Very strange Burning Bush

[Eriksson]

Сообщение от Cyril Syzransky

has, if it is not replica. And the replica appears.

Similarly, no replica.
Very old.
Traces inept restoration. I bought a "teapot", type in "penny".
We ought to take pictures correctly, but is now too late, it's time for the side.

[K-Maler]

Сообщение от Eriksson

chno, not replica.
Very old.

Unlike modern replica: a miracle-like monster down there on purpose you can imagine. And the head of the hero is also not easy ...

[Марина13]

The "Burning Bush" was written in s.Holuy (Ivanovo obl.Yuzhsky rn) and refers to kon.XVIII - beg. XIX centuries. There krasnushek they produce up to 2 million a year. Canons guys simply ignored (strongly Thorpe), so the absence of a red diamond or other lyapy in this school are frequent. This was not amateur artists, as there was a workshop, and in 1805. in Kholui was opened artistic uchilische.Naryadu with cheap krasnushkami rural written and precious icons of very high quality. And the preserved prorisyam and nalepkam seen that the figure they owned.

[Eriksson]

Marina13, many thanks for the qualified certificate!
That's what productivity have been the people - one village "spank" manually 2 million copies a year! It's mad! At this point, obviously, not the canons, they were ...: D

[Кирилл Сызранский]

Сообщение от Marina13

The "Burning Bush" was written in s.Holuy (Ivanovo obl.Yuzhsky rn) and refers to kon.XVIII - beg. XIX century.

What an enviable accuracy in the dating and place of writing icons.
Where is deducted pro Holuy?
There is a view among some experts in the art-environment, but it (opinion) is highly questionable, because such a "primitive" was much everywhere. By the way, and in Palekh icons are written, but everywhere, I repeat ...
And you have to Ukraine, too, as can be read and a classic.
Meanwhile, his daughter, a beauty at all
village, stay at home, and his daughter probably will smith, a mighty man
and even where the young man, who the devil was against his father's sermons
Kondrat. In his spare time from the affairs of a blacksmith and worked malevaniem
reputation of being the best painter in the circuit. Sam even then
L. .. long live the captain called him to purposely in Poltava
paint the wooden fence near his home. All the bowls, of which
dikanskie Cossacks gulped soup, were daubed blacksmith.
Smith was bogoboyazlivy man and wrote parts of the image of the saints: and
now still be found in T. .. his Luke the Evangelist Church. But
the triumph of his art was a painting, painted on to
wall of the church in the right vestibule, in which he depicted
St. Peter's Day of Judgment, with keys in hand
Banishing evil spirit from hell, scared the devil tossed in all
hand, in anticipation of its destruction, and concluded before
wicked beat and chased him with whips, logs and all than any
horrible. At a time when the painter was working on this door with a picture
and wrote it on a large wooden board that features all the forces
tried to prevent it: pushed by unseen hands, rising from
forge in the smithy ashes and sprinkled it now, but, despite
all work was finished, the board entered into the church and built into the
the wall of the porch, and since then the devil has sworn to avenge the blacksmith. (c)
: D: D: D
Maybe talk about the Ukrainian "people's" icon?
   In Kievan Rus icon painting engaged mainly visiting foreigners (Greeks), but over time, its local artists, which, although they learned from the Greek masters, but in the perception of the divine is still largely remained pagans. Especially it should have been visible in the peasant, the national environment. Unfortunately, the most ancient naive works, come down to us, relate only to the XIII century. This icon of "Protection" from Eastern Galicia, which is stored in the National Art Museum of Ukraine.
But after centuries of pagan themes did not disappear completely, they continued to live, especially in sculpture, and even in the twentieth century were visible in the remote areas of the Carpathians and Volyn Polesie. They can be judged from the carved crosses and icons, which are still to this day used in churches Hutsulshchyna, Boykivshchyna, Polesie, Podolia.
Or you do not Crimea-Ukraine?
Then say no more ... : eek:

[Марина13]

I wrote while studying scientific work about Suzdal icon and particularly their restoration, has been in museums Kholui, Palekh and Mstiora information collected there. This primitive is really to be found everywhere, as produced in unrealistic quantities, and peddlers-Ofen transported him from Siberia to the Balkans.
We can talk about Ukrainian icon painting
In Crimea, 58%Russian, 18%of Tatars and less than 5%of Ukrainians I do not think the Crimea, Ukraine.
PSU us in the Ukraine, Gogol also wrote in Russian)))

[Кирилл Сызранский]

Сообщение от Marina13

We can talk about Ukrainian icon painting

Also known in the mainly velikorosskoy of RI "krasnushek", "chernushek", "striped" in Ukrainian icon painting existed direction-folk icon: Sc. "schepnye" (or bast) and Malevany. "
For "schepnyh" icons took on a thin plate. Often this is a piece of bast, why there is another name for such icons - bast. In this case the curved shape of the icon (in terms of a tree trunk), was treated only with the front side. In light soil was carried out only a personal letter (Christ, the Virgin Mary, Nicholas, but the other saints in these icons are not found), and the background was covered with foil with a salary cut and embossed patterns, sometimes with a list. The icon was inserted into a glassed-in Kyoto.

"Malevany" icons created Malaria artel, hodivshimi villages and painted the walls and ceilings of the upper chambers of the peasant, furniture, spinning wheels and other household utensils. Many Artel came even from the Urals, were famous artisan, for example, from the village Carmack. On "Malevany" icons of saints depicted in the same way as in the wall paintings - among lush trees and flowers walking characters dressed in rich clothes, often borrowed from cheap popular images.
One of the characteristics of Ukrainian folk art masters is that they are using very limited resources, reaches its maximum perfection of artistic expression. The main element in the construction works of naive art in favor line, which, in describing the contour, emphasized the plasticity of form and gave it expression. Color of the line itself is extremely diverse, shades, from brown to Cinnabar.
Another feature of the Ukrainian folk icon is its decoration. Masters gladly entered into a composition motifs embroidered national costumes and towels. Later decorative elements are not geometric and plant origin occupy all available space between the figures of saints. This type of ornamentirovaniya can be traced to the icons Volyn-Podolsk region. If we compare here the icons created by nineteenth century with the works of modern masters from. Samchiki Starokostiantynivsky region Khmelnitsky region, we can be persistent parallels in decorating the background. Unfortunately, these traditions have survived only in one village in Khmelnytsky oblast, and, interestingly, in painting there are predominantly male.

[gans]

Сообщение от Cyril Syzransky

Can talk about the Ukrainian "people's" icon?

I have is such a Ukrainian icon.
The second half of the 19th century. oil on canvas, 62h78, see

[Марина13]

1.Arhangel Michael with scenes from his life 1550-1580.
2.Bogoroditsa and Child 14b.
3.Eleusa 15 in.
4. Krasovskaya Hodegetria 15B.
5. Nicola 16B.
6.Nikola with scenes from his life 1550-1580gg.
7. Hodegetria the prophets 15B.
8. Praise Virgin 15V.
9.Pohvala Virgin ser.16v

[Марина13]

Oshibochka, it was not "popular." But "traditional"