Gennady Troshkov - painter and sculptor.

[Тамара]

I will continue his theme of the artist Gennady Troshkove display of paintings from «Paper Series» (the very same series to which the canvas "paper on the blue" because the audience liked our esteemed forum .) These works date from the late 1990s - early 2000s. Using the traditional technique of oil /canvas, the artist makes a composition in which there is an image element of crumpled paper. These paper objects are very actively engaged themselves in the space of the canvas: interact with the "smooth" forms, and bristling rustle, casting shadows on the plane contrasting background.

         This series of papers can be read as a continuation of the line hyper-realism, projected on a very small thing - a piece of crumpled paper, considered carefully, as if under a magnifying glass. (The roots of the hyper-realism in the philosophy of art are Jean Baudrillard, "simulation of something that never really existed." Giperrealisty create a false reality, convincing illusion.) Option hyper-realism, full of Gennady Troshkovym has a very theatrical character - portrayed an object (a piece of crumpled paper ) starts to behave very actively, akterstvovat and grimace under the magnifying glass close observation of the artist.

        Just comes to mind is a long tradition of painting "Dummy", a leading their own history since the era of the Late Antique art - "snag" is intended to introduce the viewer in a very misleading picture of likely non-existent object. It seems to me that here, even more so than than the already mentioned giperealizme, was set to purely technical execution of the picturesque image of the object. And this comparison with an old painting seems to me highly appropriate in the context of a conversation about painting Troshkova, because I wrote that the degree of "madeness" on how to technically pigment in paintings Troshkova distributed by poverhonosti canvas glows like this the most canvas, there is something on the care and patience of the old masters. (My own association, maybe because of piercing blue backgrounds and colors - this is the Northern Renaissance painters).

Here is my favorite work from this series, and the same fragment.

    movement to the left. 2001. The diameter of this work being done on an old wooden table top - more than a meter.

[Тамара]

The author comments on his "paper" series as follows: "Scraps, scraps and bits of paper - and actors. In the plays on the canvas, they play out for us these performances, full of emotion, and every time an unexpected scenario. It attempts to animation of dead matter. If you trust the author and enter into sincere response, then we can watch these canvases as musical-dramatic divertissements.

    Musical theme is no coincidence appears in the story of the author about their work. Gennady Troshkov very well versed in classical music, which sounds in the artist's studio at any time, whenever I go there not looked into. It seems to me that music - its constituent themes and compositions, and how they develop and unfold over time - finds direct response to the painting of the artist. Looking at his Compound watercolor compositions, I see the development of the next theme song. Color stain, glaze and incrustations add cover and continue to each other, as well as tunes spill over into one another, and constantly, the refrain sounds the same theme that unites the product posed to him and the mood and rhythm.

But let me-ka from words to deeds ") and will continue to show " series of paper ".

PAPER ON THE BLUE. 1998. Oil on canvas. 60x80

PAPER BOOM -1. 2001 90x60

TRIUMPH. 2001 60x70

Dumb. 2002 50h100sm

CHIVALRY COMPOSITION. 2000 80x120

[mihailovoh]

Tamara,

Tamara

Likes graphic raboty.Gde issued and can be soriintirovatsya on the prices of its raboty.podskazhite please?

Alexander

[Тамара]

Сообщение от mihailovoh

Tamara,
Likes graphic raboty.Gde issued and can be soriintirovatsya on the prices of its raboty.podskazhite please?
Alexander

Thank you, Alexander, for your comment!
If "which exposed" - do you mean by "public gatherings submission", I wrote about it on the first page of threads, but I repeat:

The museum's collection
Museum of Fine Arts. Pushkin. Moscow.
Tretyakov Gallery. Moscow.
Museum of the Revolution. Moscow.
Museum of Decorative Arts. Moscow.
Pinacoteca. Salzburg. Austria.
WURT MUSEUM. Germany.
Picture Gallery. Perm. Russia.
Magnitogorsk art gallery. Magnitogorsk. Russia.
Picture Gallery. Ufa.
Picture Gallery. Solikamsk. Russia.
Museum of the Rostov Kremlin, Rostov Yaroslavsky.


CORPORATE AND PRIVATE MEETINGS
Hypo Bank. Salzburg. Austria.
Bank "Capital". Moscow.
Alfa - Bank. Moscow.
Corporation "WURTH". Germany.
ABSOLUTE GRAPHICS INKORPOREYSHN. Chicago.
Balenciaga Collection. Paris. France.
"Commerce Bank". Germany.

And also in private collections in: USA, Finland, France, Germany, Uruguay, Brazil, Canada, etc.

And if you mean "where to buy" - the easiest way to purchase work directly from the artist. Prices on schedule, he shall designate in the 1-2 thousand dollars depending on size and time, technology and so on.

[Тамара]

And yet, in the appendage, several beautiful paintings relating to the "paper of the series":


relationship.
2001 90h110


Arrow 2.
2001.
100h50sm.


Surprise.
1998 50x100 cm


Paper portrait.
1998.
Oil on canvas.
70h50sm.


Paper cover, 2001.
oil on canvas 80h100sm.


Paper divertisment.2000g.70h90sm.

[Тамара]

Recently, Gennady Troshkov enthusiastically engaged in graphics. The artist paints in watercolor and began making collages. It is interesting that these are collages drawn solely from them also, artist, watercolor, as always arduous objects cut from the "mother" sheet and glued onto a clean paper surface. Thus, pasted picture gets more expressive due to clearly visible (on the background of a different texture or color of the paper) circuit. And since this path is also a line cut, then pasted the image visually more breaks, separated, and contrasts its shimmering precious matte drawings done by, for example, on a loose watercolor paper, with glossy and the cold surface of the base, for example , foamboard. Such variants of contrasts - and in the texture and color, actually many, and they work flawlessly.
I present to your attention a series of three recent collages, as well as several earlier studies, which served as the beginning of a series of collage. I want to once again complain that the picture does not convey a hundredth part of that magic twinkle, that comes from these jewelry work performed in real life ...

 
1. Idol 2. 2011. 100h70sm.
2. Idol 1. 2011. 100h70sm.
3. Collage 1. 2009. Watercolor, gouache. 66h85.
4. Collage 2. 2009. Watercolor, gouache. 66h85.
5. Collage 5. 2009. Watercolor, gouache. 66h85.
6. Fetish. 2011. 100h70sm.

[Тамара]

After a short break - a few more graphic works of the artist.

The first three works were performed in the technique: watercolor /gouache. It is almost monochrome compositions in which the light veil of black background stretches - and is eager rushing out the light, like thin paper. These works are read at once. They have to stare, and then begin to show the form, grow volume, though starting from the primordial black background. And of course a very important role in these optical effects are almost opaque contrast, obscuring the black gouache and crystal-clear, ringing tones watercolors - a subtle account of the artist.

All three work done recently - in 2011.
 
1. Watercolor, guash-1.2011.46x63cm
2. Watercolor, guash-1.2011.46x63cm
3. Watercolor, guash-1.2011.46x63cm

Next - two colored watercolors, stunningly beautiful and at the same time more difficult to read a lot of composing the image volumes and shapes.

4. Watercolor-4.2011.53x35cm
5. Composition 4. Whatman, watercolor. 2000

And in my last job (Composition 4) fancies a figure of a knight in iron armor, which, with bowed head in a steel helmet, walks from right to left edge of the sheet. (Incidentally, this work is on display at HUDGRAF 2011, is now in a private meeting. She has a good master, who praised her dignity >)

[mihailovoh]

In the subject B Kocheyshvili.ya upominal.chto in Russian will be presented 2 D Troshkova canvas.
 
Represent some of his works from its collection.

1 sign work Mastering space 2003 x \\ m 60-100

2 Movement on yellow 1997 x \\ M120-80

3 of the paper series Surprise 1998 x \\ m 50-70 (slightly huligaskaya)

[mihailovoh]

Pair of beautiful works from Hudgraf 2011

1 Scherzo b \\ wc

2 Optional details b \\ oil

[mihailovoh]

Two more beautiful work.

1 breeze b \\ wc

Butterfly 2 b \\ wc .. of the last works of 2012 .. a few very beautiful neobychnaya.no