Technique of oil painting and preservation of paintings

[Seriy]

Administration:
Could subject:
Engineering an oil painting and preservation of paintings,

a separate, move back all the messages to art history because they have no relationship, and many interesting.

Added after 4 minutes
Land is not to write? ie Ohrami, Siena, Umbria, Van Dick? and what to write then? What might happen to ocher? I thought that nothing is safer just not there.

[Grigory]

Сообщение от Seriy

Administration:
Can you subject:
Engineering an oil painting and preservation of paintings,
a separate, move there all the messages to the fine arts as they have no relationship, and many interesting.

Of course you can! Made ...

[NATA NOVA]

Сообщение от Artem

Pavel, with a palette of clear, but let me ask, on what grounds the canvas and you write a very important moment? From soil can paintings and darken and turn yellow and crack prematurely.

And me and the palette is not clear. what. Paul actually had in mind?
And about the canvas zotela ask: What do you think about jute, coarse, negruntovannogo?
And who knows what the composition of conventional fiber burlap?
And can we get hemp canvas? (Where? Buy!)

[Pavel]

Сообщение от Artem

Pavel, with a palette of clear, but let me ask, on what grounds the canvas and you write a very important moment? From soil can paintings and darken and turn yellow and crack prematurely.

I think the ground is not very important, it is important to make a good sizing. Canvas nonprincipal You can also write on any canvas, most importantly it correctly and securely glue. Grunt I usually do myself: a glass of PVA glue, chalk, glass and glass zinc oxide. Last time I do not have zinc oxide, do not know where to get it. Primed just painting white acrylic primer. turned plastic thin soil, which can even scrape a knife. Another took the white paint on the wall and add an acrylic adhesive. The greater the adhesive pulls the lower ground. If your soil does not pull so the paint does not befit and poorly kept. Acrylic paint is made on the basis of titanium white powder and white is a good foundation.
Purchased primed canvases, I fear, often peregrutovyvat had.
Basis of Western primed canvases, acrylic.
The black paint is made up of blue red and yellow. Feel what potential options. It also has the impressionists, instead of black: sinyayaprusskaya or parizhskayai kraplak.
In painting, the most important-expression. This contrast. Therefore Matisse used black as complementary to white. LJ. bone.
Tamnaya and bright palette is at the Van Gogh and the Impressionists, or vice versa.
Chei more colors you mix, the closer to the gray wake. It's not kolichchestve tsetov for the preservation of paintings, it is important chtobyKraska lay down on the basis of well-dried. If a second layer of glaze or something to communicate to be varnish, the paint or on the base. But if the first layer is not dried out, forget about the bright painting. All darken a week.

[NATA NOVA]

Сообщение от Pavel

Last time I do not have zinc oxide, do not know where to get it.

And what do not like titanium?

[Pavel]

Сообщение от NATA NOVA

And what do not like titanium?

Dry white.

[NATA NOVA]

Сообщение от Pavel

Dry white.

Powdered titanium dioxide is the same dry white ..?

[K-Maler]

Сообщение от Sima

transformations in organizational nice if someone would create an altruistic theme of technology and have shared their knowledge. There and discussion would be interesting. Recent posts read with great enthusiasm. Thank you all.

Dear! Already several times reissued "painting technique" DI Kiplika (professor of the Academy). Once again I am writing Imprint: Moscow, ed. "SVAROG and K" 1998. There, everything: what to mix with what, from which darkens, and may not do ... that is important, because many owners spoil their works ... example, coating varnish with each subsequent sale, which is unacceptable .... and a lot of little things (but it's not exactly little things) ... On the same colors in detail. There is a three-volume work of Professor Slansky.

[NATA NOVA]

Сообщение от K-Maler

Dear! Already several times reissued "painting technique" DI Kiplika (professor of the Academy). Once again I am writing Imprint: Moscow, ed. "SVAROG and K" 1998. There, everything: what to mix with what, from which darkens, and may not do ... that is important, because many owners spoil their works ... example, coating varnish with each subsequent sale, which is unacceptable .... and a lot of little things (but it's not exactly little things) ... On the same colors in detail. There is a three-volume work of Professor Slansky.

Thank you. Kiplika good to have. Where vzzyat?
We might upset you? Is the problem?

[K-Maler]

Сообщение от NATA NOVA

Thank you. Kiplika good to have. And where to get?
We might upset you? What is the problem?

I have no problems, I had intended to help. I was surprised that with great interest to the problem of painting techniques and problems with safety of the paintings, almost no one questioned the special literature, and many reprints, which can be found in libraries (of art schools, etc.). So your problem.