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Старый 30.04.2010, 14:48 Язык оригинала: Русский       #371
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I would not confuse the righteous with the unrighteous. If you're happy that you put in one number under the heading of "contemporary art" of all these artists, then I can resort to certain classification and refer you to those who believe that modern art - it is barely dried paint. It must either be Weisberg, Bludov, Yanovich, Macs, then we understand that you have no idea what is modern art, or type guys Roitburd, straws, Kadyrova etc.

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gans, pop
but nothing that you have an avatar Chichkan? ie you think Chichkan not work on the basis of pop culture? and Gusev - it pops, and Chichkan - a pop?




Последний раз редактировалось public; 30.04.2010 в 14:55. Причина: Добавлено сообщение
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Старый 22.05.2010, 12:05 Язык оригинала: Русский       #372
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По умолчанию Yakscho

Orange period
Alex Gushin, Pauline Domovitova/21 May 2010

Today, May 21, at the Museum of Modern Art opened PERMM the greatest exhibition of Ukrainian art in the history of Russia - "Yakscho" ("If"). The exhibition presents works created after the "orange revolution" and reflecting the era Ukrainian freemen - Time disadvantaged, but interesting.

In the main exhibition - about one hundred works of thirty authors. The works are grouped under headings: "Independence" (political art and art in public space), "Divokray" (critical reflection of official ideas of national identity), "Phantoms" (Visionary Art), and "The Dreamers" (the art of social and emotional background of today's Ukraine ). All the details:
http://www.permm.ru/yaksho.html
 And the first pictures from the opening - in "Salt".
http://www.saltt.ru/node/1247



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Старый 22.05.2010, 12:29 Язык оригинала: Русский       #373
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Yakscho
A few works from the exhibition.
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Старый 22.05.2010, 13:07 Язык оригинала: Русский       #374
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I liked the EM-Jo. (Although it would be difficult to paint, paint flomasternaya highly corrosive and 3 layer will "float")



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Старый 29.05.2010, 19:22 Язык оригинала: Русский       #375
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По умолчанию About Yakscho.

Maidan relevance

  "Yakscho" in the Perm Museum of Modern Art
 

In the Perm Museum of Modern Art, the brainchild of Moscow gallerist Marat Gelman, supported by the Cultural Foundation "Art Chronicle" and Permian Fund "New Collection" an exhibition of contemporary Ukrainian art "Yakscho" ("If"). The curator of art made by Lady Tar. Delighted - Valentin Dyakonov.

It is difficult to judge the ages avant-garde, socialist realism, or underground, but in Ukrainian art around since the time of adjustment has always been something that the English called sexy . Unlike Russian, it is not shy of sentimentality and easy to detect natural talents, that is the ability to draw. Besides Ukrainians demonstrate keen interest in the body and people in general. It would sound trite if it were about the industry in Hollywood, but in the contemporary art of the Russian capital humanism and sexuality have long been rare. However, the ability of Ukrainians do comprehensible and spectacular images sometimes develops into a crudely wit Chinese persuasion. And the main task of the curator was to keep the natural vitality of the inhabitants of former "All-Russian breadbasket. Renowned art critic Catherine Tar like a real painter masterfully blended in this panorama "warm" with "cold" so that the viewer never feels either in the refrigerator or in a microwave oven.

Читать дальше... 
"Yakscho" consists of five parts. Ground floor Perm Museum is divided into thematic units. The "Maidan" demonstrate the skills of young Ukrainians, for whom the "orange revolution" in 2005 was a decisive event. This art can be called political, although it is not a single gram of superficiality, the usual for the Russian left. The struggle of "orange" to "regions" learned a lot Ukrainians and forced not to divide the politicians to plain black and white and white. Among the young participants in the events in 2005 there is no fan of Viktor Yushchenko and Yulia Timoshenko, but the revolution itself remembered as the awakening of "grassroots" initiative, an opportunity to talk about specific and not to disseminate ideas. A native of Donbass Roman Minin, named chief of the scientific department of the museum Galina Jankowski "Ukrainian Diego Rivera, presented a series of paintings about the miners, mole, central to which is" Underground Lady ", a modern icons, where over Maria hover two angels with the arc of hot metal in hands. Nikita Kadan showed plates with paintings, reminiscent of illustrations in the medical atlas, encyclopedia of torture practiced by Ukrainian police.

One of the major disappointments of the Board Yushchenko became a cultural policy and the orientation of the antiquity - the search for archaeological artefacts trypilska culture, equipping everything that is possible, national ornaments and so on. Painters, spent the night at the Maidan for a just cause, feel irrelevant. Ironic remarks on the topic of Ukrainian national identity are collected in "Divokray. Other sections, "Phantoms" and "The Dreamers", deprived of political implications. Half of the "Phantoms" put under the picture is no exaggeration genius painter Alexander Hnilitsky, who died last year from cancer. In the center of the hall is a kind of memorial to his memory, the installation "Mediakomfort-1" that he created with his wife Lesya Hare Group Institution unstable mind. Entrance to room with video projections and photographs lightboxes decorated tombstones made Maxim Mamsikovym, and on one wall hung late work Gnilitskaya with appropriate and sad as "curtain". Among the "dreamers" were the winner Viktor Pinchuk for young artists Artem Volokitin and winner of "Innovation" Sergei Bratkov with Balaclava Courage ", which is in close proximity to the river Kama, looked even more striking than in Moscow.

The second floor of the exhibition placed under the "History", the three false stories about the past of Ukrainian art. Photographer and curator from Kharkov Andrew Avdeenko brought a selection of "Kharkov wave" 80-90, though without the famous Boris Mikhailov - him in the "Yakscho" wanted to devote a separate section, but the photographer had diverted the case. Did not pass without meeting the Director of the Perm Museum Marat Gelman, the first in Russia Ukrainian fans and enthusiasts of contemporary art. In the dark blue walls exhibited a collection of live classic of Ukrainian painting Alexander Roitburd, an interesting fact that there are mixed primitive found in the trash and work colleagues. As Catherine says Tar, Roitburd long resisted such a mix of professional and naive artists. In her opinion, the mix proves that the images of celebrities and people without a name equivalent. But the section could be viewed as a hymn of openness Southern artists who are not afraid of comparisons with single-craftsmen.

Ukrainians are far less keen on the establishment of departments, elites and sects prevailing in our former metropolis, because of which the artistic life in Moscow, recalls a number of noncommunicating vessels: one solution "relevance" in another - left Moscow Artists ", in the third - "traditions of the Russian school." Alchemists in the south have a secret blend of these components and make them visual bomb. Of course, one reason for such freedom is lack of development of institutions, ie a situation where the artists do not have to share the prize, museums and increase their status through the right place and right time.

The first draft of the Perm Museum - Exhibition "The Russian poor" has served many decorating parallel program third Moscow Biennale, even competing with the exceptional power project, Jean-Hubert Martin. There is a feeling that "Yakscho" could become a hit Biennale number four. But so far no plans to carry sponsors exhibition in Moscow.

http://www.kommersant.ru/doc.aspx?Do...681&ThemesID=9



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Старый 12.09.2010, 23:54 Язык оригинала: Русский       #376
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From my collection of A. Hnilitsky.
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Старый 13.09.2010, 08:13 Язык оригинала: Русский       #377
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"Angel playing the flute in 1982
And would accept for the work Roitburd, if asked for by name.

It seems, no?



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Старый 13.09.2010, 10:37 Язык оригинала: Русский       #378
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public,
Цитата:
but nothing that you have an avatar Chichkan?

nothing!



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Старый 13.09.2010, 12:01 Язык оригинала: Русский       #379
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Perhaps there is something, but at first glance.



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Старый 26.11.2014, 14:44 Язык оригинала: Русский       #380
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По умолчанию At Sotheby's Contemporary East sold 9 out of 10 Ukrainian lots

Yesterday, November 25, was held in London Sotheby's auction of the East-European modern art/Contemporary East.
At the auction, 9 of the 10 Ukrainian lots went under the hammer.

The auction was presented 10 works of Ukrainian authors. Among them: the works of Viktor Sidorenko, Oleg Tistol (separately, as well as the project Mykola Matsenko - "Nazprom"), Roman Minin, sculptor Nazar Bilyk, Oksana Mas, Alexander They, Oleg Kulik, Pavel Makov and Boris Mikhailov.

"Auction for Ukrainians went very well, which cannot be said about the Russian artists. Just sold lot 33 of 70 presents, 9 of which are Ukrainian. For the first time at auction in London Ukrainian artists take almost a third of all sales," says co-owner of the auction house "Golden Section" Mikhail Vasilenko.

The most lively auction was conducted for the work of Oleg Tistol "Caucasus" - when the assessed value of 5-7 thousand pounds, the lot was sold for 15 thousand pounds. This work two years ago was sold at Kiev auction AD "Golden ratio" for $ 5,500, notes Mikhail Vasilenko. "Thus, the price of this work for 2 years has increased more than 4 times - up to $23500," he stressed.
The work of Oksana Mas bought for the same amount of 15 thousand pounds, at the first assessment in 8-12 thousand pounds.
The trades were for picture Roman Minin, which sold for 5,250 thousand pounds (estimate - 2-3 thousand).
The work of Viktor Sidorenko is the most expensive Ukrainian lot at the last auction has sold over 20 thousand pounds. Initially, it was estimated at 15-20 thousand pounds.


"Our authors continue to gain the attention of European and domestic collectors. On the other hand, has deteriorated auctions of Russian art. Many of the top lots of Russian contemporary remained unsold. Apparently, the sanctions do work, and Russian buyers are not art," explains Mikhail Vasilenko.

Total sales for all lots was 1,104,875 pounds, of which the share of Ukrainian operations accounted for 82 thousand pounds.

"our Prices are significantly lower than those of the Russians. However, the quality is very high. Still working the top ten Ukrainian artists should cost over $100,000 to have to be able to compete in the global investment market of art. However, it will be possible after the country out of crisis", - says Mikhail Vasilenko.

Section Contemporary East created in November of last year. This Ukrainian lots were shown under Russian auction (Russian Sale). However, due to the growing interest of the global art market for art in Eastern Europe, particularly Ukraine, was created as a separate section.



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