ART MOSCOW 2012. What are your impressions?

[SAH]

Сообщение от Konstantin

- Lazarev "Calvary Triptych"

Konstantin, and it is not Vladimir Titov, a case, a triptych that?
No attention AleksVadim already written about it.

[Vladimir]

For the first names of contemporary art, this time answered mostly foreign galleries. Since the Portuguese Cordeiros me several gigantic photo Andreas Gursky. Gursky, remember, is the world auction record in the field of photography. Almost four-meter plasticized "Rhein II" (1999) was sold last year at New York's Christie's for $ 4.3 million on ART MOSCOW huge photo Gursky "Düsseldorf Airport" was sold for 180 thousand euros.

In the same gallery Cordeiros could buy some gigantic paintings postsuprematicheskoy series of Spanish artist Jose Manuel Syriana. Its picturesque images of women, inspired by Malevich and Suetin offered 30 thousand euros. A collection of avangardistki, the precursor of Pop Art Yayoi Kusama brought Japanese gallery Whitestone. Price - from 7000 euros for srednetirazhnuyu schedule up to 77 000 euros for a unique work.

Graphic work Yoshitomo Nara "Save the Trees" (1993) is offered for 46,000 euros. In the same Whitestone bought for 10,000 euros work Kozaki Masatake "Togen" (there was a red mark). In general, with lottery drawing "names" the situation was bad. The stands were found prints by Warhol, Wesselmann, and even "dot" paintings by Damien Hirst.

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In the Russian segment , too, was something to see. Gallery "Triumph", is located at the best place, greeted the audience spectacular dolls AEC + F. Perfect for sculptures made ​​of our world stars requested 40 thousand euros.

In the gallery , you could buy Iragi schedule Valery and Natalya Cherkashin series of " Towers of New York" - 4600 euros. There were also nice riskunki Paul Pepperstein.

Like the absurdist realism Rinat Voligamsi ( in the Gallery of 11.12, price 14-16 thousand dollars). His stories of many, by the way , stop : it seems that my grandmother feeding pigeons , and look close - tiranozavrikov . In the same 11.12 stopper charged hard Expressionism Max Basheva , in particular , his reinterpretation of the Last Supper (22 thousand dollars).

Finally , the English gallery Whitespace could see micro -exhibition Timur Novikov - paintings and limited edition graphics. Last cost in the range of 700 to 1,500 euros for a large sheet. In the gallery is a very good range of graphics and galeristka explained that things happen to the family.

[Vladimir]

In the Russian segment , too, was something to see. Gallery "Triumph", is located at the best place, greeted the audience spectacular dolls AEC + F. Perfect for sculptures made ​​of our world stars requested 40 thousand euros.

In the gallery , you could buy Iragi schedule Valery and Natalya Cherkashin series of " Towers of New York" - 4600 euros. There were also nice riskunki Paul Pepperstein.

Like the absurdist realism Rinat Voligamsi ( in the Gallery of 11.12, price 14-16 thousand dollars). His stories of many, by the way , stop : it seems that my grandmother feeding pigeons , and look close - tiranozavrikov . In the same 11.12 stopper charged hard Expressionism Max Basheva , in particular , his reinterpretation of the Last Supper (22 thousand dollars).

Finally , the English gallery Whitespace could see micro -exhibition Timur Novikov - paintings and limited edition graphics. Last cost in the range of 700 to 1,500 euros for a large sheet. In the gallery is a very good range of graphics and galeristka explained that things happen to the family.

[Кирилл Сызранский]

Vladimir, and this kurginyanovtsy against juvenile justice rally?

[Vladimir]

Сообщение от Cyril Syzran

Vladimir, and it kurginyanovtsy against juvenile justice rally

Yes, they are.
I still thought, where to park, asked millitsionera - who rally?
He answered - disagree.
I went - and then there consonants

[NATA NOVA]

Interestingly, the privezka Cuba on ART Moscow?
(Often Cuba is not even on the list of sites)

[Vladimir]

Сообщение от NATA NOVA; 2272781"

Interestingly, privezka Cuba at Art Moscow ?

Something very bright , bright, glitter , glare ...
I could not shake the feeling that foreign galleries are full of illusions about the Russian market. I suspect that the reason they are so : if oil-producing country , the money is, that collectors are open to everything new. Including international art. And this, unfortunately, is not.

[Евгений]

   
ArtMoscow VIENNAFAIR as ontology and the outcome of the Russian sovriska in favorable climates.
The photo work Dm. Gutova with Viennese fair sovriska.
Вложение 1737291
In focus not understand talk of competition ArtMoscow and Viennese fair sovriska VIENNAFAIR, purchased this year by Russian business Sergey Skaterschikovym.
Clear the degree that Russian contemporary art is very few people need.

Buy it in this country for a long time will be only an extremely small collectors and rare museum-gallery. The market, which may be bright style global phenomenon, is possible in Russia after 25 years. This will happen when learned in Paris-Landon children perestroika millionaires will come on vacation to my parents and amazement to inquire, why parents continue to enjoy the wallpapers in the real estate value comparable with the budget of Botswana.
Provided protesters dressed as clowns with crosses of St. George in the center of contemporary art, as a gallery owner, I would have made the decision to transfer the work to the Russian artists abroad.
By as much as $ 3 million gain by selling at ArtMoscow!
This is my, what an incredible achievement!
Amount approximately equal to the annual bonus is not the coolest manager of any corporation.
This is not a victory, but a statement of the total failure of "modern art in Russia."
And I really liked the idea of ​​Manehem where Tsereteli and Sviblova and many more who from among the active players of our art space will now be its permanent personal zagonchiki. This, of course, the top of grace.
Now try to rebel gentlemen curators. At the time will lose the most central exhibition space.
... And that is especially insulting is the fact that even though the entire Guggenheim with Tate Modern bring in badly cleaned of honey and felt pads fair coats Arena, still get the output from the room angry mudachil the militarized form of calling all women to wear scarves and knitted tights and museums exhibit some gracious vomit like glazunov-style.
Instead of settling for another exposition site, make a great educational center. Establish grants for polutorasoten (at least) artists. Not much poorer Gazprom, which is always the dreams come true, I'm sure.

You can not build without end exhibition policy in the capital of our country, relying only on the foreign authors. Even Peter I, 20 years after the beginning of its reform got its own layer of modern and competitive European authors.

Time exhibition curators passes, an era of educators - teachers, lecturers and leading seminars and workshops. To get a lot of visitors, you need to educate them and learn. Without the new era of the Enlightenment, we are in a new dark age and the reputation of the country, where they live and no future, no present, only the past, where the phrase "modern art" amount to criminal Kara blasphemy.
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From the blog of author Kirill Alekseev. http://nikto001.livejournal.com/ (senior fellow at the Tretyakov Gallery)

[Seriy]

IMHO, with effective demand in Russia is more or less ... But with artists, curators and galleries - the trouble.
The proposal to grant hundreds of artists - support. After all, what artists need now-artist-factory-regular large exhibition with a detailed project, a full range of products, from the lottery drawing to large-scale canvases, good education, language skills, involvement in international processes, (meaning the physical presence of the artist in all world events) catalogs, books, movies. Who can raise himself alone?

Gallery curators must look for potential artists, develop them, transfer them to each other, as promoted by the press, in the market, auctions, working with collectors to build collections, store rooms with hundreds of units of one author, that could make real money, if the author shoot.

None of these artists, nor such galleries, curators, no, that's for people with effective demand and nothing to buy. I have such friends, I have something to offer them regularly promoted from Moscow-name look-mura, say undignified, not inspiring .. and where the auction sale, where the inclusion of the world's collections and museums, I'll buy a cat- in the sack? wiring and amateur fucking.

[Кирилл Сызранский]

Сообщение от Eugene , 2275721"

, an era of educators - teachers , lecturers and leading seminars and workshops. To get a lot of visitors , you need to educate them and learn. Without the new era of the Enlightenment , we are in a new dark age and the reputation of the country , where they live and no future , no present , only the past, where the phrase "modern art" amount to criminal Kara blasphemy .

I agree.
To teach , educate, educate - to raise the level of culture .
What is not said many times on the forum .