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| Art Kaleidoscope Interesting and relevant information about art. Discuss general art issues and any topics not covered in other forums. It’s only about art — love, politics, sports, hobbies etc. are discussed in “Chatter”. |
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Язык оригинала: Русский #231 | ||
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Пользователь
Регистрация: 17.05.2010
Адрес: Россия, Санкт-Петербург
Сообщений: 36
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Konstantin - You are wrong!
Malevich, with Vera Mukhina, the authors of the Russian character - "thick glasses", and you removed the image of the artist. Zachemmm ....??? Added after 4 minutes Цитата:
Have you read and look! ![]() Added after 12 minutes Цитата:
Последний раз редактировалось Ylot; 17.01.2011 в 18:38. Причина: Добавлено сообщение |
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Язык оригинала: Русский #232 |
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Гуру
Регистрация: 16.06.2008
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I will try ![]() It's amazing to read so verbose, multi-and cumbersome description of the merits of which completely rejects all these piles
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Язык оригинала: Русский #233 |
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Гуру
Регистрация: 15.09.2009
Адрес: Киев
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Not interested. Moreover, that "literacy classes number 1" Nate Nove in his book you bring long quotations Malevich, who do not prove anything, but simply serve as a reflection of his views.
He has a picture of pozanyatnee before and after. And he himself, after a 50-podzabrosil Suprematism, tired sight. |
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Язык оригинала: Русский #234 | |
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Пользователь
Регистрация: 17.05.2010
Адрес: Россия, Санкт-Петербург
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Цитата:
You can make trouble. Why, because we loan "Ivanov, Petrov, Sidorov, (Altamira cave paintings), they are good artists. Persons in their portraits as vivid as in the photo. This view reminds me of images from the "madhouse" - Napoleon, Pushkin and Stalin. " Anyone can call himself anything but lacking match. Portraits write and write many, but few have written something like "Gioconda" by Leonardo da Vinci. Why? Because they do not possess those skills, which he owned. Because they do not possess the knowledge, which was filled with the consciousness of Leonardo. Because poorly studied, and the knowledge acquired can not be used. Because the "geeks" zabaltyvayut their minds. Moreover, if it is born an artist who owns all of the above, not many people will pay attention to it. Retro - it's cute, it's good, but it does not move the art forward. It improves (polishes, polish or scratch) already achieved. Does not invent anything new, does not develop a creative idea. Desire to escape from the framework of foreign ideas, should be welcomed. Among the inhabitants, which include everyone who does not understand "the KGB", more often those who are swans on the bed with canopy, gives a real emotional and aesthetic pleasure. They believe that the aesthetics of this growing their spiritual significance. Are encouraged to put the task of the artist. I am confident that you will be able to pose the problem that has long someone has decided, and so do "Losers" are written off homework for more than a clever fellow. After this discussion, for me personally, it becomes clear that my opponents too deep "digging." And this is his hobby got through (ignore) the "noble layer. I want to return your consciousness to the passage of his own quotes: "... All this has become absolute, the axiom that does not require any proof, knowing with whom it is impossible not to agree, in which shame and doubt is simply indecent to discuss." Dear theorists! Malevich in his life made one single picture. All the rest of his work, creative pursuits, the processes of knowledge (education), imitation, copying, teaching activities, literary hobbies, socializing - all this is readily available materials, laboratory material for the realization of their creative thoughts. Arbitrarily, you can build your verbiage about "KGB" to try to make their work significantly, but your findings do not show the merits of Malevich. Each of the reasons you mentioned solves one of the tasks that ultimately an artist, a consciousness, realized in the "black box». Последний раз редактировалось Ylot; 17.01.2011 в 20:09. |
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Язык оригинала: Русский #235 | |
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Гуру
Регистрация: 19.09.2008
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Цитата:
Ylot, you cite "the researcher works by Malevich, Alexander S. Shatskih". Could you clarify what kind of article Alexandra Semyonovna taken this quote? I find it hard to imagine that it was written by her. |
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| Этот пользователь сказал Спасибо Тютчев за это полезное сообщение: | Santa (05.01.2012) |
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Язык оригинала: Русский #236 |
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Гуру
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And that was not the original, although the ideas and breakthroughs by other artists, he embodied perfectly.
But the main thing - plenty of bells and whistles iskustvovedcheskogo fog around quite seriously. And then all of a masterpiece of all time. It is a pity that Alphonse Allais was a humorist, an artist, not the tragedian. Therefore, died 10 years before the paintings of Malevich is not great and terrible, and "eccentric and absurdist, creating: 1. The Battle of Blacks in a cave deep in the night "(1893). 2 "First Communion girls suffering from chlorosis in the snowy season" (1893). 3. "Harvesting tomatoes on the Red Sea apoplectic Cardinals (1894g.). Exhibited in the gallery Vivien "untied Arts» («les Arts Incohérents»). Exhibited to a person with a meaningful and that would now be hanging in the Louvre for permanent storage. |
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Язык оригинала: Русский #237 | |
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Гуру
Регистрация: 19.09.2008
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Цитата:
That's it, that he died "an eccentric and absurdist." Because all of his "eccentric" and "absurdist" rectangles did his ancestor, or at least a precursor of Suprematism. |
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Язык оригинала: Русский #238 | |
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Гуру
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Цитата:
Posted 4 minutes Clearly, since the term coined Malevich. Roger Fry coined "Post-Impressionism," but that he became the founder of Van Gogh. Последний раз редактировалось Fed; 17.01.2011 в 21:23. Причина: Добавлено сообщение |
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| Этот пользователь сказал Спасибо Fed за это полезное сообщение: | Toinen (17.01.2011) |
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Язык оригинала: Русский #239 | |||
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Пользователь
Регистрация: 17.05.2010
Адрес: Россия, Санкт-Петербург
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Цитата:
Ylot, it is He ![]() Added after 49 minutes Цитата:
![]() Selected publications Sowjetische Malerei aus den Karpaten. Leipzig: VEB E. A. Seemann, 1976. Marina Telepneva. Album. Moscow: Soviet Artist, 1977. Sarabyanov D. Shatskih A. Kazimir Malevich. Painting. Theory. MA: Art, 1993. Kazimir Malevich. "Laziness as the real truth of humanity Va. With an article by F. Ingold Rehabilitation idle-STI. Introduction, preparation of the text, notes by S. Shatskih. MM: Gilea, 1994. Kazimir Malevich. Collected Works. Volume 1. Works 1913-1929. General editing, drafting, introduction, preparation of texts, commentaries and notes by S. Shatskih. MM: "Gilea, 1995. (Reviews: Andrei Kovalev. Vyyavitel academicism. Kazimir Malevich. Collected works in 5 volumes. Volume 1. M. Gilea //Today, Moscow, 1995, May 20, Saturday, p.14; Rumyantseva Olga. Malevitch dans le texte //Journal des Art, Paris, 1995, no 17, september) Kazimir Malevich. M.: Word, 1996. (Review: Vyacheslav Kuritsyn. Black square above the beet field, "Book Review" Ex libris NG (Nezavisimaya Gazeta) "N 1 (1), January 23, 1997, p.5) Kazimir Malevich. Collected Works. Volume 2. Scientific edition of AS Shatskikh. (Rets.: Kovalev collected works of Kasimir Malevich, Volume 2. Gilea /Evening Moscow, Moscow, 1998, N 16, June 22 - July 5, p.60) Unknown Declaration of Kazimir Malevich /Supremus, 1992, N 1 (blue-yellow). Malevich and Film //The Burlington Magazine, London, 1993, July, p.470-478 (translated into Spanish and published in a collection of the University of Havana, Cuba, in 1994) Kazimir Malevic (1878-1935). La vita e le opere //Kazimir Malevic una retrospettiva. Firenze, Pallazzo Medici-Riccardi, 24.9 - 5.12 1993. Firenze: Artificio Edizioni srl, 1993. P.245-261. Also in this directory have been 52 comments posted essays about the paintings of Malevich (all except NN 6, 18, 30, 31, 35, 36, 59, 60, 61). Philosophical Architect Kazimir Malevich. Lecture-valued at Yale University and University of Southern California, my aunt, USA (abridged and revised version) //"De Visu", Moscow, 1994, N 11, s.Z9-45. Rising Czar //ArtNews, New York, 1998, September, p.56. How was "Black Square"? //The problem of copying in European art. Materials Science Conference, 8-10 December 1997, Russian Academy of Arts. M., 1998, s.210-215 ![]() Цитата:
![]() Several paintings of Alphonse Allais (1854-1905) Вложение 1096811 Apoplekcicheskie cardinals collect tomatoes at the Red Sea, 1882, Вложение 1096851 Group of drunks in a fog Вложение 1096821 Icteric Asians who drink aniseed aperitif in a wheat field Вложение 1096831 Fight Night blacks in the basement Вложение 1096841 Stupefied young recruits, the first time seeing a blue Mediterranean Sea, 1887 Вложение 1096861 First Communion anemic girls in snow Вложение 1096871 Pimps, drinking absinthe lying on the grass In Alphonse Allais and Malevich, there were different goals and objectives, and different ways to implement them. Вложение 1096881 Последний раз редактировалось Ylot; 17.01.2011 в 22:54. Причина: Добавлено сообщение |
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Язык оригинала: Русский #240 | |
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Гуру
Регистрация: 19.09.2008
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Цитата:
"The magnitude of the gift as Malevich affected not only in generating pulses: suprematic projects in all areas of artistic and theoretical work, from ornament to philosophy, received full expression in his own work." The difference is huge! |
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