Actual Art ... by Marat Gelman

[K-Maler]

Сообщение от Eugene

In Russia, the actual art emerged in the late 1980's, but in our country it is, though designed for Western markets, has never been rebuilt as a sector of the economy, did not have the infrastructure

It does not appear, it bvlo formed somewhat artificial, mingled with politics ... "Aktualisty" against "normal" painting ... In 93 he was released book "Who's Who in the art world of Moscow. That's where these 50 geniuses are listed, along with the concepts ... There are gems like "ashamed to write oil" ... and the sighs that we do not have in America ...

[Евгений]

Сообщение от K-Maler

In 93, he was released book "Who's Who in the art world of Moscow. That's where these 50 geniuses are listed, along with the concepts ...

It is interesting to see how there was the creative life of these 50 artists?, Write a few lines if possible.

[Art-lover]

Reading the texts of Marat Gelman, it is useful to keep in mind that one of the professions of their author - political strategist, that is an expert on brainwashing. In other words, we must remember that it is not merely describes and analyzes the subject, but also tries to influence it (in this case the market Sovrem. Art) for themselves in the desired direction. Here and reduced paper clarifies the philosophy rather Gelman and some aspects of his work, what gives a true picture of artrynka (in 2005. - The year of publication of the article). The base, which is MG brings under his art-market ideology, not very fundamental. Overexposure begin with the first row (the improper mixing of fashion and actual) and escorted to the full article.
This is not so serious text to hold his detailed analysis, but it's fun to reveal its basic postulates, because They wandered for many gelmanovskim texts of recent years.

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Gelman - serial statesmen. Its market scheme is generally based on the principles of socialism and the barracks of the slave society.
Ideal Marat - forming subsidized by the State Museum and art galleries vertically, the main function of which will be an expert selection of several dozen "promising" artists to further their exploitation (mentoring) and the introduction in the history of art. Control the entire hierarchy must - you know who.
The rest of "creative units calling themselves artists, waiting Famine. For the optimization of the market requires creative weaning. biomass that has not been a gold half-ruble favorites, from:
- Serious (the wealthy) collectors;
- Exhibition space;
- Media assets;
- All forms of subsidies.

This is the basic ideological framework. The rest - the rhetoric, wound on him.

"In professional (gallery owner or a representative of the museum) no taste in the conventional sense. He has a bias. There is a vision."

Guess who will have the monopoly on the "passions and vision" in the case of implementation of the proposed "market" schemes?

[Евгений]

Сообщение от Art-lover

This is not so serious text, to conduct a detailed analysis of its

No need to disassemble it, it's just the opinion of a curator (talented) and all.
Subject: the actual art of Russia, write their own, let's links to interesting articles on this topic, any information useful for business ..

[Art-lover]

Сообщение от Eugene

No need to disassemble it, it's just the opinion of a gallerist (talented) and all.

Eugene, whose views are not necessary to disassemble? It would be nice to post the list ...

Talents outstanding former gallery owner, no one thought detract from, but they have, to my regret, many fans. For example, in Kiev, some of the current grand gallery owners at the time literally took the leadership of the idea of a forced Marat brendirovanii market aktualschikov through willful purpose-dtsatki artistic genius and the principle of discrimination of their potential competitors, are not included in the calendar.

Incidentally, when the Gelman in the mid-90s justified the introduction of Russia's art space program strict censorship and repression, he argued that this draconian program is designed for a year, and then you can connect the mechanisms of self-regulation of the market. But we see that many years later, the project remained relevant to Gelman.

Another cross-cutting idea Gelman and his supporters (worms?) - An early collapse of centuries-old way of the art market because of improved technology of reproduction. In this connection I should like to quote here an excerpt from the article Yu Avtonomova "Looking at art through the lens of economic theory with the review of alternative views about the authenticity of works of art. But the article struck me as interesting in other respects, so I want it to offer a whole - http://forum.artinvestment.ru/showth...045#post305045)

Сообщение от Sergeyitch

This is what it was about? I think many do not know how I like. Who is it justified and how can this be accomplished?

Program under the characteristic title "What to do" was published by Gelman in 1998. It has been preserved in the archives of the Art Primer GiF.Ru.: http://azbuka.gif.ru/important/guelman-chto-delat/ Fortunately, Marat did not have enough influence to full implementation of its proposed strategy.

[Сергеич]

Incidentally, when the Gelman argued in the mid 90s the introduction of Russia's art space program rigid censorship and repression, he argued that this draconian program is designed for a year

This is what it was about? I think many do not know how I like. Who is it justified and how can this be accomplished?

[Евгений]

Art-lover, Thank you for your interesting comment, "do not have to dismantle" the meaning was not a fan of drugoy.Ya Gelman, but rather the contrary.
Best regards.

[K-Maler]

Сообщение от Art-lover

program under the characteristic title "What to do" was published by Gelman in 1998. It

To quote from an interview of one of the artists M Gelman, A, Ter-Oganyan: "In these works, as it were simulated practice and abuse: abuse of the mother, abuse of religion ... The characters of the Great Patriotic War, etc."

[color="# 666686"]Added after 8 minutes[/color]

Сообщение от Sergeyitch

This is what we? I think many do not know how I like. Who is it justified and how it can be done

Here he was realizing that supporting this kind of "artistic event." I quote further (Ter-Oganyan): "Epatage for me is a form of contemporary art, to continue its Dadaist tradition." This is from an interview after Cetinjski III Biennale (1997), where they performed desecration of icons and threw him out and Metropolitan of Montenegro demanded to close the exhibition ... financed by the Sorosa.Tsitata on Medvedev's book "The Rape of Europa"

[Кирилл Сызранский]

Сообщение от K-Maler

financed by the Soros

Do you think that Judeo-Masonic conspiracy?

[K-Maler]

Сообщение от Cyril Syzransky

Do you think that Judeo-Masonic conspiracy?

I do not know the details of the Soros Foundation and least of all would like to discuss in this vein, it could trigger something like "Sarah" ... I mentioned the name of Soros, because he is a sponsor of "modern art" is mentioned in the book ... The reasons for his interest in this unknown to me. Please note, somehow it turns out that the actual content of this art, ie utterance as a text about something, no one discussed, as if no object ... The scandals come at the direct action ...