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| Art Kaleidoscope Interesting and relevant information about art. Discuss general art issues and any topics not covered in other forums. It’s only about art — love, politics, sports, hobbies etc. are discussed in “Chatter”. |
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Язык оригинала: Русский #281 |
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Пользователь
Регистрация: 13.04.2013
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In Russia, the court is not, there are solutions.
Unfortunately. <! - ~ 2 ~ -> |
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| Этот пользователь сказал Спасибо Solnce за это полезное сообщение: | Коллекционер-любитель (17.02.2014) |
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Язык оригинала: Русский #282 |
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Гуру
Регистрация: 26.07.2008
Адрес: РФ, Самара
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And I have grown tired of the topic itself, it interests me.
But his attempts to listen to her talk on the narrow-minded level - yes, too tired. |
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Язык оригинала: Русский #283 | |
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Пользователь
Регистрация: 13.04.2013
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Цитата:
Forward <! - ~ 1 ~ -> |
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Язык оригинала: Русский #284 |
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Пользователь
Регистрация: 15.02.2014
Адрес: Санкт-Петербург
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Allow me to join you .
Topic is very interesting for all ... In my opinion , it is extremely important now ( although very difficult psychologically ) objective to consider the situation . Not be on someone's side. In this sense, like the day before yesterday Shkurenok article of " Novaya Gazeta in St. Petersburg ." Well, it gives an opportunity for all to speak . http://novayagazeta.spb.ru/articles/8413/ What do you think ? Added after 21 minutes Another interesting observation - almost simultaneously in Wikipedia there were two personalities - Elena Basner and Andrey Vasilyev . Created by the same person - "Russian avant-garde". Sorry, page not established objectively. It is seen that page Vasilyeva positive . Basner - negative . Particularly impressive ogromenny and restocked daily section " Publications about Elena Basner ." It is clear that Wikipedia is open for editing , but it works only with them "Russian avant-garde". Is not it interesting ... ? Последний раз редактировалось Питер-С; 17.02.2014 в 19:31. Причина: Добавлено сообщение |
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Язык оригинала: Русский #285 |
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Гуру
Регистрация: 13.11.2008
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Particularly interesting is that this /this Russian avant-garde all day today working on the article: with eight in the morning and started plowing all without a break. Some links - a few dozen. It is evident that a person is seriously prepared. <! - ~ 9 ~ -> Added after 30 minutes Article Irina Karasik picture: http://art1.ru/art/vokrug-parizhskogo-kafe/
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"Делитесь своими знаниями. Это способ достичь бессмертия". Далай-Лама Последний раз редактировалось Eriksson; 17.02.2014 в 21:07. Причина: Добавлено сообщение |
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Язык оригинала: Русский #286 |
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Местный
Регистрация: 06.12.2012
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Oddly sorry, but you're right.
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Язык оригинала: Русский #287 | |
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Пользователь
Регистрация: 15.02.2014
Адрес: Санкт-Петербург
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And yet, very dumb was seen in the " Arguments and Facts " colored insert http://www.aif.ru/culture/art/1102178 " How is a fake ." Especially touching sounds that is " finished product placed in an oven ... " |
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Язык оригинала: Русский #288 |
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Guest
Сообщений: n/a
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Listen gentlemen, well, how can plow the sand ? and even in two similar themes in different sections of the forum .
Can understand nothing in painting, art market, and after reading all that is written in this thread, do enough objective conclusions about this story. First, such a story would not be inflated if the "main accused" was not just innocent intermediary or expert entitled to a mistake. Fraud - the main accusation . and rather obvious - it is fair. Next , all seen on time, the entire story was originally embedded specifically for a specific buyer . Too many lines coincide , too obvious and subtle approach catching " live bait " , all details of the specific forgery , its "history " and " provenance " were well thought out to exactly Vasiliev bought it . Further. the reputation of the " defendant " is not crystal, read this topic . references to old stories to other counterfeits sold to different opinion of market participants about the man. little what? You can continue , but I think you should just wait . will continue to be only bigger. |
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| Эти 4 пользователя(ей) сказали Спасибо за это полезное сообщение: |
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Язык оригинала: Русский #289 | |
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Пользователь
Регистрация: 15.02.2014
Адрес: Санкт-Петербург
Сообщений: 47
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Поблагодарили 73 раз(а) в 36 сообщениях
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Цитата:
I agree that information until enough .... Added after 37 minutes 5:00 And another : Just read and advise a very good and a great article in Zolotonosov "City 812 " ( currently only available in printed form ) . All laid out on shelves . Quite objectively. It has a new promise for me - " consequence would like to check the authenticity of the independent examination of the Russian Museum ." It is not clear where there are " independent experts ." Interesting website on different versions of the causes and consequences . I advise ... ******************************* I have a feeling that I was late - too late discovered this forum . Subject became exhausted and not interested ... I can throw in some firewood ? Why nobody notes that fake Vasilyeva, original from the Russian Museum and the picture of the magazine is completely different Burceva not like the paintings themselves ? This is not a " copy " is not a " clone " is not " as two drops of water " ... The only thing that unites them is a common theme , composition, basic color ratio (for the first two ) . They are categorically different. This is the first . Second . A very important idea - if the forger Vasilievka pictures I was ( chur - chur me) I would have brought Vasilyev (via Basner - SHumakova ) not Vasilevsky composition , and would create an absolutely precise composition and all-all Circuits Journal Burceva . After all, only photographic Burtsevskaya is 100%proven Grigoryevskaya original song! It's easy! Was it not a bingo ? Why invent something of their own , not on what does not like ? Or am I wrong somewhere and error in my reasoning ? Lord , well, right? Последний раз редактировалось Питер-С; 18.02.2014 в 21:39. Причина: Добавлено сообщение |
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Язык оригинала: Русский #290 | |
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Гуру
Регистрация: 02.02.2009
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Цитата:
All pictures are printed already everywhere on the Internet and can be compared. "Both " disputed differ from " printed " at Burceva . Both - differ from one another and both are , so to say , is not quite convincing. Here's why: That which is in the timing looks too fresh, bright paint . Its composition better " balance " dark and black colors, they are " balanced " right and left - a dark figure on the left is balanced black gloves and black dashes patterned costume ladies right. And she " psihologichnee " copy Vasiljeva seen as visitors look at each other cafes , intriguing .. Copy Vasilyeva " inequitable " to dark tones , the left side outweighs ... Photo on the coffee near the old man with a monocle visible ball pattern which differs from both pictures ( and correct him there was no need ) ... But the old man with a beard he squints through his monocle at someone ... This is not " both discussed " .... And here's another " surprise" . Referred to " the possibility of tracing " in the process of restoration. First where the restorer, as his name and where he restored the record . Secondly - such works as distemper not restore oil, considering it would be a complete distortion of the author's work : in tempera, gouache or watercolor no " imposition of strokes above" impossible. Such work only canned : clean , glue , etc. The rest - that remains ... Third - this work is well kept , it is known from whom to whom passed and its owners were aware that it can or can not do ... Fourth - " technical expertise , " the study ... This is the problem , learn cardboard on both paintings when he was developed ? A temperature , its composition , at least , in what connection? Previously, she was on casein is modern - PVA ... All of this can be used to determine the " stylistic " expertise.
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"Будьте внимательны, сильные личности. Мне кажется, что в настоящее время нет ничего дороже и реже встречающегося, чем честность" (Ф.Ницше "Так говорил Заратустра".) |
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| Эти 3 пользователя(ей) сказали Спасибо K-Maler за это полезное сообщение: |
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