Iksigon CHA: "The return of the black square" 10-22.01.2012

[klimvor]

Sergey, you big fellow ! Beautiful catalog of attractive entrance to your gallery. And on the other hand , that mastered this vystavku.Raboty "Love and Hate" and "Trees" - a museum level ..... I dumayu.Horoshy day was today ! For 200 rubles. so much to see. A wonderful exhibition of V. Korkodyma , as well as a fantastic exhibition of VN Goryaeva and many others Did not take off , his hands shaking from the impressions .

[Seriy]

Thank you, friends !
 "Love and Hate" traded today , a well-known gallery owner , but I flatly refused to discuss even the possibility of selling , why would I ? other works have something on sale. Tomorrow I will go to that gallery owner to visit , he had a collection of works of the last century , it is interesting .
 In the morning there was one collector , who bought several scroll before my work , as always, his choice was totally unpredictable , he has gained the most uncharacteristic for Iksigona work. Thank you very much !
The rest of the day was boring.


( I apologize , I removed the ironic part of the message )

[artcol]

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[Seriy]

Incidentally, I think Alla and her art director brave people, because it is a project based on American abstract expressionism, the CHA - it's up to you! They are now caught between still life and birches. I hope I can talk to them on a fresh mind, very interesting.
My sketch is based on the stark contrast between the spirit of the second floor of the CHA and the fact that they are trying to do - it's, like, parallel worlds. Of course, I wish them success!

 Watching the CHA, not only as an example of Alla, I can see how a salon-academic world, the CHA are periodic invasion of young forces. The first floor held a presentation of photo project NIGHT dedicated to Buryatia. Project Ally also attempt pereinachit CHA.
During this time I talked with many people in the CHA and projecting on his limited experience, I can tell, the lack of sales is not due to loss of interest of people to the arts, and the absence of most of the public in the CHA. CHA - is a huge empty box.
People do not go there, because there, bored.

As soon as there are people-start sales. But, basically, except for the protection, in the halls empty.

[I-V]

Сообщение от Seriy; 1930001"

lack of sales is not due to loss of interest of people to the arts, and the absence of most of the public in the CHA

Сообщение от Seriy; 1930001"

CHA - is a huge empty box.
People do not go there, because there, bored.

People go to where the "get-together", "their" art exhibitions, galleries, art clubs, etc. Or at the advertised exhibitions, which, as it were required to attend a so-called "Cultured" people. Art often just an excuse poklubitsya fine. And, of course, most people are not so interested in art, so alone, for my own pleasure, all to walk among the sculptures and paintings.

In this "huge empty box" is in fact also TG masterpieces of the 20th century. Crowds there is not observed (at the same CHK Malevich. But if organized and advertised, "an exhibition of one painting," and it is the same CHK - all lined up to the Crimean bridge))).

In short, we must do so in the CHA was wondering always, and not just during the Book Fair, antique shops, etc. rating activities. And even though, like the barrel organ, which is playing cheerful music is silent and gathering dust waiting for the right reason.

[artcol]

Сообщение от IV

so alone, for my own pleasure, all to walk among the sculptures and paintings.

There are, why ...
In the bulk, or they, or people in costumes.

[I-V]

artcol, but in your opinion CHA quite a busy place, it is not "empty box"?
Interested in your opinion.

[artcol]

Сообщение от IV

artcol, but in your opinion CHA quite a busy place, it is not "empty box"?
Interested in your opinion.

Pustovat, yes.
Plus feeling clothing market in the Olympic or Dynamo is not leaving.

[I-V]

Сообщение от artcol; 1930091"

Pustovat, yes. Plus feeling clothing market in the Olympic or Dynamo is not leaving.

Ironically that is what I am, for example, CHA and love. I like that there you can see very different artists - those on the ear and those that are unknown to anyone, sophisticated salon painters and podelschikov; Orthodox battle painters and poets of urban, children's workshops and clubs retirees, well, etc.

In short, the CHA provides a wonderful cross-section of the artistic life, which really takes place in Russia. Whatever it was, but this picture is pretty true. It is also true picture of our "market society" give it flea markets, not Petrovsky Passage, for example. In terms of studying the "life" they are so much more interesting. But the sad feeling that some latent desire all this, shall we say, "easy" to eliminate and replace with "Glamour".
The fact that the CHA has not yet glamor - wonderful. We must somehow manage to, retaining the immediacy of reigning in him, give him at least a "visibility" trendy place, because otherwise, in its present state it would not last long. In short, we must manage to do so, and the sheep were intact, and the wolves are fed. >

[artcol]

Сообщение от I-V

Ironically that is what I am, for example, CHA and love. I like that there you can see very different artists - those on the ear and those unknown to anyone, sophisticated salon painters and podelschikov; Orthodox battle painters and poets of urban, children's workshops and clubs retirees, well, etc.

In short, the CHA provides a wonderful cross-section of the artistic life, which really takes place in Russia. Whatever it was, but this picture is pretty true. It is also true picture of our "market society" give it flea markets, not Petrovsky Passage, for example. In terms of studying the "life" they are so much more interesting. But the sad fact that some people all the time there is some latent desire all this, shall we say, "easy" to eliminate and replace with "Glamour".
The fact that the CHA has not yet glamor - wonderful. We must somehow manage to, retaining the immediacy of reigning in him, give him at least a "visibility" trendy place, because otherwise, in its present state it would not last long. In short, we must manage to do so, and the sheep were intact, and the wolves are fed. >

In this sense, everything is fine, just architecture evokes. When you're on the other hand (ie, visitor) - it is not felt. All are unified (TB democratically), is divided into boutiques ... sorry, halls > But the visitors convenient fact.