Boris Kocheyshvili. "A simple summer". Personal exhibition in the timing

[Тамара]

Сообщение от Cyril Syzransky

My favorite movie . <! - ~ 1 ~ ->

Cyril, the most amazing thing Borovsky , naming as his introductory article , had no idea that Kocheyshvili befriended a young man with Otar Iosseliani !

Here is a mystery )

By the way, Josseliani - a big fan of Boris graphics and has many of his works in its collection .

[Кирилл Сызранский]

Сообщение от Tamara

ocheyshvili befriended a young man with Otar Iosseliani!

Opa!
That's news.
That's interesting.

Сообщение от Tamara

Josseliani - a big fan of Boris graphics and has many of his works in its collection.

But this is not surprised once.
Josseliani!
He has taste!

[Art-Galera]

Tuesday, 13 August from 13.05 to 13.50 at the radio station "Culture» (91,6 FM) - guest of the "Characters" - the artist and poet Boris Kocheyshvili.
The program goes on the air.
During the broadcast, you can call in and ask the artist.
Air phone: (495) 633-55-65


http://www.cultradio.ru/doc.html?id=465568&cid=46

Added after 11 minutes 47 minutes
The exhibition "A simple summer" goes with the information support of many media, for which they thank you: Time Out, The Village, RIA Novosti - Petersburg, Evening Petersburg, Where St. Petersburg, The Art NewspaperRussia, Art, St. Petersburg In Your Pocket, Arts Dialogue, The St-Peterburg Times, ART1, Hecho a Mano, HalloArt.ru, and with the support of DP-trade and the Radisson Royal Hotel, St. Petersburg.

From the first announcement of the project (as well - we will wait and reviews)
RIA Novosti - Art Guide to St Petersburg. August 9 - 16
http://ria.ru/spb/20130808/955062647.html
-Gazette Friday /Favorites 09.08 - 18.08
http://www.vedomosti.ru/friday/article/2013/08/09/31191
Business St. Petersburg / The best show in St. Petersburg in August 2013
http://dp-spb.com/news/publication-30/
The magazine Where
http://where-russia.com/spb/event/one/1154
Journal of Hecho a Mano
http://www.hechoamano.ru/prostoe-leto/
The magazine Timeout
http://www.timeout.ru/text/display/306357/?city=3
BLOUIN ARTINFO

Portal ART 1
http://art1.ru/announcements/boris-k...-prostoe-leto/
http://www.cityspb.ru/event-640603/0/
http://piterbu.ru/afisha/5223-vystavka-prostoe-leto
http://afisha.mail.ru/exhibition/per..._prostoe_leto/
Journal of Peregrine - the big announcement of the exhibition in the August issue
and many others. etc.
Page on Facebook - join us and come to the show.
https://www.facebook.com/events/1368..._mall_activity

[Кирилл Сызранский]

Сообщение от Art-Galera; 2711751 "

During Tuesday, August 13 from 13.05 to 13.50 at the radio station "Culture » (91,6 FM) - guest of the " Characters " - the artist and poet Boris Kocheyshvili . The program goes on the air. During the broadcast, you can call in and ask the artist. Air phone : ( 495) 633-55-65

http://www.cultradio.ru/doc.html?id=465568&cid=46

I'm listening . <! - ~ 1 ~ ->

Добавлено через 41 минуту
Tamara, but I wonder what kind of thing Joyce Cary had mentioned Boris?

His treatise " Art and Reality /Art and Reality " or a novel about the artist "First-hand", my way, my love?

[Кирилл Сызранский]

Tamara, but I wonder what kind of thing Joyce Cary had mentioned Boris?

His treatise " Art and Reality /Art and Reality " or a novel about the artist "First-hand", my way, my love?

[Art-Galera]

Anticipating the photo report of the triumphant opening of the exhibition of Boris Kocheyshvili "Simply Summer" at the Marble Palace of the Russian Museum (photos Tamara promised to put in closer. Time) publish several. First reviews. Press it very much (how nice to work with Peter!). Guests - just an incredible amount (especially given the August and personal exposure, in general, not very well-known artist for Peter). At the opening made by the Deputy Director of the belt Yevgenia Petrova, art historian and head of the department Kit Alexander D. Borovsky, maestro Boris Kocheyshvili and curator, art historian Tamara Vekhova, whose work on this project noted everything!

Russian TV channel /Vesti.Sankt Petersburg
http://www.rtr.spb.ru/vesti/vesti_20...il.asp?id=4489

The News: "When a hundred kilometers of a soul, you feel a great man" (interview with the artist)
http://izvestia.ru/news/555535

Evening Petersburg
http://www.vppress.ru/stories/Probui...vychnogo-18933
"Try the unknown, but do not forget, do not leave the usual ..."

The newspaper "Intellectual Capital»
http://www.inkapspb.ru/?p=9086
I saturate a landscape

Добавлено через 2 минуты
separately publish an excellent review the known art critic Sergei Khachaturov, which he entitled "Wayward metaphysician"
http://www.arterritory.com/ru/teksti...ij_metafizik_/

A happy coincidence was that the solo exhibition of works of classic non-art Russian Boris Kocheyshvili adopted Russian Museum. And not just Russian Museum, and the most elegant architecture for its subsidiary - Marble Palace in Million, built in the XVIII century gallant Antonio Rinaldi at the tender neoclassical style rocaille. When you get to the exhibition, passing gently embrace you with the finest facades portrayal capitals and each jamb, and then you are circling luxurious cascades marches grand staircase, it's amazing how the exhibition itself Kocheyshvili friendly to just such an intricate and ingenious games tectonic fads.

At the exhibition presents the work of the new millennium. Almost all of them are not made in the traditional, and original art, from painting acrylics on hardboard to plaster reliefs on the plywood, which include and PVA glue. Getting acquainted with new works Kocheyshvili, you know that the artist does not change its motto: always be categorically different, different from all mainstream trends and "isms." Himself of his creative path - the path of the experimenter, which is on a life passion for the game and form creation, and not considerations of refinement in the "right" context.

Читать дальше... 

In 1962, twenty-two Kocheyshvili graduated from the Moscow regional art school of 1905. And the original universities was held after the end of, for ten years engaged in the Experimental Studio of etching Ignatius Nivinsky led by Eugene Theys. This school of eminent masters of engraving allowed the artist to freely operate various techniques, to appreciate what art historian Alexander Borovsky called "process": the very development of the plastic of the plot, the birth and life of the image, which appeared due to experiment with different techniques, methods, materials.

Boris Kocheyshvili never been interested in "relevant" stories on the news of the day, a social pamphlet foreign to him.

Читать дальше... 

The range of his images: walking, family scenes, landscapes, ancient architecture. On the specifics of the position of Boris Kocheyshvili famously said Yuri Milk: "Motives of friendly interviews or unification of souls that are particularly interested Kocheyshvili years estranged from the society of existence (now called underground for years), he received his theatrical version. Life was presented to him a certain scene where he, the artist Boris Kocheyshvili, was playing his theatrical mystery. Just kidding them on paper. He easily dipped our eye in this alluring world of the stage area, where there were imaginary arch and imaginary scenes where the shadows or silhouettes of figures linked by the laws of the game and speak in the language of public theatrical gestures ».

Heroes Kocheyshvili, whether a woman with owls, queens, clowns, angels, family, play ball, imprinted in space like mise en scenes and actors in plays, and contemporary sculptures. Some of his figures clearly associated with primordial plasticity great modernists, Henry Moore, for example. Theatre of paintings and reliefs Kocheyshvili are architectural forms that often coexist with figures and surprise her fragile, fragile grace. A weather-beaten all forms and shapes sonorous, echoing emptiness. Something like a membrane or echo. Interestingly, it is precisely this silence, emptiness gives the image a purely personal matter. It is the author's acoustics Theatre Kocheyshvili, his personal space birth of sound, speech.

Of course, a theater with a resounding silence forms demonstrating their archetypal, primal nature, brings together art Kocheyshvili with the masters of the metaphysical school, from de Chirico to Krasnopevtseva. But not only that. Kocheyshvili too capricious to be easy to fall under the classification of one, even though the great style. He willful and headstrong as much as masterful directing his own Universe rocaille ornament, do not follow any standard norms and rules.

Читать дальше... 

rocaille nature of metaphysical art Kocheyshvili became particularly visible in the best neo-classical monument in St. Petersburg rocaille - Marble Palace Rinaldi. Many unstable, kolyshimye wind and sophisticated elegant design of the paintings and reliefs of the artist seems to translate the energy flowing desyudeportov, cartridges and shells of the great architecture of the Enlightenment. Architectural and organic forms in the paintings Kocheyshvili have the same "hybrid" nature as the architectural form of rocks and arabesques in the engravings of the XVIII century (by the way, is etymologically the word "rocaille" comes from «roc» - rock). And the theater, scenographic nature is exposed in both cases clearly. Precisely formulated especially thematic preferences rocaille researcher AL Rakov: "Among rocaille cartouche dominates plastic abstractions - raised the figure that forms out of itself and a free field, and framing, and thanks to this material homogeneity and continuity of the relief field and frame are free to flow into each other." If we translate the great look with cartouches Bush Lajoux, Meyssone, Oppenord palaces, the glade, forest thicket Kocheyshvili, we will see that this principle overflow of internal and external spaces, shapes and frames and it was claimed.

This homogeneity overflow field image and its frame is not only the fruit of unbridled voluntarism. Rather, it is a test of gravitational qualities of space, its tectonic features. Boris Kocheyshvili his usual peremptory manner and voluntarist divided the art world into "Baroque" and "constructivism": "Watching this struggle between two different directions, it would seem, styles of art, I feel that same struggle, and within themselves. I live in and the two began fighting. One - a free, iridescent, fumed, rotating, is in constant motion. Other - static, rigid and simple as Russian log hut (four flat wall, covered with a roof, it may be easier) or Suprematism of Malevich. The problem of combining the compounds of these two elements in the space of a single sheet of me always highly ranked. And when I'm drawing, I'm trying to reconcile the irreconcilable, to connect in one place, in one picture of them so that they are not at odds, but were in a loving relationship. "
The movement of organic form ("baroque"), The Taming of the discipline of intelligent creation of forms ("constructivism"). Is not this philosophy rocaille cartouche - ornamental forms, which, because of its freedom from imitating anything preferred to Immanuel Kant? In his work, Boris Kocheyshvili philosophy rocaille cartouche gave new metaphysical dimension.

[Art-Galera]

separately publish an excellent review the known art critic Sergei Khachaturov, which he entitled "Wayward metaphysician"
http://www.arterritory.com/ru/teksti...ij_metafizik_/

A happy coincidence was that the solo exhibition of works of classic non-art Russian Boris Kocheyshvili adopted Russian Museum. And not just Russian Museum, and the most elegant architecture for its subsidiary - Marble Palace in Million, built in the XVIII century gallant Antonio Rinaldi at the tender neoclassical style rocaille. When you get to the exhibition, passing gently embrace you with the finest facades portrayal capitals and each jamb, and then you are circling luxurious cascades marches grand staircase, it's amazing how the exhibition itself Kocheyshvili friendly to just such an intricate and ingenious games tectonic fads.

At the exhibition presents the work of the new millennium. Almost all of them are not made in the traditional, and original art, from painting acrylics on hardboard to plaster reliefs on the plywood, which include and PVA glue. Getting acquainted with new works Kocheyshvili, you know that the artist does not change its motto: always be categorically different, different from all mainstream trends and "isms." Himself of his creative path - the path of the experimenter, which is on a life passion for the game and form creation, and not considerations of refinement in the "right" context.

Читать дальше... 

In 1962, twenty-two Kocheyshvili graduated from the Moscow regional art school of 1905. And the original universities was held after the end of, for ten years engaged in the Experimental Studio of etching Ignatius Nivinsky led by Eugene Theys. This school of eminent masters of engraving allowed the artist to freely operate various techniques, to appreciate what art historian Alexander Borovsky called "process": the very development of the plastic of the plot, the birth and life of the image, which appeared due to experiment with different techniques, methods, materials.

Boris Kocheyshvili never been interested in "relevant" stories on the news of the day, a social pamphlet foreign to him.

Читать дальше... 

The range of his images: walking, family scenes, landscapes, ancient architecture. On the specifics of the position of Boris Kocheyshvili famously said Yuri Milk: "Motives of friendly interviews or unification of souls that are particularly interested Kocheyshvili years estranged from the society of existence (now called underground for years), he received his theatrical version. Life was presented to him a certain scene where he, the artist Boris Kocheyshvili, was playing his theatrical mystery. Just kidding them on paper. He easily dipped our eye in this alluring world of the stage area, where there were imaginary arch and imaginary scenes where the shadows or silhouettes of figures linked by the laws of the game and speak in the language of public theatrical gestures ».

Heroes Kocheyshvili, whether a woman with owls, queens, clowns, angels, family, play ball, imprinted in space like mise en scenes and actors in plays, and contemporary sculptures. Some of his figures clearly associated with primordial plasticity great modernists, Henry Moore, for example. Theatre of paintings and reliefs Kocheyshvili are architectural forms that often coexist with figures and surprise her fragile, fragile grace. A weather-beaten all forms and shapes sonorous, echoing emptiness. Something like a membrane or echo. Interestingly, it is precisely this silence, emptiness gives the image a purely personal matter. It is the author's acoustics Theatre Kocheyshvili, his personal space birth of sound, speech.

Of course, a theater with a resounding silence forms demonstrating their archetypal, primal nature, brings together art Kocheyshvili with the masters of the metaphysical school, from de Chirico to Krasnopevtseva. But not only that. Kocheyshvili too capricious to be easy to fall under the classification of one, even though the great style. He willful and headstrong as much as masterful directing his own Universe rocaille ornament, do not follow any standard norms and rules.

Читать дальше... 

rocaille nature of metaphysical art Kocheyshvili became particularly visible in the best neo-classical monument in St. Petersburg rocaille - Marble Palace Rinaldi. Many unstable, kolyshimye wind and sophisticated elegant design of the paintings and reliefs of the artist seems to translate the energy flowing desyudeportov, cartridges and shells of the great architecture of the Enlightenment. Architectural and organic forms in the paintings Kocheyshvili have the same "hybrid" nature as the architectural form of rocks and arabesques in the engravings of the XVIII century (by the way, is etymologically the word "rocaille" comes from «roc» - rock). And the theater, scenographic nature is exposed in both cases clearly. Precisely formulated especially thematic preferences rocaille researcher AL Rakov: "Among rocaille cartouche dominates plastic abstractions - raised the figure that forms out of itself and a free field, and framing, and thanks to this material homogeneity and continuity of the relief field and frame are free to flow into each other." If we translate the great look with cartouches Bush Lajoux, Meyssone, Oppenord palaces, the glade, forest thicket Kocheyshvili, we will see that this principle overflow of internal and external spaces, shapes and frames and it was claimed.

This homogeneity overflow field image and its frame is not only the fruit of unbridled voluntarism. Rather, it is a test of gravitational qualities of space, its tectonic features. Boris Kocheyshvili his usual peremptory manner and voluntarist divided the art world into "Baroque" and "constructivism": "Watching this struggle between two different directions, it would seem, styles of art, I feel that same struggle, and within themselves. I live in and the two began fighting. One - a free, iridescent, fumed, rotating, is in constant motion. Other - static, rigid and simple as Russian log hut (four flat wall, covered with a roof, it may be easier) or Suprematism of Malevich. The problem of combining the compounds of these two elements in the space of a single sheet of me always highly ranked. And when I'm drawing, I'm trying to reconcile the irreconcilable, to connect in one place, in one picture of them so that they are not at odds, but were in a loving relationship. "
The movement of organic form ("baroque"), The Taming of the discipline of intelligent creation of forms ("constructivism"). Is not this philosophy rocaille cartouche - ornamental forms, which, because of its freedom from imitating anything preferred to Immanuel Kant? In his work, Boris Kocheyshvili philosophy rocaille cartouche gave new metaphysical dimension.

[Кирилл Сызранский]

Сообщение от Art-Galera

News: "When a hundred kilometers of a soul, you feel a great man" (interview with the artist)

http://izvestia.ru/news/555535

 
A good interview turned out.

And to illustrate his well-matched, in my opinion.

[mihailovoh]

Сообщение от Cyril Syzransky

A good interview turned out.
And to illustrate his well-matched , in my opinion .

Soglasen.Konechno the author's words are perceived much more " realistic " than any praise critics ( it's their bread) .
Better understand and chustvuesh of Boris Petrovich.
A very successful exhibition .

[Тамара]

Сообщение от Cyril Syzransky

Tamara, but I wonder what kind of thing Joyce Cary had in mind , and mentioned in the transfer of Boris ?
His treatise " Art and Reality /Art and Reality " or a novel about the artist "First-hand", my way , my love ?

Cyril, he talked about the novel "From first-hand ." That's it ( Boris ) almost the most favorite novel )))

Добавлено через 48 минут
Hooray !
Here, at last , and my report about the opening .

Everything went just fine ! It was a lot of press cameras, and really a lot of guests . Participants feedback very positive . Very nice)

Here are some photos taken the day before the opening , and overwhelming public.

1. Poster exhibition in front of the rooms. Timing Marble Palace , 2nd Floor . On the contrary halls of the Ludwig Museum in the Russian Museum .
2 . Daria Kurdyukova , a journalist from Moscow reads poetry Kocheyshvili placed on the long wall of the first exhibition hall , corridor.
3 . Arseny Steiner ( ArtChronika , Gazeta.ru, and other publications ) removes the exposure
4 . Yevgenia Petrova (Deputy Director for Science Kit ) makes the last "master " detour exposure before opening