Boris Kocheyshvili. Life in Art

[LCR]

Сообщение от Tamara

But not quite understand why Kocheyshvili turned in your letter in Kucheishvili? result of translation?

No, alas, not translation. "U" - emerged from despicable typos, most humbly apologize. As for the "th", it can not enter into the offense - a letter in the Georgian alphabet is not so with your permission, propose that this version acceptable option

[Тамара]

All clear! Also, I apologize, from the infamous typos no one is safe!
I have learned through reliable people, who is hiding under a secret code of LCR. Dear Liana! A huge hello to you from Boris! He was very flattered and pleasantly surprised by your response to his work. In turn, asked me to tell you that loves and respects the artist's paintings Roginsky and meeting them from time to time in their wanderings through the artistic point of Moscow is experiencing an acute aesthetic pleasure. If we consider that a good artist, BK considers only Rublev, Rembrandt, Goya, Cezanne and Picasso (well, can add the goodness of his soul still two or three names), then Roginskii is in very good company.
If you're in Moscow come to the studio in Clear Lane, offered me tea and art

[LCR]

Сообщение от Tamara

I have learned through reliable people, who is hiding under a secret code of LCR.

It was simpler to ask me
And it is not code, but simply my initials LSHR=Liana Shelia Roginskaya in French (we have with Boris, as you can see, common roots).

Сообщение от Tamara

huge hello to you from Boris! He was very flattered and pleasantly surprised by your response to his work. In turn, asked me to tell you that loves and respects the artist's paintings Roginsky and meeting them from time to time in their wanderings through the artistic point of Moscow is experiencing an acute aesthetic pleasure. If we consider that a good artist, BK considers only Rublev, Rembrandt, Goya, Cezanne and Picasso (well, can add the goodness of his soul still two or three names), then Roginskii is in very good company.
If you're in Moscow come to the studio in Clear Lane, offered me tea and art

That I am flattered that he remembered me, because we saw a very long time, in Gali Ivanova (by the way, maybe you know where she is, what is it?).
We are pleased to come "resume" acquaintance and a cup of tea, and while he bowed low.

[Тамара]

Artist Boris Kocheyshvili many years - nearly his entire adult life was friends with a wonderful sculptor Alloy Pologova. Their relationship was very close, almost family. Boris tells us how pleased Allah many times in the summer of Full Tilt him and his endless succession of wives at his dacha - first under Pereyaslavl, and then in Gremyachevo on Oka. "Life is about Allochki was surprisingly quiet, it never is in a hurry, but at the same time incredibly much keep pace. Pologova lived immersed in art as naturally as we live immersed in everyday life. All objects around it transformed, as if adjusting to it under fashion, however, as people, as well as her beloved cats. "
In the Tretyakov stored Alla Pologova sculpture "Portrait of the artist Boris Kocheyshvili. This is a large painted wooden figure, the artist sits in his chair and gestures: arms raised, fingers spread out - something tells. How many speakers and hidden power has put Pologova this wooden sculpture! The image of a gifted young man with hot Georgian roots generated from the heavy voobscheto for a dynamic sculpture material - a wooden deck. A splayed fingers - all shine! Boris says that Allah made the sculpture in his presence, first carved from wood, but the fingers turned out smallish, but one just broke off. Then, Boris went to the woods and wandered there, looking for ten branches similar to his fingers, applied a comparison - has found yet. Alla was delighted with this idea, and immediately replaced by fat fingers branches. Here's a story. Now the history of art.
Two months before the death of Alla Pologova Boris took me to her studio. She sat in a wooden rocking chair - it is work. A cat on his shoulder, one on the chest and two on his knees - cat amulets. Alla apparently a very bad feeling well and not very responsive to those who came to the current passing conversations. It all went in myself and in my opinion was there, in myself and happy and at peace. But it should be noted drank some vodka with a newcomer - not for myself, for the company to support friends. A touching and what is aching impression remained with me from that meeting. Half-empty shop (almost all the work was by then already adjoined) and Alla Pologova quiet, why then if heeded, would soon end, surrounded by loved cats.
Boris Kocheyshvili of course, is very upset about her departure. He lost a close friend. Moreover, her death has ended for him a wonderful page of life, living next to Ala, in a comfortable creative space of her personality, her art.
Soon Boris Kocheyshvili created a series of collages - "In memory of Alla Pologova. Photos of her sculptures, he pasted in his paintings of space. It turned out wonderfully organic and gently. It seems agreed together the two arts, two of the individual.

[Тамара]

Added 3 hours, 24 minutes
My story thus receive and antitime, and quite cluttered, yes anything, the purpose of these notes - not to talk consistently about the creative ways that the artist, but to show the distinguished participants of the forum are part of creativity and the drafts of the master, who has the least known. And learn more about the artist Boris Kocheyshvili and his creative path could soon be in the directory, which is due in the anniversary year of the artist.

[Тамара]

Many know Boris Kocheyshvili - as graphics. At the mention of the name people involved in art in a given area, usually react so: yes, yes, he has such wonderful black and white ink drawings, or: yes, yes, I have a couple lying triplet of its leaves while holding a themselves ... The schedule this artist made his name back in the 70's, and the works of this period, I have always come back, but now I would like to show the paintings of Boris Kocheyshvili. It is a pity that it is still so little known, even in the narrow circles of experts.
 
 In the early 2000s, Boris Kocheyshvili suddenly was carried away by work with color. The artist, who considered himself still predominantly timetable is subtle colorist. Boris Kocheyshvili begins to write acrylic as watercolor, thin glaze, only occasionally resorting to the cabinet, dense painting. His mysterious landscapes, still lifes and geometric construction of infinitely divergent. Stratagem of colors and shades exist within sharpened and equilibrium volumes and shapes. Interestingly, in the paintings of Boris Kocheyshvili practically do not appear on his favorite motifs - a woman, utensils. His paintings are absolutely aimless - is a complex postorenie geometric shapes and relationships of colors inside them. Tracks are always dynamic and at the same time all parts of the composition with a jeweler's precision balanced relative to each other.

Interestingly, the same spodviglo artist who has reached the perfection of the schedule, which might, it would seem to rest quietly on their laurels, to the complex, almost alchemical experiments with color? The artist himself believes that creativity is inextricably linked to human biology. The art is primary is not brain activity, but following the call of the creative instinct. "The most interesting thing comes when the artist comes in the wake of the unknown forces him, not realizing that, to a technique and style, he will address today or tomorrow. Otherwise, his destiny - a craft or replicating "- says the artist.

Добавлено через 6 минут
It looks like the picture is not appended to the text, I have to-at least they are not visible. Once more.
General do not understand - this site is buggy, or my PC? Vsevremya something not thank God that I posted.
Well, nothing, I will continue, you look very surprised by my stubbornness will improve ...

[Тамара]

It looks like the picture is not appended to the text, I have to-at least they are not visible. Once more.
General do not understand - this site is buggy, or my PC? Vsevremya something not thank God that I posted.
Well, nothing, I will continue, you look very surprised by my stubbornness will improve ...

[Тамара]

At this time I want to share enthusiasm about what I'm doing great Moscow artist Boris Kocheyshvili last year. Many people probably remember his series of white reliefs. Participated in several exhibitions, so probably you know what it was about (if not, I can write and show only ask ) TU series of the late 90's early 2000's the artist sculpted using papier-mache and plaster construction. And last spring, Boris has invented a completely new technology, and so engrossed in its infinite possibilities, that has created a large series of remarkable and very unusual reliefs.
"... Superimposing the mass of cement plaster on plywood and working a wide palette knife as a brush, the artist draws an iron tool graceful shapes, objects and shapes, cuts rhythmically adjusted space. In this technique, embodied his ever present desire for illusion, the more plastic the credibility established spaces and images. artists are able to overcome the specificity of sculptural relief, dictated by technical features of the casting in the form, and to conduct hands-free fixing, fixing instant improvisation in the frozen form.
This technique can be called molded graphics: if the traditional sculpture is repelled by volume, then here - from the plane of the figure, reinforcing, sometimes grotesque, his rhythmic, compositional framework. Relief if grows out carefully shaped and balanced composition. On the other hand, these reliefs can be called a easel sculpture: if graphics or painting is expected to consider a single point, the statue requires bypass, or at least motion passed, with each step showing viewers new ways of composition and plasticity. Reliefs Boris Kocheyshvili have the shape and size and heavy machine works, but from different angles and under different lighting sources to the right, left or frontally, give unexpectedly different images, both by the sculpture complex terrain, as well, and this is perhaps the most interesting feature - through a variety of games of shadows, which create the background on the plane most bizarre songs and contours.
The artist managed to implement in their reliefs truly priceless experience - the amount of skill and observation, accumulated over many years of life in art. His works show an absolute inner freedom master of virtuoso ownership pattern, composition, plastic. Plastic improvisation in the cement or stucco schedule - the style of Boris Kocheyshvili can be called as you like, but the essence of his findings did not change. Technical skills and brilliant artistic talent - only this combination can achieve a similar cosmopolitanism in the arts, to make a breakthrough into a new and open depiction yet unrealized possibilities "old" art. "
(it's a piece of my press release about the latest exhibition of Boris Kocheyshvili which exhibited 20 reliefs of the last series, information about the exhibition, see the relevant section where the exhibition and where the photo reports about them, if you want to visit to see - email me - Tamara).
I hasten to show themselves actually work, but it is clear that the reliefs on the flat picture quality is not perfect - it is incredibly far from in-kind experience. Alas ...

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[Тамара]

Оччень strannno. Again the text is a picture I do not see ... Kakayato quiet attack techniques on me ... and the car broke down yesterday and the internet hiccup ... but well let them technique, the main thing that people liked "a technique in the trash can

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[Тамара]

I would like to revive my topic a bit. It turns out quite informative, but as something completely lifeless. Even so did this forum, and the more material I read, the more interesting, knowledgeable and intelligent people here can see.
Propose here a few unexpected can turn the theme: today, read the following piece of text
... "But among the peoples of the earth there is a special race. it exists outside of humanity - a race
artists. Moved by unknown motives, they take the lifeless mass
humanity and, warming her with fervor and excitement, translates the raw dough
in bread and bread in the wine, and wine in the song - in a captivating song, created by
them from the dead compost and inert slag. I can see how this particular race
Gromit universe, turns everything upside down, walks on the tears and
blood, and her arms stretched out into empty space - to God, to which
can not reach. And when they are tearing their hair out, trying to understand and
grasp what can neither understand nor grasp, when they roar like
maddened beasts, torn and tormented by all that stands in their way, just to
saturate monster, gnawing their guts, I see no other way for them there.
A person belonging to this race must stand on a dais and gnaw
own entrails. For him this is natural, because that is his
Nature. And all that in less awful, all that does not cause such shocks,
not repelled with such force, do not look so crazy, not drunk and did not
infect - all this is not art. This is - a fake. But she was human.
But she reconciles life and lifelessness. "(Henry Miller's Tropic of Cancer")
Of course, for every phenomenon there exists an infinite number and assessments, and explanations. Topic "Arts and non-art" can be interpreted in many different ways, many of which do not contradict each other. Yet after just wonder what true art is born necessarily in pain and contradictions. This can be expressed in aggression and in the tragedy - a tenderness for the world "non-host", "non-relevant".
Could this bright talented art is born from the well-being?
Can such art could not "decorative", but a living?