"DER BLAUE REITER" in Baden-Baden

[uriart]

Sandro, Thank you very much for communicating with prkrasnym!

[Seriy]

dedulya37, many people use Tekhniki needs-some small eskiziki, ideas, samples, or sketch the big picture, Leonardo straight glue cartons in order to obtain large size ... but that's so-so day after day, as the basic material? besides Bacon immediately to mind, and no one comes ... Now many believe cardboard (cardboard, fiberboard), bad taste, it reduces the alleged safety of the picture and therefore cheaper work. In the Tretyakov Gallery of Basil on the canvas (I'm always the first thing I go to watch the edge-on fabric than it is written and in what state basis).
The forum Exhibiting works almost 100%- oil on canvas
So my question is not idle, Vasily the fact there were some specific reasons ... I do not think in Germany in the beginning of the century with linen canvas were interruptions.

[dedulya37]

Сообщение от Seriy

dedulya37, many people use Tekhniki needs-some small eskiziki, ideas, samples, or sketch the big picture, Leonardo straight glue cartons in order to obtain large size ... but that's so-so day for afternoon, as the basic material? besides Bacon immediately to mind, and no one comes ... Now many believe cardboard (cardboard, fiberboard), bad taste, it reduces the alleged safety of the picture and therefore cheaper work. In the Tretyakov Gallery of Basil on the canvas (I'm always the first thing I go to watch the edge-on fabric than it is written and in what state basis).
The forum Exhibiting works almost 100%- oil on canvas
So my question is not idle, Vasily the fact there were some specific reasons ... I do not think in Germany in the beginning of the century with linen canvas were intermittent.

My answer to you in order.

1. How do the artists I know not by hearsay.
2. Not only Leonardo glue cardboard to have a complete picture of the picture, they are usually painted burnt charcoal.
3. Usually at the scene, especially on long journeys, on a canvas much can not be helped - and so difficult to carry a large sail. A lot of raw canvas in a pack home not uvezesh.
4. Bacon also have a lot of other artists, usually working on cardboard, and even on thick paper such as "torchon" or drawing paper.
5. If properly primed cardboard or thick paper, the ink is kept fairly tight, although I agree with you here, canvas, of course, reliable.
6. Bad form to write on the cardboard, hardboard, and fiberboard are only those that are generally "can live a day without writing anything, these artists write at all that fall under the hand, and some" pocherkushki or nashlepki "can cost more than some great pictures, examples Besides mass.
7. I would advise you to first consider the case painting or sketch, and after that on which they were written, although I doubt that you will Tretyakov "linen-look edge on what is written and in what state the basis" , because paintings usually within.
8. "The forum All works almost 100%- oil on canvas" - view the entire forum again.
9. The answer to the question "to what Kandinsky wrote," is derived from paragraph 6 of my message.
10. In Germany and now with linen canvas, I think, no problem.

[Кирилл Сызранский]

Сообщение от dedulya37

but I doubt that in the Tretyakov Gallery will allow you to "watch the edge-on fabric than it is written and in what condition the foundation, because paintings usually within.

That's right. But you can nail shelknut ... : D

[Seriy]

Thanks for the answer of which remains unclear why so many Kandinsky in Germany, wrote on the cardboard.
And so I realized that nobody in the Tretyakov Gallery was? is affordable and you can see that Kandinsky hang without a frame and not on what clicking is not necessary to consider the sail.

[Кирилл Сызранский]

Сообщение от Seriy

Kandinsky hang without a frame

Yes, this is so, there is canvas and is visible at once, I wrote not only about Kandinsky. : D

[Seriy]

Yes, Symphony, rowers on the lake and something else ..

[Кирилл Сызранский]

Seriy, remember the name of one work, "Composition number 7."
She was the first from the corner, where hangs Jawlensky, to the right of it.

[Sandro]

Сообщение от Sandro

As to the assembly "museum Kandinsky in Munich look Monday at a luxury catalog of the exhibition, he's in my gallery.

Lord, the directory was only available in German, I know him Pts. bad information in it the sea, so that anyone interested can give a read ...
That's what I understood about the meeting Galleries in Lenbahhauz:
entire collection of works by Kandinsky, Munter and others of the period "Blue Rider" until 1957 was kept in Murnau at the doctor Eichner Keller, for her look, and presented Gabriele Munter. That year is now world-H-K. Roethel was appointed Director of Galleries, before that from 1945 to 1949 he was the keeper in Central Collecting Point in Munich, and from 1949 to 1957 curator of the Bavarian Staatsgemaldesammlungen (art collection).
G. Munter said in February 1957, a gallery owner Otto Stangl, who has previously exhibited work, and who also claimed the collection: "We had hoped for the Bavarian State Picture Collection, but they have been for decades is no place for the collection ... As soon as Dr . Roethel appointed director, Dr. Eichner heard when he visited the Institute of Culture, to celebrate that he begins to restructure Galleries. Then everything went even faster. First, we first showed his collection of Kandinsky. Then he was made to public and organized transportation ... Dr. Roethel, moreover, was the man who will give a correct image collections - what happiness! "
Munter also allocated a large archive of Kandinsky and gave a significant number of his own works.

[Seriy]

thanks .. t th it was a property Munter.
What if life on Kandinsky was no demand? once he left Munter ...
may be why he wrote on the cardboard, because of the money, and easier to store.