Boris Kocheyshvili. Life in Art

[Тамара]

Well, that ended both the Moscow exhibition of Boris Kocheyshvili ...
 The artist is very happy - Pauline Lobachevsky did in his gallery is truly a great project!
     Lobachevskaya caught as the main theme of the shore of scenic areas of life - a theme that permeates through all the creativity of the artist. And on this thread, beads strung as their solutions and ideas for the project. Three-meter screen with video art by Alexander Dolgin (figures, descended from an art-piece Kocheyshvili a long, stretching into the sea supposedly static, the movement of water around them and the clouds, rain splashes - this complication of the plot), fluid sax Alexei Kozlov, slide-show of the artist which traces the history of painting and existence on the banks of the Oka Kocheyshvili in Tarusa. All this constant theme brings us back to the main theme, which was affected by the project: "the" bank and "this." And on the shore of what we are? And if we do this, what we see across the river, on an opposite shore?
 Sound, motion and light introduced into the exhibition space by other authors, did not diminish the importance and beauty of graphics, paintings and relief works by the artist. On the contrary, they emphasized the independent and voiced harmony and a high degree of aestheticism inherent Kocheyshvili

 And the chamber exhibition at the gallery, too, failed 2.36 - I think the artist was pleased to see their work in the museum's design for "nails", has not yet cooled from the previous exhibition of Rouault)))

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Inspired by the extremely warm reception by the public and collectors of the artist is now in "good shape" and a lot of work.
Publish some new papers, light and sunny, written in the fall and has not exhibited to the court of art lovers.

All the works: canvas /acrylic, size approximately 100h110 see

1. "On the Beach".
At the moment - my favorite job. In the photo, unfortunately, a lot to lose.
In nature the same - very elegant and complex shades of muted colors, and in addition to written translucent brushstrokes, creating a picturesque little vibrating surface.
 Such is the "light of the world." )))
 
2. "Equilibrium"
- The so-called picture of the artist.
 Well, for me, so this equilibrium is yellow, sunlit towers of Horizons kruglyaschihsya green fields.

3. "Forest Edge"
or even a "Glade". This motif, or a compositional device, one of the most favorite among Kocheyshvili.

4. A fragment.

5. "Blue and Yellow."
This here, staggering under the blows of the sun and glare blue skies still life. This is very close repetition of small paintings, dating from 2009m year, perhaps I have already published it on the forum.

6. "Hydropower".
Or "Little House on the shore." The last exhibition was inspired by the artist to create a series of new works on the "coastal" theme.

[Тамара]

Inspired by the very warm reception by the public and collectors of the artist is now in "good shape" and a lot of work.
Publish several new works, light and sun, written by this fall and has not exhibited to the court of art lovers.

All the works: canvas /acrylic, about the size of 100h110 see

1. "On the beach".
At this point - my favorite work. In the photo, unfortunately, a lot to lose.
At the same nature - a very elegant and complex shades of muted colors, and in addition to written translucent brushstrokes, creating a picturesque little vibrating surface.
 Such is the "light of the world." )))
 
2. "Equilibrium"
- The so-called picture of the artist.
 Well, for me, so this equilibrium is yellow, sunlit towers of kruglyaschihsya horizons of green fields.

3. "Forest Edge"
or even a "Glade". This motif, or a compositional device, one of the most favorite among Kocheyshvili.

4. Fragment.

Five. "The blue and yellow."
This here, staggering under the blows of the sun and glare blue skies still life. This is a very close repetition of the small paintings, dating from 2009m a year, maybe even I have already published it on the forum.

6. "Hydroelectric power".
Or "Little House on the bank." The last exhibition was inspired by the artist to create a series of new works on the "coastal" theme.

[fabosch]

Monument tube also liked

[Тамара]

And three new works:

1. Black River .

This picture of the week and did not live in the studio. "Alas " - from my point of view, to me it still seems not quite the riddle. And "Hooray " - from the perspective of the artist. After all, nice when just written, still very " fresh" is the work of an instant recognition among collectors.

2. The field .

The next " hello Cezanne " - so the picture with glowing green mosaic plane is the artist himself. This picture - a real puzzle. First, the eye is lost among the " fields", but gradually begins to emerge a clear landscape : foreground, the background, kind of abstract postoroyka ...

3. Dinner by the river .

A similar plot, but in the technique of "paper, acrylic ," and in the smaller size exhibited at Hudgraf 2011 in the Small Arena.

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And several new graphic sheets.

Technique "coated paper, ink, sharpened stick"

[Тамара]

And a few new graphics sheet.

Technique "coated paper, ink, sharpened a stick"

[mihailovoh]

Is a rare and very interesting work , Boris Petrovich
 Landscape ( the homeland of my ancestors Association) 1980. org \\\\ oil 83-87
 Here the image is diluted with oil and at the same time, some places are registered pastozno.Tak characteristic in the future graphically adjusted angles and the flow of water ( or dyma.kak perceiver .) And on the back of a full description of the characteristics of work ( from what Boris P. ..... away in the future )
Photos of a few more holodnoe.chem rabota.no itself from this even stronger effect on the viewer.

[Тамара]

Thank you, Alexander ! Publish the work - in a couple of paintings from your collection.
This canvas is dated a little earlier years, but has the same smoky blue coloring. Interestingly, the texture of painting in the works Kocheyshvili
end of the 70 has more expressive . but less independent nature. And it is in the paintings of the early 80 's begins to develop "firm" , easily recognizable style of the artist graphically .

The work is called " Girlfriend " , is dated to the second half of 1970 and comes from the collection of Nicholas Milk .

[Тамара]

I would now like to introduce costly Thread to rather unexpected series of graphic Boris Kocheyshvili . Unexpected , because one day find his own style and way of art artists rarely come back to the basics , ie Learning drawing nature.

But it so happened that in the mansion in Clear Lane, where they were based in Moscow , four artists started going to pose a very beautiful young girl, half Russian and half Cuban .
And now twice a week in one of the workshops is going pretty motley company and draws a girl Amy.

Figures Kocheyshvili very different from what they are doing in these sessions, other professional and semiprofessional artists.
Presenting the distinguished audience some pictures of nudes from the last session of drawing.

[mihailovoh]

Tamara,

The fourth (with a pitcher) interesnaya.poluchitsya wonderful picture in the style of Boris Petrovich.

[Тамара]

Yes, I like this design . And others, too, please.

Interestingly, on the one side of the image is clearly stylized Artist's Model , as it were " simplified " up to the usual ( not taken from life ) schemes , graphics artist. On the other hand , despite the obvious grotesque in all shapes Kocheyshvili very " precise " figure : the expression of posture and balance of body parts , meaning this or that movement tell us about the long-term and very closer study of the plastic device and the human figure. And this is true - the artist does not cease to repeat in his interview that he was always most interested in the art of image space and the sculpture of the human (mostly female ) body.

Yet a number of field sketches Kocheyshvili

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And here are a few tracks from the contrived Kocheyshvili head (Series Winter 2011-2012).
It is obvious that inhabit their characters are very similar to full-scale drawings of the artist, although significantly, and that they are more grotesque and more schematic.