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| Art Kaleidoscope Interesting and relevant information about art. Discuss general art issues and any topics not covered in other forums. It’s only about art — love, politics, sports, hobbies etc. are discussed in “Chatter”. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #11 |
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Гуру
Регистрация: 26.07.2008
Адрес: РФ, Самара
Сообщений: 75,465
Спасибо: 27,923
Поблагодарили 55,361 раз(а) в 24,302 сообщениях
Записей в дневнике: 133
Репутация: 102421
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LCR, I like Vasiliev-grudnyashka ,58-th birthday, too, but from reading both remembered all sorts of tips and ideas climbed into his head ... bad analogy all ...
[color="# 666686"]Added after 8 minutes[/color] But in general Thank you very much! |
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Язык оригинала: Русский #12 |
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Гуру
Регистрация: 29.04.2008
Адрес: Париж
Сообщений: 6,211
Спасибо: 18,677
Поблагодарили 38,263 раз(а) в 5,446 сообщениях
Репутация: 29883
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Digress. About his book "Unofficial Art in the USSR" I learned only in the seventy-fifth year. I then pozakomilsya with Lenya Talochkin, collector. Looking through his book, suddenly I saw one of them the familiar picture. Stared, yes it is my job, "Red Moscow" with hruschobami, soon found and the second - "Satellites and haylofts. Hack his way into the text. Igor Mead complied with my request, I first met him about their plans - MSU, etc. and he gave me anonymously, however, as it turned out, had asked him about this I am not alone. Dick who knew what is this bald fool rein under the tail reaches. Oh, I forgot to add that the idea was to collect Igor Khrushchev berated work, especially, he wanted to buy the famous "Geology". In the States, such an exhibition, in his opinion, would have passed to cheers. Khrushch after his visit and the Cuban crisis, there is every dog knows.
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Язык оригинала: Русский #13 | |
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Гуру
Регистрация: 20.03.2008
Сообщений: 8,085
Спасибо: 3,353
Поблагодарили 25,448 раз(а) в 5,540 сообщениях
Записей в дневнике: 250
Репутация: 23529
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Цитата:
Good to see the work Chernysheva. It so happened that he was not at the hearing, so that the text for many of the opening. [color="# 666686"]Added after 3 minutes[/color] That's right. For some reason I remember working at the time of packing warehouse and Post Exchange - opens eyes to the great lives and explains the essence of the term lay out the goods "flush". |
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Язык оригинала: Русский #14 | |
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Гуру
Регистрация: 29.04.2008
Адрес: Париж
Сообщений: 6,211
Спасибо: 18,677
Поблагодарили 38,263 раз(а) в 5,446 сообщениях
Репутация: 29883
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Цитата:
I understand that the reading of his book is intriguing, I want to see the work. I think they are very few people enjoy here - forum focussed on very different art. A wallpaper your Shutov inserted into the framework? (To be honest, Shutava I do not know, but I'm sure that Mishka's aircraft did not like it )
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Язык оригинала: Русский #15 |
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Гуру
Регистрация: 16.06.2008
Сообщений: 3,418
Спасибо: 2,915
Поблагодарили 5,168 раз(а) в 1,142 сообщениях
Репутация: 13013
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I too was curious and this is what found:
1. June 22, 1942, 1965 1.Oboi, 1962 |
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Язык оригинала: Русский #16 |
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Гуру
Регистрация: 29.04.2008
Адрес: Париж
Сообщений: 6,211
Спасибо: 18,677
Поблагодарили 38,263 раз(а) в 5,446 сообщениях
Репутация: 29883
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After the show, I spun around in the "KM" and "Moscow", the energy in the twenty years has nowhere to go and podzaletel. The investigation lasted all summer. Remains under house arrest, was able to meet and still enrolled at MSU in the art history department in the history department. The first entrance examination took me Kirillov - a connoisseur of architecture of the twenties, about issues in the ticket it is immediately forgotten. Talked about the Aude, de style, Bauhaus, it lasted more than an hour, the rest examinee's eyes bulged, as they, in fact my ticket Konchalovsky and Leonardo fell. Incidentally, I should add that in Inostranka, in addition to studying davdtsatogo century and routine, I was engaged in the general history of art. In Nekrasovskaya I took Mutter, Winckelmann, Ruskin, the pre-revolutionary edition, there was a good fund. Brood benefits were the books of the Western publishers, they could only look in the reading room foreigners. He taught me everything thoroughly, the old masters, I spend time almost every day. My calculations of the similarity of the Tel-Amarna, Pompeii frescoes, Rococo and Impressionism would have been impossible without this knowledge. Particular attention I paid trecento and Quattrocento, reproductions of these artists I enjoy looking through so far. About Konchalovsky on the exam I could napet something tolerable, well, it's not a trick, it could be any examinee girl, when you receive them there for a dozen children were more than a hundred. Kirillov, I think, take into account my perspective, applicants with such knowledge it is unlikely to come across. Of the sixty-fifth classmates remember only Sasha Rozhina and all the blondes.
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Язык оригинала: Русский #17 | |
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Гуру
Регистрация: 20.03.2008
Сообщений: 8,085
Спасибо: 3,353
Поблагодарили 25,448 раз(а) в 5,540 сообщениях
Записей в дневнике: 250
Репутация: 23529
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Язык оригинала: Русский #18 |
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Новичок
Регистрация: 04.04.2011
Адрес: Россия, Москва
Сообщений: 2
Спасибо: 2
Поблагодарили 7 раз(а) в 1 сообщении
Репутация: 14
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Saved your per book)
Here are some of Mikhail Chernyshov) 1.Layola (LOYOLA) 29/28sm, 1977. 2.Grach 40/28sm 3.Holst. FIAT blue canvas. Oil. 143/115sm 1975. 4. CAPRONI 66 Canvas. Oil. 145/102sm 1978. Последний раз редактировалось Rada; 12.04.2011 в 23:22. |
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| sixties |
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