Pandora's Box, or Who is responsible for what. The exhibition of degenerate art in 1937

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Oscar Luthi (Lüthy, Oskar) () 1882-1945 - German painter. In 1910, organized by Hans Arp and Walter Helbig Society of contemporary artists. Was close to the French modernists.

Franz Marc (Marc, Franz) (8.02.1880-4.03.1916)

Gerhard Marx (Marcks, Gerhard) (18.02.1889-13.11.1981) - German sculptor and graphic artist.

Ewald Mathare (Mataré Ewald) (25.02.1887-28.03.1965) - German painter and sculptor, member of the "November Group". Professor of the Academy of Fine Arts in Düsseldorf. After the Nazis came to power, dismissed. He earned his living in the ecclesiastical orders.

Ludwig Meidner (Meidner, Ludwig) (18.04.1884-14.05.1966) - German expressionist painter and graphic artist. He studied in Paris, where he befriended Modigliani. In 1939 he emigrated to England.

Jean Mettsenzhe (Metzinger, Jean) (24.06.1883-3.11.1956) - French artist, theorist and practitioner of cubism.

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Moholi-Nagy, Laszlo (Moholy-Nagy, Laszlo) (20.07.1895-24.11.1946)

Margarethe Moll (Moll, Margarethe) (1884-1977) - German sculptor

Oskar Moll (Moll, Oskar) (1885-1947) - German painter. In the early years of artistic activity was under the influence foartsuzskoy painting. He taught at the Berlin Academy. With the advent of the Nazis, he was forbidden to exhibit.

Johannes Moltsan (Molzahn, Johannes) (1892-1965) - German painter. In 1910. engaged cubo-futurism. Closely related to the Bauhaus.

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Piet Mondrian (Mondrian, Piet) (7.03.1972-1.02.1944)

Georg fly (Muche, George) - there is no information, no images

Otto Mueller (Mueller, Otto) (16.10.1874-24.09.1930) - German Expressionist painter. Member of the "Bridge", in contact with the group "Blue Rider". In 1937 the Nazis confiscated 357 of his works.

Erich Nagel (Nagel, Erich) - there is no information, no images

Heinrich Nauen (Nauen, Heinrich) (1.06.1880-26.11.1940) - German painter, representative of the Rhine expressionism.

Ernst Wilhelm Nay (Nay, Ernst Wilhelm) (1902-1968) - German artist, the first impact - German Romanticism (Caspar Frederick) and French painting - Matisse and Chagall. Expressionist work, the tendency to abstract painting.

Karel Naystrat (Neistrath, Karel) - there is no information, no images

Emil Nolde (Nolde, Emil) (7.08.1867-13.04.1956)

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Otto Pankok (Pankok, Otto) - the representative of German Expressionism.

Max Pechstein (Pechstein, Max) - large representative of German Expressionism.

Max Payffer-Vatenbul (Watenphul, Max Peiffer) (1896-1976)

Hans Purrman (Purrmann, Hans) - the representative of German Expressionism.

Max Rauch (Rauh, Max) - no images

Hans Richter (Richter, Hans) (6.04.1888-1.02.1976). One of the founders of Dadaism. He emigrated to the United States.

Amy Roeder (Röder, Emy) - no images

Christian Rohifs (Rohlfs, Christian) (22.11.1849-8.01.1938) - large representative of German Expressionism. In 1937, the Nazis forbade him to paint. He was expelled from the Prussian Academy of Fine Arts. Works of his were confiscated.

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Edwin Sharff (Scharff, Edwin) - no information

Oskar Schlemmer (Schlemmer, Oskar) (4.09.1888-13.04.1943) - German artist who worked at the Bauhaus.

Rudolf Schlichter (Schlichter, Rudolph) - no information

Karl Schmidt-Rottluff (Schmidt-Rottluff, Karl) (1.12.0884-10.08.1976) - the representative of German expressionism, member of the "Bridge".

Werner Scholz (Scholz, Werner) (1898-1982), representative of German expressionism, member of the "Bridge", was close to Nolde

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Lothar Schreyer (Schreyer, Lothar) (1886-1966), the representative of German Expressionism, from 1916 to 1926 published the magazine "The Storm» (Der Sturm), was close to the Bauhaus.

Otto Schubert (Schubert, Otto) (1899-1972) - Austrian artist

Kurt Schwitters (Schwitters, Kurt) (1887-1948) - one of the most active participants Dadaizma.Okazal strong influence on the American neo-Dadaists - Rauschenberg and others

Lazar Segal (Segal, Lasar) (21.07.1891-2.08.1957) - the representative of German expressionism, he emigrated to Brazil.

Friedrich Shkadov (Skade, Friedrich) (1898-1971), the representative of German Expressionism.

Friedrich (Fritz) Stuckenberg (Stukenberg, Friedrich (Fritz)) - there is no information, no images

Paul Talhaymer (Thalheimer, Paul) (1884-1948) - the representative of German Expressionism.

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Johannes Tietz (Tietz, Johannes) - there is no information, no images

Arnold Topp (Topp, Arnold) (1887-1945) - no information.

Karl Völker (Völker, Karl) - there is no information, no images

Christoph Voll (Voll, Christoph) (1897-1939) - German sculptor and painter.

William Vauer (Wauer, William) (1886-1962) - German artist, had worked in the cinema.

Gert Volhaym (Wollheim, Gert) (1894-1974) - the representative of German Expressionism.

[Jasmin]

LCR, Thank you very much!

[OTROK NIKODIM]

Certainly exhibition in 1937 showed severe radicalism government diktat, but it is some form of relationship to art in general. In the context of a strong and a cohesive ideology Reich, aimed at finding a unified national identity, aesthetics presented by the authors could not express the heroic pathos of the time. Pleases serious attitude of the authorities to the importance of art as a form of state ideology. Loss of the sacred function of art went hand in hand with the loss of national and religious identity period of its decline in Europe. The art of the period was reduced to its trend (with some exceptions) to entertainment dekadenstvuyuschey bourgeoisie and clarify the contradictions vnutritsehovyh through fighting arts groups (Moscow-Berlin "GMII. Exhibition Catalog). Deutsche Gesellschaft stayed in a depression caused by defeat in war and a humiliating peace with the Entente. Radicalism of the Cultural Policy of the Reich to mention the authors was undoubtedly a recognition of their importance - the importance of the forces of art for the formation of public ideas (What's missing in politics Rossiyskogo State). Just their art did not fit into the canon of the new mythology. How do these authors could show a new cultural perspective new Germanskogo state? The form always refers to its borders. Art is always radical. It is difficult to imagine a harmonious coexistence in a single space of the wall paintings and works of Leonardo Blue Noses or Avdeev Ter Oganyan ... In the German state from 1933-1945 there was no modern understanding of form and function of art. Artists were seen as sacred priests served the imperial cult and the cult was high gos.ideologiya and the high state. aesthetics. Now, for example, would do well to designate certain standard perception of artistic form, and then sometimes it becomes difficult to displace from a clear concept and blurring boundaries.
This is not an attempt to justify the cultural policy of the German state the period of the Third Reich. There is no doubt that the construction of a new art in the Reich collapsed, because based on false values. Perhaps it was the last in the twentieth century example of the importance of forms of fine art in the formation of the state ideology and national identity.

[Кирилл Сызранский]

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Max Beckmann (Beckmann, Max) (12.02.1884-27.12.1950) - German painter and graphic artist.

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