Boris Kocheyshvili. Life in Art

[U_Z]

Сообщение от "Tamara; 1532761 '

Today Boris Petrovitch drew a is very funny and unusual picture.

Drew, after watching the catalog with pages from the album Pushkin's contemporaries.


Boris Kocheyshvili.
Tsarism.
2011.
Hardboard, acrylic.
90x100.

Sorry.
Inspired.


PS: ... and D. Davidov in profile.

[U_Z]

Сообщение от Tamara

depicts three profiles - Konstantin Pavlovich (emperor of Russia), Gogol (as a representative of the intelligentsia) and Denis Davydov (Hussar, fighter and bully), and below it says" the tsarist government. "

And can an artist ask: why "Konstantin Pavlovich (emperor of Russia *)", why "Gogol", "Denis Davydov".

* For 16 days, from November 27 (9 December) to 13 (25 December) in 1825, the official agency in St. Petersburg and Moscow, under oath, acknowledged his Emperor and Autocrat of All Russia by Constantine I, although in fact he never reigned, and his accession to the throne is not recognized.

[Тамара]

Сообщение от U_Z

Sorry. Inspired.

PS: ... and D. Davidov in profile.

Do not quite understand the part about Roginsky ... Explanatory labels and Larionov were about a soldier, too, if it comes to that ")))

And about Davydova in profile - his cap and mustache of his companions were completely identical to the profile with a picture of BC, so if we assume that Davydov shaved off his beard (which is assumed supreme decree, his beard was Davydova Arbitrariness and a challenge to the very "tsarist"), and fastened his boots, - it is quite similar ...

However, Mr U_Z, because you do not feel the same, that the historical genre is the main ridge artist Kocheyshvili?
 "Tsarist" The picture is good and from a purely artistic point of view, to the same witty, to the extent allegorical, gives space for uymy interpretation. The Emperor and not ascended to the throne, a madman Gogol, and Denis Davydov (to the same and not similar "like, three representatives of Russian people 19 centuries - that's where the field is to Razgulyai Curator interpreter and other art historians. But we will not razgulivatsya.

Better get back to the story about the forthcoming exhibition.

Добавлено через 26 минут
Forming an exposition of the exhibition "Identities and reflection, its curator Tamara Vekhova tried to get away from the narrow genre theme of the portrait. Problem was formulated as follows: try to select and arrange works by the artist so that as close or even to introduce the audience to that art "kitchen", which is born are bright and distinctive ways in which we easily recognize the artist Boris Kocheyshvili. On what material is based, and at what point is that inner transformation (sometimes this takes years), when one or another full-scale image is fused together with imagination, literature and the quest for purely compositional and rhythmic character.
It is in this context, small paintings exhibited in the first room is provided not just sketches of famous people (even sharp and distinctive), but they give us an idea of the initial impulse in the history of the creation of a painting.

As an example, there are four illustrations:
two pencil drawings with Ludmila Petrushevskaya, made at a party in the early 80's. and two paintings "Couple" of 2006. and "Tea in Mytischi" 2010. In these pictures, no doubt, is shown Ludmila Petrushevskaya. Here, as in the history of previous dialogue about Denis Davydov, and so one can only wonder - if the artist went to his ideas turned out to be in the hands of the figure with the profile, or there was a literary and ideological background ... And so it is important "))

[Тамара]

Forming an exposition of the exhibition "Identities and reflection, its curator Tamara Vekhova tried to get away from the narrow genre theme of the portrait. Problem was formulated as follows: try to select and arrange works by the artist so that as close or even to introduce the audience to that art "kitchen", which is born are bright and distinctive ways in which we easily recognize the artist Boris Kocheyshvili. On what material is based, and at what point is that inner transformation (sometimes this takes years), when one or another full-scale image is fused together with imagination, literature and the quest for purely compositional and rhythmic character.
It is in this context, small paintings exhibited in the first room is provided not just sketches of famous people (even sharp and distinctive), but they give us an idea of ​​the initial impulse in the history of the creation of a painting.

As an example, there are four illustrations:
two pencil drawings with Ludmila Petrushevskaya, made at a party in the early 80's. and two paintings "Couple" of 2006. and "Tea in Mytischi" 2010. In these pictures, no doubt, is shown Ludmila Petrushevskaya. Here, as in the history of previous dialogue about Denis Davydov, and so one can only wonder - if the artist went to his ideas turned out to be in the hands of the figure with the profile, or there was a literary and ideological background ... And so it is important "))

[U_Z]

Сообщение от Tamara

Emperor, never ascended to the throne, a madman Gogol, and Denis Davydov (to the same and not similar, as three members of a Russian 19 th century - that's where the field is to Razgulyai curators, interpreter and other art historians. But we will not razgulivatsya.

About it and talking. Pull up .. ... can be anything and everything. Would be a fantasy. After all, the "visionary" can get out of any situation, is not it? I am against mindless contrived.

A Roginsky ... very handy. I thought so.

"He who has eyes - so see, having ears - let him hear."

Good luck.

Added after 3 minutes

Сообщение от "Tamara

madman Gogol

Madman?
Gogol?
Genius - YES!
Madman - NEVER!

[Тамара]

Most clearly this process of "rebirth" of actual persons in specific, but losing their portrait features the characters can be traced to the so-called black gold series. The artist himself calls the series "Small Dutch", referring us to a source of inspiration - the canvas of Rembrandt.
      Most papers in this series devoted to contemporary Russian poets. Basis for black-and-gold tracks are often served sketches made by the artist during the various poetic evenings, which Boris Kocheyshvili regularly visited in the late 90's and early 2000's.


1. D. Prigov and G. Sapgir read poetry in the House of Writers.
2. Michael Eisenberg.
3. Krasovitsky
4. Nicholas Bytes
5. German Lukomnikov

[Тамара]

These black-and-gold portrait can be seen at an exhibition in Litmuzee.
       I must say that for an exhibition we were able to gather quite a diverse collection of paintings by Boris Kocheyshvili, which included, inter alia, several large paintings canvas /oil, written by the artist in 1980, as well as a completely new picture of the artist.

1. Conversations. Oil on canvas. 122-130cm. 1988.
2. Tower. Hardboard, acrylic. 90H100sm. 2011.
3. Family. Acrylic on canvas. 61-64cm. 2006.
4. Field. Hardboard, acrylic. 100x100cm. 2011.
5. Husband and wife. Acrylic on canvas. 39-41.5cm. 2010.
6. Before the storm. Oil on canvas. 122-129sm. 1988.

[Тамара]

The exhibition opened and will run until April 2 . More information and photos from the exhibition can be seen here:

http://forum.artinvestment.ru/showthread.php?t=114173

And the theme of artist Boris Kocheyshvili I would like to link to a small but very interesting video about how Boris Kocheyshvili accidentally got into the house Melnikov . At the same famous cylindrical building , where at the moment living out their last months old son, Konstantin Melnikov.
I want to warn that this movie is not like ordinary color video of where everyone is smiling at the camera . Taken from virtually under the table , but turned out very avant-garde and totally in the spirit of BC . This movie , incidentally , a couple of years ago, took first place at some Piterskoy short film competition .

Here's a link to the movie , if you can not post it as an icon .
http://rutube.ru/tracks/4143210.html...8d2c7b661a3816

[Тамара]

Almost a month, I brought her own theme. I think I want to put a small report about the events that so strongly distracted me from my direct employment - chronicles the life and creativity of the artist Boris Kocheyshvili Forum AI.

   Certainly, many Members have seen reports on exhibitions and events with the participation of BC works, and many visited them "but I still seem useful and necessary to briefly describe these works of art events. In addition, I want to try to give some intrashop analysis activities of this kind. Generalize the experience - can anyone this information will be of interest ...

   So, in March-April this year by artist Boris Kocheyshvili appeared in three exhibitions.

One Personal:
PERSONALITIES and reflection. BORIS KOCHEYSHVILI. Pictures, graphics, painting.
Literary Museum in Trubnikovsky lane. March 12 - April 2.
More information about the exhibition can be seen here:
http://halloart.ru/showthread.php/29...ивопись.

and two group:
HUDGRAF 2011. Stand Art Studio dominant. The project "Perfect Collection".
Small arena. March 30 - April 3, 2011
http://forum.artinvestment.ru/showthread.php?t=116723

SHOW ONE WEEK BEFORE FLIGHT ". Leonid Shishkin Gallery. 6 - April 26, 2011
http://forum.artinvestment.ru/showthread.php?t=116733

Добавлено через 24 минуты
I will begin with a story about the first exhibition /venue - it's Exhibition Hall Literary Museum in Trubnikovsky lane.

    For those who do not know this place: Showrooms GLM occupy a spacious two-storey mansion in two steps from the street New Arbat. This mansion was built in the early XX century. Ostroukhov artist to exhibit his collection of icons. Thus, the halls of this museum perfect for art exhibitions: spacious, high, with a professional light, and the whole atmosphere of the place contributes to. A great team working there, mostly women - is incredibly stylish, educated and sharp tongue. As exhibitors, they are particularly welcome the characters with an already established artistic history, is especially good if the story somehow intersects with the literature. However, this definition falls almost the entire cohort of artists formed in the 60-70gg. XXveka, they are all engaged in book illustration, for economic reasons, or on his heart ...

   That's Boris Kocheyshvili fell to the court in the GLM - though he almost never illustrated a book, but he wrote and wrote poetry. Also, over the past 40 years the artist has created a gallery of unique portraits, which captures all the most famous and worthy of literary and poetic figures. Therefore, besides painting, classical Kocheyshvili graphics on coated paper and collages (exposure there must be equally interesting and beautiful), we decided to put these drawings.

  These portraits, taken the first hall of the museum have been noted as a very successful exhibition project journalist Valentin Dyakonov in his article in the newspaper Kommersant: "Literature is the only part of the exhibition hall of the three. Set witty pencil portraits of the poets of the Moscow underground for objective reasons, looks like a martyrology. And it's not that many heroes have already died ("lianozovets" Henry Sapgir in 1999, the first Russian minimalist Vsevolod Nekrasov - ten years later). Simple curve, experimental - as opposed to informative - literature and found no general reader. In 1990 it seemed that the mass yield of the underground will supply the most talented in the long-cooked pedestals. Today it appears that Kocheyshvili drawing has not yet been read by geniuses. And the fact that they were in the Literary Museum before the official canonization, gives an incredible exhibition of avant-garde. Let these wonderful people imbued with the museums at least in the form of leaves from a notebook - and it's good. "
 Read more: http://www.kommersant.ru/Doc/1600300

 
   But unfortunately, in our work, except for small victories, and everyday there tyagomotnye complexity ... One Moscow collector and art dealer, came one of the first on Opening Day (in a hurry to open another exhibition), looking at the slowly swinging the opening ceremony of a string of "regulars" bitterly said, was no use of these exhibitions, the bustling one.
As it is not sad - but he's largely right ... so much money and time it takes to design /information support /transportation, etc. Opening Day comes to a bunch of friends and admirers, few publications can be arranged, well, during the exhibition some people walk, curious to art or just lounging ...? But the chance that during the exhibition of the artist's suddenly become aware of a fundamentally new people who have "shifted" his (the artist) in the direction of success and financial well-being - are very small. These are the obvious disadvantages of every municipal fairground second row.
 
However, there is a life of exclusion and match and every other fluke )

Exhibition in Litmuzee closed poetic evening, timed to coincide with the birthday of Boris Kocheyshvili (and he was born on April 1 ). Come many of the painted poets all read poems, and Boris read his new book, he wrote a travelogue on tour with the theater Yuri Pogrebnichko "About" on the route Paris-Geneva, where they presented their "Three Sisters". After some buffet, birthday boy climbed onto the stage and entertained guests for half an hour improvising on the piano. Provided that Boris played the piano never learned and does not know music - he learned to play, by ear, playing and composing, he is very good. (I'll have to somehow try to lay out his music here)

To be continued.
Tired of typing ").....

[Тамара]

I will begin with a story about the first exhibition /venue - it's Exhibition Hall Literary Museum in Trubnikovsky lane.

    For those who do not know this place: Showrooms GLM occupy a spacious two-storey mansion in two steps from the street New Arbat. This mansion was built in the early XX century. Ostroukhov artist to exhibit his collection of icons. Thus, the halls of this museum perfect for art exhibitions: spacious, high, with a professional light, and the whole atmosphere of the place contributes to. A great team working there, mostly women - is incredibly stylish, educated and sharp tongue. As exhibitors, they are particularly welcome the characters with an already established artistic history, is especially good if the story somehow intersects with the literature. However, this definition falls almost the entire cohort of artists formed in the 60-70gg. XXveka, they are all engaged in book illustration, for economic reasons, or on his heart ...

   That's Boris Kocheyshvili fell to the court in the GLM - though he almost never illustrated a book, but he wrote and wrote poetry. Also, over the past 40 years the artist has created a gallery of unique portraits, which captures all the most famous and worthy of literary and poetic figures. Therefore, besides painting, classical Kocheyshvili graphics on coated paper and collages (exposure there must be equally interesting and beautiful), we decided to put these drawings.

  These portraits, taken the first hall of the museum have been noted as a very successful exhibition project journalist Valentin Dyakonov in his article in the newspaper Kommersant: "Literature is the only part of the exhibition hall of the three. Set witty pencil portraits of the poets of the Moscow underground for objective reasons, looks like a martyrology. And it's not that many heroes have already died ("lianozovets" Henry Sapgir in 1999, the first Russian minimalist Vsevolod Nekrasov - ten years later). Simple curve, experimental - as opposed to informative - literature and found no general reader. In 1990 it seemed that the mass yield of the underground will supply the most talented in the long-cooked pedestals. Today it appears that Kocheyshvili drawing has not yet been read by geniuses. And the fact that they were in the Literary Museum before the official canonization, gives an incredible exhibition of avant-garde. Let these wonderful people imbued with the museums at least in the form of leaves from a notebook - and it's good. "
 Read more: http://www.kommersant.ru/Doc/1600300

 
   But unfortunately, in our work, except for small victories, and everyday there tyagomotnye complexity ... One Moscow collector and art dealer, came one of the first on Opening Day (in a hurry to open another exhibition), looking at the slowly swinging the opening ceremony of a string of "regulars" bitterly said, was no use of these exhibitions, the bustling one.
As it is not sad - but he's largely right ... so much money and time it takes to design /information support /transportation, etc. Opening Day comes to a bunch of friends and admirers, few publications can be arranged, well, during the exhibition some people walk, curious to art or just lounging ...? But the chance that during the exhibition of the artist's suddenly become aware of a fundamentally new people who have "shifted" his (the artist) in the direction of success and financial well-being - are very small. These are the obvious disadvantages of every municipal fairground second row.
 
However, there is a life of exclusion and match and every other fluke )

Exhibition in Litmuzee closed poetic evening, timed to coincide with the birthday of Boris Kocheyshvili (and he was born on April 1 ). Come many of the painted poets all read poems, and Boris read his new book, he wrote a travelogue on tour with the theater Yuri Pogrebnichko "About" on the route Paris-Geneva, where they presented their "Three Sisters". After some buffet, birthday boy climbed onto the stage and entertained guests for half an hour improvising on the piano. Provided that Boris played the piano never learned and does not know music - he learned to play, by ear, playing and composing, he is very good. (I'll have to somehow try to lay out his music here)

To be continued.
Tired of typing ").....