Aivazovsky

[Игорь Гурьев]

Сообщение от Artem

The work itself, the author of a topic, it is very weak.

And I would not say so.

In my opinion, it is in the "Aivazovsky" level.

[аркан]

Comrade.
Ignatov answer that for this image can not say anything.

[Кирилл Сызранский]

Сообщение от noose

Art.
Ignatov answer that for this image can not say anything.

There, you see?

A comrade.
Nicholas Levenko able to say something on photography and for rapid consultation ("to take - do not take it, bother - do not bother") that, I think that's enough.

[Артём]

Сообщение от Guriev, Igor ; 2607501 "

completely on " Aivazovsky " level

We had some tricks Aivazovsky letter selection limited palette. Sometimes you look at a picture of Aivazovsky and think, " How thin as talented! " I did not even see that someone made ​​a copy of the normal , and stood next to me and made ​​copies of the guys from the Academy and no one Aivazovsky was unsuccessful ! And to make up clear water - it's not. Once read , though I do not remember the author, as Ivan K. teach an artist to write Sea , which colors should be mixed up . Knowing the color , stretch marks used by the author to achieve the effect of his paintings is extremely difficult. Believe me, I copied it three times in a museum, not on the pics - very easy ! And byromu insert some boats and disperse fleytsem sea - a simple matter .

[Pavel]

Сообщение от Artem

Aivazovsky have had some writing techniques , the choice of a limited palette. Sometimes you look at a picture of Aivazovsky and think, " How thin as talented! " I did not even see that someone made ​​a copy of the normal , and stood next to me and made ​​copies of the guys from the Academy and no one Aivazovsky was unsuccessful ! And to make up clear water - it's not. Once read , though I do not remember the author, as Ivan K. teach an artist to write Sea , which colors should be mixed up . Knowing the color , stretch marks used by the author to achieve the effect of his paintings is extremely difficult. Believe me, I copied it three times in a museum, not on the pics - very easy ! And byromu insert some boats and disperse fleytsem sea - a simple matter .

Aivazovsky painting technique was simple enough , and allowed him to work very quickly , so it was a lot of his paintings are on sale not long ago , before it went up . his painting technique , academically based on conventional paints for the academy , as well as lacquers . Therefore, the aging kartrny have dark brown tone to some extent.

[молевич]

In Aivazovsky painting spectacular , but not thin.
Here's take for example the work of Dubrovsky , who was not seascapes .
Kolichetvo painting techniques are much more than that of Ivan Konstantinovich.
Aivazovsky of discharge , paintings , carpets , on stenu.Dannaya picture completely on its average level.
The artist does not choose the subjects of his works, makes her choose what inside the hudozhnika.Ayvazovsky wrote and was extremely sea sick and I am sure that not every picture he burned and brought to the end.
This picture shows that not all the paintings are exclusively masterpieces.
With uvazh.Vadim

[Артём]

Сообщение от Pavel; 2608171 "

of his painting technique , academically based on conventional paints for the academy

Pavel, that's what's this?
Of course conventional paints . Unusual combinations of colors , techniques . And there was a lot of Aivazovsky's precisely because of the lack of understanding painting techniques , so many perelitsovok , the picture is old, clear sea - hence IK Aivazovsky . Find , for example , pictures of Adolf Ivanovich Fessler , where? And maybe at the same perelitsovki go? And he was the best copyist Aivazovsky , his disciple and made ​​a large number of copies. By the way, a good question to Nicholas Levenko .

Сообщение от Molevich ; 2608201 "

for example Dubovskoy work , which was not seascapes .
Kolichetvo painting techniques are much more than that of Ivan Konstantinovich .

Take it no more than a joke. Compare one job with a lot of serious seascape paintings , a different approach.

[Pavel]

Сообщение от Artem

Pavel, that's what's this?

Of course conventional paints . Unusual combinations of colors , techniques . And there was a lot of Aivazovsky's precisely because of the lack of understanding painting techniques , so many perelitsovok , the picture is old, clear sea - hence IK Aivazovsky . Find , for example , pictures of Adolf Ivanovich Festlera where ? And maybe at the same perelitsovki go? And he was the best copyist Aivazovsky , his disciple and made ​​a large number of copies. By the way, a good question to Nicholas Levenko .

I'm a little bit of something else. Festlera do not know , but somehow I think he did not study at the academy. That says it all .
Counterfeits appear when the artist is very expensive . Counterfeits can be good, even better copyright , as eg . what you showed , with a rook . Small details are fed .

[Кирилл Сызранский]

Сообщение от Artem

find, for example, pictures of Adolf Ivanovich Festlera where?

Fe ss ler, straightening, Adolf I. Fessler (1826-1885).

[Вивьен]

Сообщение от Balagur

I can imagine how you want to copy another artist and signature when it is relatively successfully copied the whole picture!

If it is a copy, it is very bad.
And at this level, "copy", I think, to copy the signature of one in one big work will not make.