia will allow them to truly realize himself as an artist, will fully disclose the possibility of plein air painting.

In Samarkand, skill Benkov glittered with new faces, his paintings were filled with sunlight, they flowed water ditches and fluttering leaves of acacia trees, zaklubilas dust haze south streets and barbecues. And most importantly - he became acquainted with the ancient original culture and new people who genuinely loved and was happy to write about. Since 1930, he began teaching painting Benkov in Samarkand art school. Many famous artists of Uzbekistan it was his call my teacher and mentor, but Republican Art College in Tashkent, now bears his name. In 1939 Pavel Petrovich ria was awarded the title of Honored Artist of Uzbekistan.

To better understand the new life for him and see all the interesting and unusual, Benkov has traveled to Uzbekistan, visited the ruins of old cities and small villages. His work he always tries to write in the air. Large multi-figure compositions and portraits, written by him during this period, literally permeated with light. But with love, he wrote a small Uzbek courtyards and gardens, where a small pond so nice to spend time in the midday heat. These artist's work and today enjoy an extraordinary popularity.

That Samarkand period of creativity did Benkov acknowledged master. His paintings, written at a time can now be seen in museums and galleries in many countries, several of his works are represented in the Tretyakov Gallery.

1.Portret Benkov PP
2 9.Raboty artist Benkov PP

[Евгений]

Pavel Petrovich Benkov was born in Kazan on December 8 (December 20 New Style), 1879. He graduated from the St. Petersburg Academy of Arts, where he studied from 1901 to 1906. Continued his education in Paris at the Julian Academy in 1906.
C in 1909 and 1929, PP Benkov taught painting at art schools in Kazan. In the years 1928-29 Benkov traveled to Central Asia, which literally shook its bright colors and all solvent sunlight, which is literally bursting with warmth flowed on the streets of Bukhara, Samarkand and Khiva.

Читать дальше... 

The artist decided to radically change their fate and move to Samarkand. Agree that a commonsense point of view, the act is ambiguous - to change the established way of life, to leave a prestigious job, students, the opportunity to obtain favorable orders. The artist believed that Central Asia will allow them to truly realize himself as an artist, will fully disclose the possibility of plein air painting.

In Samarkand, skill Benkov glittered with new faces, his paintings were filled with sunlight, they flowed water ditches and fluttering leaves of acacia trees, zaklubilas dust haze south streets and barbecues. And most importantly - he became acquainted with the ancient original culture and new people who genuinely loved and was happy to write about. Since 1930, he began teaching painting Benkov in Samarkand art school. Many famous artists of Uzbekistan it was his call my teacher and mentor, but Republican Art College in Tashkent, now bears his name. In 1939 Pavel Petrovich ria was awarded the title of Honored Artist of Uzbekistan.

To better understand the new life for him and see all the interesting and unusual, Benkov has traveled to Uzbekistan, visited the ruins of old cities and small villages. His work he always tries to write in the air. Large multi-figure compositions and portraits, written by him during this period, literally permeated with light. But with love, he wrote a small Uzbek courtyards and gardens, where a small pond so nice to spend time in the midday heat. These artist's work and today enjoy an extraordinary popularity.

That Samarkand period of creativity did Benkov acknowledged master. His paintings, written at a time can now be seen in museums and galleries in many countries, several of his works are represented in the Tretyakov Gallery.

1. Artist ZM Kovalevskaya - a portrait of the People's Artist of Uzbekistan Pavel Petrovich Benkov
2 9.Raboty artist Benkov PP

[Евгений]

Isupov Alex (Alessio) V.
March 10, 1889 (Vyatka) - July 17, 1957 (Rome)

Painter, graphic artist

Born into a family woodcarver. Original art education in the icon-painting studio. In 1908 he came to Moscow and entered the MUZhViZ, where he studied under Alexander Arkhipov, Vasnetsov, as well as in the studio by Korovin and Valentin Serov. After graduating from college in 1913.
Since 1909 - Member of the Vyatka Art Circle, participated in the organization in Vyatka Museum of Art. From 1910 (until 1915) is regularly exhibited his works at exhibitions of the Union of Russian artists, from 1912 - in exhibitions TPHV, since 1916 - Member of the Association.
In 1914 he was drafted into the army and sent to a reserve regiment in Turkestan. In 1917, exempted from military service at the request of the Union of Russian Artists. In 1919 he taught at the Tashkent regional art school. In 1920 he moved to Samarkand, where on orders of the Commission for the Conservation of Historical and Cultural sketched mosaics and architecture of the ancient city. Created a series of oriental landscapes and genre scenes.

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In 1921 he returned to Moscow. Performed a series of paintings devoted to revolutionary themes, written by request of the Government of a series of portraits of Soviet public figures. In the early 1920's have been found Isupova symptoms of tuberculosis, at the insistence of the doctors he went to Italy, he settled in Rome. In the 1920's - 1930's traveled extensively in Italy, created landscapes, genre scenes and portraits. His paintings quickly gained popularity in European art circles, personal exhibition was successfully held in Rome (1927, 1928, 1933, 1945), Milan (1929-1931), Bergamo (1935), Trieste (1935), Turin (1937) , also participated in exhibitions in France, Holland and Belgium.

The artist's work continued to appear on Soviet exhibitions, particularly at the First State traveling exhibition in 1925, and others. He sympathized with Soviet Russia, was familiar with Maxim Gorky and Soviet Ambassador in Rome, DI Kursk. During the Second World War took part in the Italian Resistance.

After the war he worked relatively little because of progressive disease of hands, wrote mostly still lifes.

Memorial exhibition Isupova passed in Kirov (1971), Moscow (1973), Tashkent (1977).

In his works he has managed to unite the Russian artistic tradition and an excellent knowledge of the techniques of European schools of painting. But in Russia, his name until recently was known only to specialists. This is largely due to the fact that the largest and most productive part of the artist's life took place in Italy, where he gained fame brilliant draftsman and painter, working with a variety of genres: portraits, landscapes, still lifes, domestic violence and animal genre.

Creativity Isupova represented in many European and Russian museums, including the Uffizi Gallery in Florence, the National Gallery of Modern Art in Rome, contemporary art gallery in Milan and Naples, the State Tretyakov Gallery in Moscow. The most significant collection of works by the master has the Kirov Regional Art Museum. VM and AM Vasnetsov, which as a bequest Isupova widow received a large part of the Roman master works (300 paintings).

[Евгений]

Nuremberg Amshey Markovich
Amshey Markovic was born in Nuremberg Elisavetgrad (Kirovograd, Ukraine) in 1887 in the family fishmonger, was the eldest of 10 children.
In the years 1905-1910. studied painting at the Odessa Art College Professor Cyriacus Kostandi.
In the years 1911-1913. lived in Paris and was intimately familiar with all the artists come from Russia, including during the year shared with Marc Chagall in the studio phalange "La ruche." During the Revolution, Nuremberg was a Commissioner of Art in Odessa, then worked with Mayakovsky in "Windows of growth", was a professor of Art Workshops, was one of the founders of the "knife" and participated in many events and has written a number of artistic declarations, including for the "Jack of Diamonds."

In 1921-1922. Nuremberg in the team of artists was sent to Uzbekistan for the organization of architectural restoration. During and after the trip, he created a series of genre scenes and urban landscapes with mosques, ditches and bizarre derevyami.V these studies guessed the total for the artists of the Soviet avant-garde fascination with Cézanne (in 1924, Nuremberg has published a monograph "Paul Cezanne" in VHUTEMAS, where he was Professor of the History of Western Art). This fascination manifested itself in the use of geometric shapes. In the paintings, however, Nuremberg prefer warm yellow-brown color, distinct from the cold blue palette of Cezanne.

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In 1924, the Nuremberg showed their Central Asian work on a joint exhibition with former Knave of Diamonds Falk and Shevchenko in Moscow. Some of these works are kept in the Tretyakov Gallery, the Museum of Fine Arts. Pushkin and the Museum of Oriental Art in Moscow.

1941-1943 Asia: Tashkent
Went to the evacuation, Nuremberg began working at the Union of Uzbek artists. He continued his Asian series beginning 1920. Life in the East has changed little. War is visible only in genre paintings, which depicts market, and queue up for bread. Continued to settle local celebrations, one of which was captured in a bright picture of the "Holiday" 1942 g.Aziatskie of Nuremberg that period kept in the Tretyakov Gallery, the Museum of Fine Arts. Pushkin Museum of Oriental Art in Moscow, the Museum of Nukus. Savitsky (Uzbekistan). An elegant pen and ink "sketches from Tashkent" in 1942 graced the cover of the book Nuremberg "Memoirs, meetings, ideas about art, Moscow, 1969.

[Albrecht]

Born in 1964 in Dushanbe. He graduated from Republican Art College in Moscow Beknazarov and the Moscow Higher School of Industrial Art (former Stroganov). Participated in exhibitions since 1988 Member of the Moscow Union of Artists. Assistant professor of academic painting in MGHPA them. Stroganov.

Themes and images of their works Azzam finds in his native Tajikistan. But in recent years, traveling to Italy and France, except the East, Atahanov discovered and the Western world. His work combines timelessness, mystery and innuendo inherent in early Renaissance painting with a bright decorative traditional Central Asian art. The artist's canvases resemble traditional oriental fabric. Harmony was created in contrasts - of color, light and shadow, matte, shiny and beautiful surfaces, external peace and internal tensions. In the evening light prevails, privnosyaschee mystery and mystique.

Participates in exhibitions: Art Expo, New York, USA, New Classics, the exhibition of Russian art in Vienna and Bratislava, Beijing "Open Russia", "Expression of the Spirit" Gallery "House Nashchokina, the State Museum of Contemporary History of Russia, State Museum of Orient and others

[Евгений]

Falk Robert Rafailovich (1886, Moscow - 1958, Moscow)
Russian Soviet painter.
In 1903 he graduated from Petropavlovsk real school, in 1904 - 1905 studied at the School of KF Juon and IO Dudin, as well as in a private studio II Mashkov.
From 1905 to 1912 he studied at MUZHVZ in AE Arkhipova, AM Vasnetsov, LO Pasternak, VA Serov and KA Korovin.

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since 1910 - a regular participant of exhibitions "The Jack of Diamonds." He worked in the All College of Fine Arts (1918 - 1921), was a professor and dean of the faculty of the picturesque VKhUTEMAS-VHUTEINa (1918 - 1928). In 1920 Falk's work is constantly exhibited at international exhibitions of Soviet art in Berlin, Venice, Paris, Vienna, Stockholm, Tokyo, New York
and other cities.
In 1925 - 1928's designed productions of the Moscow State Jewish Theater (GOSET). Decorations Falk, TX, according to Osip Mandelstam, "the inner plastic ghetto" became an expression of attitude GOSET 20-ies.
In 1928 R. Falk went to Paris, where he lived for nearly a decade. At the end of 1930 he traveled to Central Asia, traveled to Bukhara, Samarkand, Tashkent and Khiva.
Years of military evacuation (1941-43) - in Bashkortostan, and Central Asia (Samarkand). .... Personal exhibition of the artist held in Moscow (1924, 1927, 1958).
His works are in the Tretyakov Gallery, the timing, the State Art Museum of Armenia in Karakalpak GMI them. IV Savitsky, and other leading museums around the world.
Compilation of information (in the internet) about the Falke http://pv-gallery.ru/artist.php?i=42

Добавлено через 7 часов 29 минут
VI Ufimtsev was born in 1899 in a. Barneevka in the southern Urals. After graduating in 1917, Omsk Commercial College comes to learn from the course of drawing and painting, graduating them in 1919 Since that time the active creative activity VI Ufimtseva. At the beginning of a creative way influenced Burliuk, who at that time was in Omsk, with creative presentations Ufimtsev keen futurism and with like-minded form the group "Chervonnaya troika" (by analogy with the capital "Jack of Diamonds"). In 1920, working in the club of the Red Army and participated in trips to agitparohode "111 International", which helps him to develop his artistic position. Fascination with futurism and other latest trends in art, yet does not destroy the realistic basis of his artistic vision.

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In 1921 starts to participate in exhibitions. Since 1923 the artist to travel to Central Asia, the Far East, Caucasus, Siberia, which is crucial to his creative development. He tries his hand at various techniques and genres: from graphics and posters to large-scale paintings, works as an artist in various theaters of Siberia and Uzbekistan. In 1934 he finally moved to Tashkent, where he runs his future creative life. By this time Ufimtsev already an established artist. In his autobiography, in 1935 he wrote: "What I have found the remains after all the quests? A lot. Impressionism taught color. Futurism - quickness and resourcefulness. Cubism and constructivism provided the stability, simplicity, the strength of things, taught surface treatment. Realism - vigor and health. But work is not finished. Study continues. My professors - the life and the viewer. " Since the mid 30-ies. Ufimtsev conducts extensive work in organizing exhibitions and discussions, organize creative teams with trips to New Five-Year Plan, has been actively involved in the creation of the Union of Artists of Uzbekistan. In 1940 he was elected its chairman in 1944, he was awarded the title of national artist UzSSR. Ufimtsev first painting of Uzbekistan has mastered the genre of historical and revolutionary and has achieved in this area desired emotional effectiveness of the active artistic language. In 50-ies. artist often works in the genre of still life and landscape, after traveling abroad 1959-1961,. creates a series of gouaches "Afghan Diary", "Tunisia", "On the roads of India." Ufimtsev constant participant of exhibitions of artists East. During 1959 - 1961 years. held in Tashkent on his three solo exhibitions. In 1964, shortly before his death, the artist donated to the city Angren their work, which formed the basis for exposure gallery, named in his honor. On the eve of 1965 was not Ufimtseva.

[Евгений]

VI Ufimtsev was born in 1899 in a. Barneevka in the southern Urals. After graduating in 1917, Omsk Commercial College comes to learn from the course of drawing and painting, graduating them in 1919 Since that time the active creative activity VI Ufimtseva. At the beginning of a creative way influenced Burliuk, who at that time was in Omsk, with creative presentations Ufimtsev keen futurism and with like-minded form the group "Chervonnaya troika" (by analogy with the capital "Jack of Diamonds"). In 1920, working in the club of the Red Army and participated in trips to agitparohode "111 International", which helps him to develop his artistic position. Fascination with futurism and other latest trends in art, yet does not destroy the realistic basis of his artistic vision.

Читать дальше... 

In 1921 starts to participate in exhibitions. Since 1923 the artist to travel to Central Asia, the Far East, Caucasus, Siberia, which is crucial to his creative development. He tries his hand at various techniques and genres: from graphics and posters to large-scale paintings, works as an artist in various theaters of Siberia and Uzbekistan. In 1934 he finally moved to Tashkent, where he runs his future creative life. By this time Ufimtsev already an established artist. In his autobiography, in 1935 he wrote: "What I have found the remains after all the quests? A lot. Impressionism taught color. Futurism - quickness and resourcefulness. Cubism and constructivism provided the stability, simplicity, the strength of things, taught surface treatment. Realism - vigor and health. But work is not finished. Study continues. My professors - the life and the viewer. " Since the mid 30-ies. Ufimtsev conducts extensive work in organizing exhibitions and discussions, organize creative teams with trips to New Five-Year Plan, has been actively involved in the creation of the Union of Artists of Uzbekistan. In 1940 he was elected its chairman in 1944, he was awarded the title of national artist UzSSR. Ufimtsev first painting of Uzbekistan has mastered the genre of historical and revolutionary and has achieved in this area desired emotional effectiveness of the active artistic language. In 50-ies. artist often works in the genre of still life and landscape, after traveling abroad 1959-1961,. creates a series of gouaches "Afghan Diary", "Tunisia", "On the roads of India." Ufimtsev constant participant of exhibitions of artists East. During 1959 - 1961 years. held in Tashkent on his three solo exhibitions. In 1964, shortly before his death, the artist donated to the city Angren their work, which formed the basis for exposure gallery named after him. On the eve of 1965 was not Ufimtseva.

[sergejnowo]

Last Saturday, the auction Stahl in Hamburg, was sold to the elegant work of Richard Sommer.

Good size, 52 x 93.5 cm, fairly well-known story, with little or no restoration.

Care 56,400 euros, taking into account premium auction.