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Costs, valuation, attribution Discuss artworks’ prices and attribution.

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Старый 11.03.2009, 15:26 Язык оригинала: Русский       #11
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Сообщение от Allena Посмотреть сообщение
Very possibly! But again, you are correct, Cyril, said: root. The root of the East European, and only where the fate of the name then given up and how it fluctuated over the years, and what language is it so affected - this can only guess.

I believe that perceive this as a master of the Russian (or Polish) there is no reason. If you really Germashev knew him (I wonder where this gallery, these data taken ") or learned from him, it turns out that it was very briefly: Germashev traveled to France from Russia (until she left) twice: in 1911 and 1915. In some of these visits, they could get acquainted.

I venture to remind you:
possible that Germashev used the pseudonym Munkasky (in 1911, in 1915, or 1920?).
And maybe who knows:
where did the binding Germashev - Munkasky at the said site?

[color="# 666686"]Added after 13 minutes[/color]
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It should be added - and the house was rebuilt, and the wood burned, and the channel of the river changed, and the trees were transplanted ...
In my opinion, these are different works of different artists. And not only because of dissimilarities plinera.

And the mountains have grown ...

Expert help, or your money away? ...



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Старый 11.03.2009, 16:02 Язык оригинала: Русский       #12
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I venture to remind you:
possible that Germashev used the pseudonym Munkasky (in 1911, in 1915, or 1920 ?).
You run a wildly complicated issue. Think, and relatives have not responded to.

With regard to the alleged similarity of work, they are just the same as the spring in the Carpathians and the Alps.
Have a wonderful thing=why in some doubt?

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where did the binding Germashev - Munkasky at the said site?
Then the detective turns around every corner.



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Старый 11.03.2009, 16:08 Язык оригинала: Русский       #13
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Antic, first: try looking in the gallery, which published this binding. Perhaps they reported this Munkaskom something they know. Or maybe it's their local artists.
Second: the biography Pokopaytes Germasheva may have letters, some memoirs (not necessarily him, and, most likely, in French).
You bet challenge at the level of good artistic study I'm afraid that just because we can not solve it - here archive studies of smell, and even more - the necessity of digging in the provincial French museums.
Third: I understand that the network displays work Munkaskogo only on e-Bay. Look at them: if there is a date of creation stories, similar, in your opinion, with the subjects Germasheva then be able to more accurately determine the period in which the need to "dig": 1911-th, 1915 th and 1920. Can you contact the seller?
The strange thing is that, for example, Google, gives the minimum number of links. If somewhere in the memoirs of digitized mentioned, for example, that in any 25-th page of links desired information could find (I am faced with this). And such a void in the web - very doubtful ...
In short, pardon the repetition, the only more or less realistic way - to try to communicate with anyone who even mentions of this artist.

What task you put before the experts - Germashev or not? IMHO: money down the drain.



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