Association of South Russian Artists

[Tana]

Сообщение от Pavel

I have a request not to display images and links. So far luchshe.

Pavel I can copy the article, but here are pictures that are in the article are not my copy, so I decided to give the link.

[Вивьен]

On the pages of the Internet as little information about the artist and his work Sinitsky.
A few months ago Raskatov was the initiator of the topic of Vladimir, recalling memories of Leo Mezhberga, for which he thanks a lot.
http://forum.artinvestment.ru/showthread.php?t=27285
I will not repeat itself, but a couple of words from myself write.
Sinitsky Vladimir Mikhailovich was born in 1896, died in 1986, seriously ill. He was married to the daughter of his teacher - Helen Kiriakovne Kostandi, with whom he had lived a long life of love and respect and that the tender called Lelichkoy. Being terminally ill, through the force continued to work until he could walk and sit. Below are pictures from my personal archives, photographs of the artist and two of his works are displayed first.
At first - Sinitsky VM in the early 80's.
On the second - Sinitsky VM the ninety-first year of life, a couple of months before his death at the dacha Gavdzinskogo AS, whose family he lived after his wife's funeral. This is the last picture of the artist.
At the third and fourth - of Sinitsky.
On the fifth - the last work in the artist's life, written Sinitskii at the dacha Gavdzinskogo and located at the Odessa Art Museum.

[ВЯЧЕСЛАВ]

Here is a short story about Theophile Pelz Naum Borisovich Frayerman. Illustrate a pattern of my collection.

Beach high water
Nahum Pelts

There is a street in Odessa, from which the names of prominent writers and poets, musicians and artists, scientists and artists. They lived in different times, but the memory of Odessa so strong, and their ability to find an excuse to recall this, so refined that even now it seems: all these wonderful people who contributed to the glory of the city and country - are your contemporaries, and should only get on Pushkin and take a closer look, as are sure to meet a celebrity and, moreover, not one.

With Pushkin, I connected and personal memories: for many years after the war lived here my older workmates (now I understand - teacher), professor of painting Theophilus B. Fraerman.

  Theophilus B. was not only an artist but also an employee of the majority of museums in Odessa. He had a wonderful sense of interior, which is extremely valuable in creating the exhibition. At various times Fraerman worked at the Institute of Fine Arts, College of Arts and Construction Institute.

The first thing that struck it with familiarity - the exclusive tranquility and humanity. Humanity and wisdom flowed from a deep culture, extensive knowledge and greed for any sign of life. He loved everything: street bustle with variegated garments, early morning, with a loud tapping heels and gardeners, watering lawns, when the colors are clean and strong. He loved to shine the sea, sagebrush steppe, poetry, music, Russian novels. But most of all - painting, which was also a heavy burden, and a holiday.

He soon felt himself in the draft to the beauty of the arts. But the systematic education could be no question. How could afford the cost of training the son of the people, saving pennies for weeks? The decision not gone beyond the bitter wisdom of the poor. The boy wants to learn to draw? Let! Is this not be done in the paint-shop? Of course, this is not exactly, but you have to think about earning a living. What to do? So thirteen teenager began their universities. At dawn, he went into town and helped the teacher daub signs. The master was proud of his work, the assistant closed frowned.

And then he learned that the city art school, and with it free weekend courses. They were artists bessrebreniki, the main concern of which were the fate of art, the desire to help talented young people. For the enthusiastic teenager week turned into endless breaks between each Sunday.

At fourteen hard to create something significant, but the stubbornness can show. And the apprentice of the paint-shop demonstrated it, having achieved admission to the hospital in the artistic.

Years went into the study, as in a fog. World, shining through the window, three times tough, lay on the canvas. Kostandi, Ladyzhenskii, Iorini - sensitive and subtle masters taught to love the generous nature of the paint on the south, to disclose the plastic artists of the Renaissance. Four years in college were as four theatrical productions. But when the study was left behind, the old problems arose with renewed force: what next? About St. Petersburg and Moscow Theo could not ask: where will the money, who will give a residence permit? In autocratic Russia the way for further study were cut off. Then he threw sadly known Moldavanka, deceptively rich in Odessa and in his father's suit, pockets of which chargeable only hope for a happy planidu, went to study in Germany.

At the beginning of the century in Germany was famous Ashbe School - Academy of Painting in Munich. But the dry rationalism of Munich academics at odds with everything he had been taught in Odessa. He hated axiomatic stories, wandering from easel to easel. And he went to Paris. Gone, but not gone, laboring on the way to casual work. It was early autumn. His companions were pastel sunrises and sunsets, stood out on the horizon generalized contours of foreign cities, unpretentious songs of rural landscapes. Two months later, his eyes opened traveler capital artists.

In Paris, Théophile warmed sculptor Aronson. He worked in his studio, helped translate the sculpture in marble. It was a good school, she taught infallibly feel shape, joined to high creativity. In addition, it strengthens the force, but it is also important, because the artist need a large supply of physical and mental endurance.

And then he entered the Paris Academy. Here he worked under the famous portrait painter Bonnard. Bonnard was able to send students to the secret art of vigilance. Fraerman accumulated useful korrigiruya acquired own vision. Probably, this was a secret and a rare success, which culminated in the Academy classes: several of his works under the name Teo Fra been taken in Salon. They were purchased by collectors, and in the hands of a young man who often looks in the windows of bakeries eyes of Jean Valjean, fell on his ideas, a fantastic sum. He spent it on the acquisition of the studio and plunged into work. There, in the studio, which he was pleased to far more than the prince of the blood royal inheritance, he wrote many paintings whose fate was never learned by the end of life. Only one, many years later, he was met by thousands of kilometers away from Paris, It was a small, extremely thin on the color painting "Paris Street.

But it happened after the revolution in Russia, and then in Paris, the young artist exhibited his work in the Salon d'Automne, exhibitions decorators, working on the exposition of the Luxembourg Museum. He met with Serov and Bakst, Voloshin, and Matisse, Rodin and France. Roden and France were members of the jury Autumn Salon, which in 1909 was elected and Fraerman.

Influenced by great artists and humanists finally formed a creative position Frayerman: it drew a simple man and a protest against social injustice. That is why, almost to London, where he lived, the news of the February Revolution, a group of emigrants Fraerman returned to Russia in Odessa.

In these times of fluctuating special committee of artists and cultural workers, which included and Fraerman, has done a great job of collecting and attribution of the paintings, which constituted the principal wealth of the current art museums of Odessa.

Shops and antique shops were packed with a variety of subjects: local dealers bought for a song canvases art, porcelain, tapestries have escaped from Petrograd and Moscow officials and aristocrats - on ships, going abroad, it was necessary to push through his elbows.

In one of the commission shops Fraerman saw "the face of Paris. When asked who bought the picture, the owner merely shrugged his shoulders. Price is in the eight figures, it was a divine price - in those days all were sold in the millions. He runs around friends, get out of papers and took them to the commission store. Recovered from the picture painted in the Paris workshop, - the only thing left on the memory of a distant country artists.

After the opening of the Odessa Institute of Fine Arts Fraerman was appointed professor of painting. He educated a large galaxy of artists, among them Academy Kibrik, Honored Artist of the USSR Professor Postel, artists Otroshchenko, Titov, Ivanov. On his teacher and classroom in Odessa Eugene Adol'fovich Kibrik later recalled:

"Life is demanding posters, panels or" murals "distempers on revolutionary topics ...

In the first year of teaching, held in the workshop of a talented PG Volokidina, I noticed that all the monumental task subjects responded only shop Theophilus Borisovich Frayerman. His students registered the revolutionary festivals, wall newspapers, painted institute club, and all this in a new, unknown to me the spirit. Now I understand that the style of these works relied on the traditions of the Renaissance. Easy great form, much larger color silhouettes inherent to these traditions, allows young artists to quickly respond to the demands of time.

... All this much to me and I filed a request to enroll me in the studio Frayerman, which spent two years and permanently retained for this time of the warmest memories ... "

Teaching, educating a new generation of artists Fraerman gave a significant part of mature years of life.

Only in the early fifties, he left college, institute and fully devoted himself to writing. Every day, spend many hours behind the easel and creates a series of remarkable works, marked by skill, grace and wit.

But having gone to his head in work, Fraerman not broke, but on the contrary, more and more attracted to people who closely followed the artistic life of the country, rejoicing every new acquaintance, adopts his recent students, advising, arguing. "Artists should be as much as possible, it is decorated with life - he often said, when it comes to looking for innovative young - just everything to be real.

I remember how he admired and rejoiced in the "Golden Rose" Paustovsky. When a new magazine arrived, we went to an amusement park, sought out a secluded bench and read the story aloud. When reading about Bagritsky, his poems about the watermelon, the cavalry squadron, who was walking behind the coffin of the deceased poet's early, his tears flowed down her cheeks. He was familiar with Bagritski, met with poets and writers who lived in Odessa.

There was a Fraerman and his own muse - his wife, an artist-an applied Lidia Pestryakova-Fraerman. Home Frayerman was in many ways unusual, he had to abandon work and a little rest been removed, when they want to take stock of the day, to see the care and the search for tomorrow. This was the kind of house museum - a collection of paintings, antiques, furniture of different periods and countries, inlaid boxes, charming miniatures. When the sun's rays were polished sills, rosy glow flared collected and the creation of this beauty.

The environment and atmosphere of this house was the fruit of many years of work of its hosts, while their eternal holiday, which they generously shared with friends and colleagues in the profession.

For nearly half a century, as there Theophilus Borisovich. That day I went to see him on the case, he asked to stay: go out together. Was a gray, frosty day. At the entrance to the museum, where he once worked with him had a stroke. Nearby were two sailors, and we managed to keep him, otherwise he would have fallen flat on his back. Someone carefully rushed to the phone, doctors appeared ambulance brought him to consciousness, was carried home. After the incident, he spent a month in bed, but did not stay in bed: I had to go to the prosecutor's office to give information about his old friend, wrongly convicted in the prewar years. When he returned, the blow was repeated. He did not rising.

After his death left dozens of paintings, gouaches, which formed the basis for a posthumous exhibition. Some were acquired by museums, others kept the widow.

More recently died Lidia. Not preserved and the house, who lost their hospitable hosts.


Often, looking at the blue water of the bay, Theophilus B. used to say: "This is my last shore" - and when he did, stepping back, dropping, felt - before the eyes stand other shore. One of his latest works Fraerman called "Coast high water.


Home> Migdal Times> № 24> Beach high water

1.Portret artist's wife. Paper gr.karandash 1925.
2.P.Volokidin.Portret malchika.Karton, oil.

[Tana]

few more pictures Sinitsky VM from the Odessa Art Museum:
  1.-portrait of his wife.

[Вивьен]

Here are two more sketch Stilianudi, author's name written in his hand on the back side, size - small, little more than palm.

[vyadem]

Vivian, at first thought to add to this subject of another great representative TYURH, but there are a lot of material. I decided to create a separate.
Ghanaian Peter Pavlovich 1867-1842 gg.

[vyadem]

VYACHESLAV, thank you very much! Very interesting story. I Fraerman very much, although I had seen nothing at all of his work. Here's one somehow slipped in the auction. Yes, and look at the portrait of Theophilus Borisovich. I do not know how others, but I think that was a very positive person, like his paintings!

[Деко]

And I have a pair of watercolors Vladimir Krihatskogo 1877-1942gg. He was a member TYURH, and later the Association "Independent". If interested, recently сфоткаю.

[Вивьен]

Deco, must show, waiting.
I would like to appeal to all parties: in the very first message, which shows a group photograph TYURH, perhaps someone "attributed to" artists. Kostandi and Bukovetsky "identified", Nilus I have a question - there are suspicions that he was in the second row, sixth on the right. But I could be wrong. I would be grateful for all assistance.

[vyadem]

Vivian, Nilus 101%!
Stilianudi - second row 3 on the right.