Photo: "The vision of dance" to the 100 anniversary of Russian seasons of Sergei Diaghilev in Paris - Страница 2 - Форум по искусству и инвестициям в искусство

Ilona · 28.10.2009, 14:56

Part 10 ... is not the last

79. Goncharova N. Landscape with fantastic colors. Sketch-variant set for a choreographic miniature "Swan Princess". 1918
80-83. Goncharova N. costumes for the ballet "Spain" (Ravel) and "Triana" (Albeniz): Spanish woman with a fan, Spaniards in the red, the Spaniard with a shawl, Spanish woman with a green shawl.

Goncharova N. Sketches of scenery and costumes for the ballet "Les Noces" (unexercised option). 1916-1917:
84. Composition with factory chimneys. Set design
85. Baba
86. Girl in a green apron. Townswoman in a green scarf
87. City on the coast. Sketch-variant sets. 1910

Кирилл Сызранский · 28.10.2009, 15:54

Цитата:

Сообщение от Ilona

N. Goncharova costumes and scenery for the ballet "Les Noces". 1915 - 1916 (unexercised option)

Цитата:

Сообщение от Ilona

69-78. Goncharova N. costumes for the ballet "Liturgy": Apostle, Elizabeth, the woman in the veil, Shepherd, Cherubim, the Apostle Peter, Apostle, Magus, Israel priest, the Apostle Mark

Das ist Ain фантастише und ekzotishe Russische maleray! : eek:: D: p

Ilona · 28.10.2009, 22:09

Chast11 ...
Goncharova N. costumes for the ballet "The Golden Cockerel. 1930
88. Brute. Sketch of a panel on the grounds of the performance
89. King in arms
90. Warrior
91. Cook
92. Shemakha Queen
93. King
94. Dancer
95. Guidon. Sketch of a panel on the grounds the play "The Golden Cockerel"
96. Feast. Arrangement on the Performance

Ilona · 28.10.2009, 22:39

Part 12 ...
Larionov, MF Costumes for the ballet "midnight sun" .1915
97. Baba. Lel. Woman in a green skirt. The bird Sirin.
98. Guy. Housekeeper. Astrologer.
Larionov, M. Sketches-versions of the opera costumes, the ballet "The Golden Cockerel. 1913-1914
99. Royal dancer. Shaitan and maid Shemakhan queen.
100. Dancer and maid Shemakhan Queen

Goncharova N. costumes for the ballet "Sadko". 1916
101. Coral
102. Algae
103. Algae
104. Medusa

105. Larionov. Portrait of Natalia Goncharova. 1915. GTG

Ilona · 29.10.2009, 00:04

Part 13 ....
BI Anisfeld Sketches of scenery and costumes for the ballet "Sadko" 1910
106. Underwater Kingdom
107. Mermaid
108. Volkhov
109. Stream
110. Mermaid
111. Goldfish

L. 112-115 Bakst costumes for the ballet "Daphnis and Chloe" and "Narcissus." Beotiyki wonderful!!

Сима · 30.10.2009, 17:45

Thank you, Ilona, how you have all this off, because there was such a crowd. Or you rented to the public?
The exhibition, of course, very interesting, especially the photographs, costumes and wonderful maketiki. Extremely complicated as the exposition, just a feat. (For myself always thinking of theatrical exhibitions: who will find the best way to put a theater - that should give the Nobel Prize). Pleasant and instructive to see a lot of "good" Bakst from different collections. And "good" Benoit is also pleasant. Actually a lot of new material. Pity it's not always the best for some items. But since had multiple Diaghilev exhibitions, some things have shared here and not all have "to drive.
In general, it is necessary many times to go to everyday life, to learn and enjoy new friends. Critique leave for another time.

Кирилл Сызранский · 30.10.2009, 17:49

Цитата:

Сообщение от Sima

pleasant and instructive to see a lot of "good" Bakst from different collections.

And what is this "good" Bakst? And why do they see it is "instructive" next to "nice"?

Сима · 30.10.2009, 19:02

Cyril Syzransky, "nice" because they have no eternal expert concern - ie know that "good". "It is instructive, because often, when svezut so much and hang nearby - you can consider and realize something new. However, there is dark

.

LCR, finally, with great difficulty, hung the picture. This hello "Primus". You are, I think, just guessed.

Кирилл Сызранский · 30.10.2009, 19:13

Цитата:

Сообщение от Sima

"nice" because they have no eternal expert concern - ie know that "good".

I just realized.
And this "expert concern" had enough, to be honest ... I understand you.

Сима · 30.10.2009, 19:32

Cyril Syzransky, I was young, then naively thought that once in the museum store and show that there is no doubt. And it happened at Diaghilev topic fiasco and fracture in my mind for ten years (more) ago. Was an exhibition in London at the Barbican and catalog so surprised! Because this material immediately became a cult, and Bakst repeated, and "circle", which is also repeated. Yes you know the theater - much copied for the workshops. Not to mention the direct maliciously. What darling pictures here and there appears to "Fairy Doll" (with card), if he had all his life then these dolls painted.
But on this show girls worked seasoned, rubbed his teeth on this (I hope, forgive - the teeth in place), and rigorous approach to the selection of the museum, even things. But the problem, as far as I know, it was.

28.10.2009, 14:56	Язык оригинала: Русский #11
Ilona Бывалый Регистрация: 10.04.2008 Адрес: Перрисбург, США Сообщений: 473 Спасибо: 54 Поблагодарили 2,155 раз(а) в 404 сообщениях Репутация: 1188	Part 10 ... is not the last 79. Goncharova N. Landscape with fantastic colors. Sketch-variant set for a choreographic miniature "Swan Princess". 1918 80-83. Goncharova N. costumes for the ballet "Spain" (Ravel) and "Triana" (Albeniz): Spanish woman with a fan, Spaniards in the red, the Spaniard with a shawl, Spanish woman with a green shawl. Goncharova N. Sketches of scenery and costumes for the ballet "Les Noces" (unexercised option). 1916-1917: 84. Composition with factory chimneys. Set design 85. Baba 86. Girl in a green apron. Townswoman in a green scarf 87. City on the coast. Sketch-variant sets. 1910 Миниатюры

28.10.2009, 22:09	Язык оригинала: Русский #13
Ilona Бывалый Регистрация: 10.04.2008 Адрес: Перрисбург, США Сообщений: 473 Спасибо: 54 Поблагодарили 2,155 раз(а) в 404 сообщениях Репутация: 1188	Chast11 ... Goncharova N. costumes for the ballet "The Golden Cockerel. 1930 88. Brute. Sketch of a panel on the grounds of the performance 89. King in arms 90. Warrior 91. Cook 92. Shemakha Queen 93. King 94. Dancer 95. Guidon. Sketch of a panel on the grounds the play "The Golden Cockerel" 96. Feast. Arrangement on the Performance Миниатюры

28.10.2009, 22:39	Язык оригинала: Русский #14
Ilona Бывалый Регистрация: 10.04.2008 Адрес: Перрисбург, США Сообщений: 473 Спасибо: 54 Поблагодарили 2,155 раз(а) в 404 сообщениях Репутация: 1188	Part 12 ... Larionov, MF Costumes for the ballet "midnight sun" .1915 97. Baba. Lel. Woman in a green skirt. The bird Sirin. 98. Guy. Housekeeper. Astrologer. Larionov, M. Sketches-versions of the opera costumes, the ballet "The Golden Cockerel. 1913-1914 99. Royal dancer. Shaitan and maid Shemakhan queen. 100. Dancer and maid Shemakhan Queen Goncharova N. costumes for the ballet "Sadko". 1916 101. Coral 102. Algae 103. Algae 104. Medusa 105. Larionov. Portrait of Natalia Goncharova. 1915. GTG Миниатюры

29.10.2009, 00:04	Язык оригинала: Русский #15
Ilona Бывалый Регистрация: 10.04.2008 Адрес: Перрисбург, США Сообщений: 473 Спасибо: 54 Поблагодарили 2,155 раз(а) в 404 сообщениях Репутация: 1188	Part 13 .... BI Anisfeld Sketches of scenery and costumes for the ballet "Sadko" 1910 106. Underwater Kingdom 107. Mermaid 108. Volkhov 109. Stream 110. Mermaid 111. Goldfish L. 112-115 Bakst costumes for the ballet "Daphnis and Chloe" and "Narcissus." Beotiyki wonderful!! Миниатюры

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30.10.2009, 17:45	Язык оригинала: Русский #16
Сима Гуру Регистрация: 29.01.2009 Адрес: Москва Сообщений: 1,422 Спасибо: 2,395 Поблагодарили 2,244 раз(а) в 552 сообщениях Репутация: 4259	Thank you, Ilona, how you have all this off, because there was such a crowd. Or you rented to the public? The exhibition, of course, very interesting, especially the photographs, costumes and wonderful maketiki. Extremely complicated as the exposition, just a feat. (For myself always thinking of theatrical exhibitions: who will find the best way to put a theater - that should give the Nobel Prize). Pleasant and instructive to see a lot of "good" Bakst from different collections. And "good" Benoit is also pleasant. Actually a lot of new material. Pity it's not always the best for some items. But since had multiple Diaghilev exhibitions, some things have shared here and not all have "to drive. In general, it is necessary many times to go to everyday life, to learn and enjoy new friends. Critique leave for another time.

30.10.2009, 19:02	Язык оригинала: Русский #18
Сима Гуру Регистрация: 29.01.2009 Адрес: Москва Сообщений: 1,422 Спасибо: 2,395 Поблагодарили 2,244 раз(а) в 552 сообщениях Репутация: 4259	Cyril Syzransky, "nice" because they have no eternal expert concern - ie know that "good". "It is instructive, because often, when svezut so much and hang nearby - you can consider and realize something new. However, there is dark . LCR, finally, with great difficulty, hung the picture. This hello "Primus". You are, I think, just guessed.

30.10.2009, 19:32	Язык оригинала: Русский #20
Сима Гуру Регистрация: 29.01.2009 Адрес: Москва Сообщений: 1,422 Спасибо: 2,395 Поблагодарили 2,244 раз(а) в 552 сообщениях Репутация: 4259	Cyril Syzransky, I was young, then naively thought that once in the museum store and show that there is no doubt. And it happened at Diaghilev topic fiasco and fracture in my mind for ten years (more) ago. Was an exhibition in London at the Barbican and catalog so surprised! Because this material immediately became a cult, and Bakst repeated, and "circle", which is also repeated. Yes you know the theater - much copied for the workshops. Not to mention the direct maliciously. What darling pictures here and there appears to "Fairy Doll" (with card), if he had all his life then these dolls painted. But on this show girls worked seasoned, rubbed his teeth on this (I hope, forgive - the teeth in place), and rigorous approach to the selection of the museum, even things. But the problem, as far as I know, it was.