How to unleash the artist

[Pablo]

Peter, I do not argue with that statement at all. Only if you do not mind , I might add -

Сообщение от Peter; 2732481 "

understands what and how (sometimes) done before him, thus giving direction

made to him by someone and given a choice of finished directions !

I do not mind learning to who needs it ! I'm for self-education ! Self gives independence from accepted norms and dogmas ! It gives you the freedom to write what you want and how you want! If it is possible I will go to study, but I will not look for this feature specifically .

[Buscador]

Сообщение от Pablo

here explain to me why you think that you are right?

I expressed my point of view.
And as I am right or not is not for me to decide, and artists ... (in these matters).

[Seriy]

Pablo, what to learn? yes to everything, starting with the history of painting, what every artist is interesting that he has brought new? If you think that it is somewhere written in the books, you're wrong, then that is written for everyone - practical training value of the artist does not have.
The composition is a very complicated issue. Yes, Kandinsky, the genius of composition, wrote a book. I have read. Do you think it helped me to create powerful sounding songs out of nothing, as Kandinsky knew how?
Color pictures of the construction is a very complex issue. Starting with the fact that the paint is a convention, if you attach the brightest pink dye to the flower petunia, you will see that, compared with the nature, the paint is not pink, and almost gray. The palette of the artist and opportunities to work with the color very conditional. Simply put, you can not copy nature, no tools. It should be again, having what is on the palette, create wealth color, sound, that turned rosy pink. It takes so much time and effort that all the painters come to a rather limited palette, the one that they have successfully mastered, and do not change it to the end of life. A mixings? that, from a tube to write? but, again, you can not mix everything will be dirt, there is a stable set of mixtures of colors that work ... and so on and so forth. To study and learn.

 And, the first call at the last one - you're talking about a romantic profession of the artist, but probably most of the artists in their work are not engaged in self-expression, and work in the specialty-painted church, restored, working on the interiors, teach, work for artists porcelain factories-many application fields where the need proven skills and techniques and do not need any self-expression and individuality.

[Кирилл Сызранский]

Сообщение от Pablo; 2732541"

Self gives independence from accepted norms and dogmas !

One amateur artist " educate themselves " and two years could not understand what oil paint should be thinned with diluent , well into his art store prompted . <! - ~ 7 ~ ->
A year later, someone told him about the "tee", about underpainting, glazes ... <! - ~ 9 ~ ->

[Pablo]

<! - ~ 7 ~ ->

Well, it's a .... shall I
 

Сообщение от Cyril Syzransky

"tee"

Thank you!
Only the "Solvent"
<! - ~ 7 ~ ->

[Кирилл Сызранский]

Сообщение от Pablo; 2732601 "

Well, it's a shall I ....

It's practically your portrait - You're just an amateur, but with the Internet and pride in his ignorance , but then there was no internet , and go to the library one shy lover and his shyness explained unnecessary for reading books, the desire to " independence from the accepted norms and dogma ".

[Pablo]

Cyril Syzransky, a lover of course, I'll never studied <! - ~ 1 ~ -> And freedom - the main thing in painting.
I think you have already guessed <! - ~ 1 ~ ->

And about the "shall I" - I was referring to something else, but oh well.
But what's the shy - I do not understand, really.
You talking about?

[Кирилл Сызранский]

Сообщение от Pablo

But what's the shy - I do not understand, really.
You talking about?

About lover of my message.
He hesitated once again to ask - afraid of ridicule may seem ignorant fear.

[Pablo]

Cyril Syzransky, these fans was always full . And happened, they became masters. As for me - you will not believe, but I never hesitate to clarify the point. Therefore, if there are issues with me personally , or with my self-expression - it is easier to write in drugs, because here I was forced to answer . We have so accepted in Mariupol <! - ~ 1 ~ ->

[Pavel]

Сообщение от Cyril Syzransky

About the lover of my message.
He hesitated once again to ask - afraid of ridicule may seem ignorant fear.

Very poorly thought out COP Any beginner could take a book for budding artists or ask someone or go to the studio.

Added after 9 minutes

Сообщение от Cyril Syzransky

These are the top 20 works of Russian artists living to Russian auctions.
There is another top living there Kabakov, Bulatov, Tselkov , Fajbisovich , Yankilevsky , Nemuhin , Rabin , Bruskin , Komar /Melamid and the prices are much higher. <! - ~ 1 ~ ->

This is not another top and not at the top . This is the price at the moment, as well as the living. It is necessary to understand in each case. Who sold , who bought it, which sold the one who bought and for how much. Tops is the result of long-term observation , not by higher prices at the moment.

Added after 11 minutes

Сообщение от Cyril Syzransky ; 2729691 "

Why is the Tretyakov Gallery in 2008 made ​​a huge exhibition " Oscar Rabin . THREE LIVES . Retrospective "?
Why Tretyakov said his "outstanding individual craftsman with a deep sense of the world "?
Why French President Francois Mitterrand , seeing the work of Rabin , dropped a phrase that immediately bypassed all the newspapers : " This picture , I 'd love to hang at home! " ?
__________________

 Still curious to know why the last.

Added after 14 minutes

Сообщение от Cyril Syzransky

a retrospective mentioned in the Tretyakov Gallery, of course, even more pushed further rise in prices.

This is a question about promotion.
That's what forces are involved and what kind of money that must be vohvraschat