Large French trip

[таша]

Сообщение от "Lucy, 1395151

You can not imagine how I was afraid to miss the light time of the day, and while drawing, I was literally tossed with shock - such a powerful wave rolls back from the cliffs, sea and land ...

That's true when you look at the work, too, "beats the current."

A wonderful artist, thank you

Lucy,

[Люси]

It must be said Masha spasibo.Ya yesterday was great fun looking at them zhivem.Mne want to write and send a lot, but I do not know how to do it to my great regret .
They are very honest and true it works, they do not falshi.V each picture sensitivity that Mary gave a piece of your emotions and moods ..
This is a terrible mess that I post this quality picture, but I have not tried, the hall was dark and some of the work could not shoot well.

[Glasha]

Сообщение от Tasha, 1395341

That's true when you look at work, too," beats the current ".

And I have a feeling at the first viewing - goose . The force of creative energy punch.

Сообщение от Lucy, 1395071

The exhibition was opened Galya Bystritskaya and art gallery director," Expo-88 "-Jelena Yakovleva.Galya, clever and krasavitsa.Kak she managed everything so elegantly organize lack thereof Masha .. just wonder.

It was great when, after opening Galina Bystritskaya dialed telephone Masha, and all greeted her with applause, and then want to say it still has some words ...
that she was not very sad about his physical presence is not .

(later add some missing pictures, until Monday without normal Internet - a catastrophe!)

[Игорь Дудинский]

Masha Schmidt convincingly explains why the anchor of Russian art in the form of his silver age go to heaven in France.
For the Russian artistic mentality France - native habitat. In every Russian artist living Frenchman.
The second achievement of European art - Expressionism in its German version - in Russia is not stuck. Mainstream, it became the French with their fluctuation, grace and a healthy start. "
Expressionism influenced the Russian is not through Germany, and through Scandinavia. In the German expressionism pain and suffering to take the earth, physiological, pokazushnye, theatrical forms. And when Mary talks about his "expressionistic" origins, she has in mind primarily the aesthetics of "Norman" context from which to Scandinavia, with its "modest", confusion, spiritual, ecstatic, passing in the symbolism of "modernity in itself" - a hand apply.
No "Russian painting" does not exist. All the talk about "mutual influence" cultures do not make sense. Was a Russian icon, which ended long ago. After that was a purely Russian artist - Filonov. All the rest - or the Germans or Scandinavians, or "sezanisty. Last longer in the silver age, and their impact vividly and convincingly.
However, Masha, she says: «Channel scenery for me - very" documentary ". You have no idea how I was afraid to miss the light time of the day, and while drawing, I was literally tossed with shock - such a powerful wave rolls back from the cliffs, sea and land ». What is the proof. The artist got in their natural habitat.
The truth is that if a Russian person becomes an artist, he ceases to be a Russian and reincarnate, for example, in the Frenchman. Since fresh blood always brings a positive effect, art wins.
In addition, the Russian force in the global responsiveness of the soul is made to that in which they are implemented, a fair share of excitement and ecstasy. We always try to "outdo" the original.
When you see the work of Masha Schmidt, catches the eye, that they too «frantsuzistye». A sort of France in the square. Modern Frenchman would not be able to speak the native language with such a fierce precision and conviction.
Actually it should be. After the European art in general and French in particular is undergoing sunset, somebody has to pick up the baton and be faithful to tradition.
Russian artists - the best option. We are the last who still wants and has the power to speak. But, unfortunately, we have absolutely nothing to say.
And then comes to help France, which continues to throw up our "sister" and aesthetically similar themes for improvisation.

[fabosch]

Сообщение от Igor Dudinskiy

No "Russian painting" does not exist. All the talk about "mutual influence" cultures do not make sense. Was a Russian icon, which ended long ago. After that was a purely Russian artist - Filonov. All the rest - or the Germans or Scandinavians, or "sezanisty.

Malevich, Lissitzky, Tatlin, Rodchenko - the Germans, Larionov, Goncharova, Falk - French Samokhvalov, Pakhomov, Greenberg, Lapshin, Tyrsa - apparently, the Scandinavians, etc. A strong picture!

Сообщение от Igor Dudinskiy

The truth is that if a Russian person becomes an artist, he ceases to be a Russian and reincarnate, for example, in the Frenchman. Since fresh blood always brings a positive effect, art wins.
In addition, the Russian force in the global responsiveness of the soul is made to that in which they are implemented, a fair share of excitement and ecstasy. We always try to "outdo" the original.

Subscribe to 100%, but this is only half the truth. Overcooked and then became assimilated and fused with his other digested and assimilated to form a mixture which has no one else will not find. This is their own, native, overcooked, and not just take the copied

And about Masha Schmidt and her "frantsuzistosti squared" - it is very accurate. From her Norman landscape breathes the late Monet, connected to a high-voltage lines.

[Glasha]

Here, I add some pictures from the exhibition, as promised:


- Color triptych, a very beautiful work

- Two more series of Norman ...

("waterfall of colors on the canvas is the ultimate expression of feelings of peace" - Vera Khlebnikov)


and the author of threads

[Люси]

I asked Masha, send pictures of her last rabot.Vykladyvayu them with a huge udovolstviem.Eto huge sheets 100h300.

Dear Glasha, clean-hundred AMPs your inbox .. and then you can not write.
"all my letters impassable.

[Люси]

A large French tour.
Post Scriptum


http://artinvestment.ru/news/exhibit...1209_expo.html