Otroshchenko Sergey Borisovich

[Самвел]

Сообщение от Kaffsky

we expect from you new material about Sergey .
It is extremely important to know the handwriting of the artist .
This knowledge will help in good buduyuschey attribution of works by S. Otroshchenko

Kaffsky, Thank you for everything new that I had seen and heard. I understand correctly , you " gift . " outsider on the forum we have would have thought that you , as it were the name of our online poddakivaete.No God sees . I will expose samples of his handwriting.

[Kaffsky]

Сообщение от Samvel

Kaffsky, Thank you for everything new that I had seen and heard .

Samvel, thank you , that opened 3 years ago such a wonderful theme - Otroshchenko Sergey !
Good topic should be supported . A really good people
even better! This is where our forum .

Continuing the theme should be ... !

[Самвел]

Samples pmsma Sergei Otroshchenko. Best attribution Picture Paradzhanov not find. As Bud-I felt that these inscriptions on the drawings will be very important. Figure 3 figure, I looked around a pen, they were barely visible. Here in the network found the article, Sofia pottery, where they met Paradjanov, Otroshchenko and Yablonsky. Experimental workshop.
Creative Center.
To the 100 anniversary N.і.fedorovoї.
    


   
  "At the workshop do not look for the tablets,
And just go with the heart at hand - "

(Ivan Drach. "Kony over Paris)
  
 "It smells like clay, it is not dirt and gold, the beauty and harmony."

 
  (N.і.fedorova)
 
   
 
 
  June 8 opening of an exhibition "Experimental Workshop. Creativity Center. To the 100 anniversary N.і.fedorovoї.."

Creative community of artists, architects, engineers, craftsmen, under the wise and sensitive leadership of a talented organizer, the artist-technologist Nina Ivanovna Fedorova has written a brilliant page in the history of Ukrainian art.



-------------------------------------------------- ------------------------------

 Decorative mural in the underpass at the Independence Square

-------------------------------------------------- ------------------------------
 

The staff workshop over four decades has been the generator of ideas in the decorative arts, shaping the future of Ukrainian ceramics in architectural decoration, developing and implementing new technologies. The work of the creative team was largely determined by and the modern face of the decorative and architectural ceramics.

The workshop was founded in 1946 on the initiative of art Panteleimon Nikiforovich Musiyenko (he, like N.і.fedorova, a graduate college Mezhygirska ceramics and glass) and with the support and assistance of academician Vladimir architecture Ignatyevich Zabolotny. First, the establishment was called experimental art pottery workshop of the Institute of Architecture Engineering and Architecture Academy of Ukraine. Since 1963, the workshop was subjected ZNDIEP Kiev (Kiev Zonal Scientific-Research Institute of Experimental Design) and was named "Laboratory of architectural and artistic ceramics. The team worked in a small one-story house on the reserve "Sofia Kiev", and so the studio was often called the "Sofia pottery," "Sofia studio or workshop Nina Fedorova. Nina led the laboratory from 1944 to 1985.

The main goal and focus of schools was involved in rebuilding war-torn Kiev, creating a new architectural and artistic image of the city. For this purpose it was necessary to direct the efforts of architects, engineers, artists, art critics in search of new technology of ceramic production at the same time looking for creative art direction. The basis of the team on three principles: focus on Ukrainian folk traditions of ceramics, an innovative approach in their application, the creative collaboration of craftsmen, artists, professionals, technologist and architect. And we must recognize that the use of synthetic approaches to business, creative collaboration of many specialists have brought impressive results. Ceramics, developed in the workshop and introduced the architectural and building practice, sounded a new way. In conjunction with the architecture of ceramics (decorative art and oblichkuvalnі elements) was used with a sense of proportion, as a valuable ornament. Everyone is familiar with the history of modern Ukrainian ceramics such samples of registration as a decorative tile for decorating residential buildings on Kreshchatik restaurant hall of hotel "Dnepr" (destroyed in the late 1990's), the interiors of the hotel "Kiev", "RUS", "Golden Ear "House of Cinema, a secondary school № 51 in Kyiv, underground subway stations Khreshchatyk" and "Nivki, Kiev River Station and Cinema" Ukraine "hotel" Black Sea in Odessa, Hotel Tarasova Gora in Kanev. Ceramic mural "Earth, fluids of life and prosperity of the worlds of the universe sends a" work L.і.mєshkovoї decorated hall at UNESCO headquarters in Paris.

N.і.fedorova was outstanding technology, it has created a wide range of watering colors - black, red, shades of turquoise silver, silver-pearl. Honor of the revival of the lost recipe red glaze, the spectrum is absorbed in scarlet, gold, the color of ripe cherries and hot blood belongs to Nina Ivanovna. The studio was revived the ancient art of painting shiny irrigation, invented by frost glazes and glaze to restore the fire. Dyes Workshop N.fedorovoї become her trademark.

A second, equally important, the direction of the laboratory became creative work in small-scale sculpture and the decorative plastic volume. The shop prospered and gained strength talents of outstanding artists, ceramists: Honored Master of Folk Art O.s.zhelєznyaka, People's Artist of Ukraine L.і.mєshkovoї, Honored Artist of Ukraine O.a.grudzinskoї i G.s.sevruk known artists decorative ceramics G.g.sharay, Ya.і.padalki, S.yu.katsimona, A.d.masehіnoї, F.і.oleksієnka, M.m.marinchenka, P.m.іvanchenka. The studio worked fruitfully art - P.n.musієnko, N.g.krutenko. Best of Nina Ivanovna, understanding their artistic value, immediately passed on to the Museum of Ukrainian Decorative Folk Art. Therefore, our museum has the most comprehensive collection of works by the studio (more than 1500 works). Creative work of the cell presented at the International Museum of Ceramics in Geneva, is decorated with museum exhibitions in the world, private collection. Dozens of solo exhibitions of masters laboratory occurred on the territory of Ukraine and former Soviet Union. Works created under the roof of the Sofia pottery, have participated in regional, all, foreign exhibitions (Prague, Montreal, Budapest, Warsaw, Sofia, etc.).

"From entertainment - to knowledge" - one of the mottos of Nina Ivanovna. In her studio has always been interesting, it was possible to hear the news of archeology, mathematics, history, architecture. Experiment, the search and development - that was characteristic of the creative atmosphere of the cell. In 1970 formed another line of work - searching for a symbolic sign of Ukraine - a talisman, a talisman that protects against evil forces. Formed, one might say, a poem about the lore. Each guest received a master amulet and a symbol of the glory of them, swept across Ukraine and around the Union ...

By the experimental workshop activities were intermingled not only outstanding architects, painters, sculptors, art historians, scholars ZNDIEP Kiev, but also well-known Ukrainian artists. It liked to visit (come easily, as home) Maxim Rila and Ivan Drach, Plato Mayboroda and Dmitry Hnatiuk, Oles Gonchar and Ivan Kavaleridze, Gregory Chukhrai and Michael Stelmach. The studio loved working as an artist Tatiana Yablonskaya Otroshchenko and Sergei, and Sergei Paradjanov, sending listovochki, wrote: "Dear adored ...". Through a workshop for its warm aura and creative atmosphere of past critics, historians, archaeologists, museum workers, just ordinary people of Kiev and guests. Humaneness, kindness and inspiration in the work and lives of housewives shop Nina Ivanovna Fedorova attracted to the little house "Sofia pottery, wrapped creative atmosphere, fascinated. And everyone got their own destiny inspiration. Workshop became a kind of spiritual and artistic bridge between past and present.

  

We invite all caring and creative people, organizations, companies of different activities to take part in a noble cause to preserve the historical memory, to honor artists and creators who have left us and future generations the fruits of his inspiration. http://www.mundm.kiev.ua/READING/SOPHIAPOTTERY.SHTML


-------------------------------------------------- ------------------------------

[Самвел]

Today, the network found an article about Tamara Glavak , secretary of Komsomol of Ukraine , she Ukraiskom language , and there are currently about Sergei Otroshchenko . This part has translated into Russian .
( B bodies from time to time fell on her denunciations : " Glavak - nationalist " There were cases , for which then was ashamed and had to apologize . Tamara told how on one show , being a Komsomol secretary , criticized the paintings Otroshchenko for abstraction . - I then saw on the canvases are pink - purple spots and it seemed to me that people do not understand it . And when a closer look at his work , I realized that the artist has so reproduced the beauty of the Carpathians . At the congress of artists from the podium , I apologized for my Otroshchenko unfair criticism ) http://kakdela.kiev.ua/17666/art/6906.html And another article , also in the Ukrainian language . http://ukrlife.org/main/logvin /taina.html And one more in favor of realistic art - Michael Krivolapovhttp : //www.nbuv.gov.ua/portal/Soc_Gum/Mysu/2009_10/PDF/MU-10_2009_p-231-235_Krivolapov.pdf

[Santa]

Сообщение от Kaffsky; 1567881"

Alas, in our museums to photograph
prohibited. I ask: "Why"? The answer is always the same: "Low-z-I"!

can not be forbidden to photograph

      Can I take pictures at an art exhibition? Often the trade fair organizers and visitors have answered this question differently. It happens that the galleries and exhibition halls are hung the picture - crossed the camera, and need to comply with the ban photography and guests, and even journalists.
     Those who introduced the ban to photograph paintings, sculptures, argue that it is - copyright protection. Visitors to exhibitions are banned as an unpleasant entities and do not come into dispute, and what you want to capture on memory, try to take pictures surreptitiously.
     And on this account that the law is?
     The future museum PR person, the author of "New Vernissage" Diane Mazar, faced with yet another ban on photography, appealed to the Moscow Bar Association "Knyazev and partners" with a request to clarify the situation. Her questions answered, lawyer Igor B. Simonov.

     Can I take pictures at an art exhibition? Previously, this question I have not even arise, I always obeyed the request of the terrible rude come on to me the local grannies, and sometimes not grannies, remove the camera.
     But lately, visiting exhibitions of paintings and other art forms are not fun, but due to me being studied at the University of the subject - the museum public relations, I began to wonder.
     After all, I need pictures for a reason, and certainly not to steal from the author's picture of the plot - but what else can you get in bad light without a tripod, taking pictures at the amateur camera, and even on the phone?

Читать дальше... 

Not to steal scenes, or, still more, reproduce the work, even if the quality of photos and made it possible, I'm not going. By the way, I think that anyone who wants to steal the author's intellectual property and cash in on it, can take advantage of modern technology, invisible to others. But personally, I need photographs to conduct research. And also - sometimes - to write about an exhibition at the media that wants to publish my article.
     Perhaps some day trade fair organizers will literally "to entice" me to their events, so information on them, published in respected journals, gave them the authority put up as artists, as well as his own.
     But as long as they do not even suspect, and I, unfortunately, have to engage in a nasty debate with the staff, and sometimes with the local authorities.
     What I, as a future PR man, it is surprising is the fact that they are not even on my statement of belonging to a cohort of writers and published in decent journals. No - I still proudly shows a picture with a camera and a crossed demand to stop shooting.
     Is this legal - prohibit shooting at a public exhibition? With this question I turned to the lawyer of the Moscow Bar Association "Knyazev and Partners" Igor B. Simon.

     Editor's note: For those who are not accustomed to the dry legal language, we present the essence - an abridged version of answers. Completes the publication of the full text of legal questions and answers. So, are the following:

     Prohibit photography of works to the public on public exhibition and other public events illegally.
     If copyrighted work is located in a place open to public access, its photography is permitted by Article 1276 of the Civil Code, with a few exceptions: do not remove the product so that it was the main subject is also forbidden to use "commercially" .
     Place open to public access - this is the place where it can be any person, namely: exhibitions, clubs, discos, museums, parks, squares, subway, train station, the territory of the streets, etc.
     If someone denies you the pictures, it is necessary to clarify current laws that allow to take photographs of works placed in locations that are open to public access.
     In the case of opposition from those that prohibit photography, you should contact the law enforcement agencies with the appropriate application.
     Nobody has the right to request removal of images have already been made, because these images are the property of the photographer who has the right to dispose of them at its discretion.
     Article 1274 Civil Code, established the free use of the work in the informational, scientific, educational or cultural purposes.
     Allowed without the consent of the author or copyright holder and without remuneration, but provided that the author's name, the product is used and the source of the borrowing, use of lawfully disclosed works as illustrations in publications, radio and television broadcasts, audio and video recordings of educational character, extent justified by the purpose.
     Also may be reproduced or communicated to the public in reviews of current events by means of photography, cinematography, broadcasting on air or on cable works, which are seen or heard during such events, to the extent justified by the informatory purpose.
     As for the journalists and journalistic photography, according to Art. 47 of the Russian Federation of 27.12.1991 N 2124-1 "About mass media" journalist has the right to make recordings, including the use of audio and video, film and photography, except as provided by law (in particular the Law "On State Secrets").
     If the journalist is not allowed to perform professional activities, please contact the police with a statement of a criminal case under Art. 144 of the Criminal Code, under which is prohibited by impeding the lawful professional activities of journalists by forcing them to disseminate or to refuse to disseminate information.

     Editorial Comment: So, the organizers of the exhibition, looking at visitors with cameras as the crooks who intend to steal their intellectual property rights, are themselves violators of the law. Instead of identifying the actual incidents of copyright infringement, they spoil the pleasure of his guests.
     However, it is unknown whether or not they believe that they are going to rob him. Perhaps, in some cases cause the ban to photograph just the opposite: for example, they know that the exhibited paintings - secondary stories - borrowed, and in case of publication, authors may find robbed their work and make a claim.
     And perhaps even simpler really want to show their exclusivity - that is, they say, what we have here the brilliant, no one can not create this, and all we are trying to steal our super-duper-genius of creation.
     Uncultured culture, culture, spitting on the law - these realities of today we have not even surprised. A pity. I think that would be useful if you do not fight, at least just to boycott those who think they may offend their guests, to encroach upon our civil rights.

Full article http://newvernisage.ru/news/news/pho..._can_not_deny/

[Самвел]

Today nadtknulsya one site http://repinart.blogspot.com/2012/01...t-ukraine.html, I think is interesting.
They found the 2nd joint work of Sergey and Tatiana Otroshchenko Yablonskaya.
I wonder what kind of species, where these buildings?

[Altim]

Samvel, I saw a picture on the web.
Powerful thing.

Weinstein Moses, Portrait of the Artist S.Otroschenko, 1971, 98h63, oil on canvas

Photo published on the website of Ludmila Bereznitsky collection.

[Kaffsky]

Сообщение от Altim

Samvel, I saw a picture on the web. The strong thing.
Weinstein Moses, Portrait of the Artist S.Otroschenko , 1971, 98h63 , oil on canvas
Photo published on the site collection Ludmila Bereznitsky .

Altim, a great portrait, especially in the performance of a rare artist Moses Weinstein . <! - ~ 1 ~ ->

this portrait, as well as all other in this thread , I 've shown a little more than a year ago: <! - ~ 1 ~ ->

http://forum.artinvestment.ru/showpo...&postcount=209

[Altim]

Kaffsky, sorry for the repeat.

[Kaffsky]

Сообщение от Altim

Kaffsky, sorry for the repeat.

Altim, all OK!
<! - ~ 1 ~ ->

However the picture is good, and that draws attention to itself again and again.


Reruns, does not spoil its dignity.
<! - ~ 1 ~ ->