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Язык оригинала: Русский #11 | |
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Гуру
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Цитата:
Not that I wanted something to challenge, the subject interests me, and I just am sharing my thoughts on the subject. Here you see: after all, Mozart wrote only the music for this play. Text composed Schikaneder, Mozart's friend, actor and theater director in the Vienna suburb - one legend says that he kept locked up by Mozart, feeding his oysters and wine, until he completed the score. Schikaneder was also a Freemason. So someone must be killed for divulging all-important secrets (if any secrets were in fact disclosed, in what I believe with great difficulty), a composer or a playwright? Nevertheless, Schikaneder lived a long and relatively prosperous life, he was persecuted, being, like Mozart, is extremely wasteful, subject only to the part of creditors. The play itself is not very original: a few years before its creation Schikaneder wrote and put another piece in the same "magic" genre, "The Philosopher's Stone", teeming with all sorts of Masonic allusions - the audience loved it, as masons intrigued. His new play, the plot of which he podcherpnul in Wieland (fairy tale "Lulu and The Magic Flute"), won immortality by Mozart - as always, he transformed it and gave it a kind of higher reality. No Sergeyitch surname brother-killers Salieri
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| Этот пользователь сказал Спасибо LCR за это полезное сообщение: | fross (27.01.2009) |
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Язык оригинала: Русский #12 |
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Старожил
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They were in one bed, and no doubt with writing this opera. I have a book about it, if you are interested, then I look for and will give the name, it is in French. But this end of my knowledge: shy:
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Язык оригинала: Русский #13 |
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What is surprising, one was an errand boy, younger age and has no structured personality, another impresario, dramatist, director, apparently an influential man.
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Язык оригинала: Русский #14 | |
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Гуру
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Цитата:
Ira will be very grateful for the help (though I think she had read everything that is written in 4 languages). |
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Язык оригинала: Русский #15 |
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If so, then how did they get in the box? After all, there has always existed selection.
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Язык оригинала: Русский #16 | |
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Гуру
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Цитата:
Here, for example, if we are with you sunemsya somewhere in a closed Moscow club for millionaires (can not name, there is nothing I do not know), because there certainly have christened as the Maria Theresa Mozart, and trample. But in the Literary Museum, read, do not know, say, Petrushevskaya, though happy to be seen. One way or not? |
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Язык оригинала: Русский #17 |
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Not really know! One of London said it was for people "blue blood" and not a single Russian will not be there! Then, building on what has been said, everything is done at our clubs - the mummers. TE - It is much more serious than we expected.
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Язык оригинала: Русский #18 |
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Старожил
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Liana, "Mozart et les Francs-maçons" HC Robbins Landon
Browse again this book, Schikaneder and Mozart were from different boxes, but met in Mozart Lodge (Masons cause each other visits, after the main ritual - conversations about life ) And the details here in this book: Jacques Chailley (professeur d'Histoire de la Musique à la Sorbonne) Musique et ésotherisme "La Flute enchantée" Opéra maçonnique Artem, in the Masons take no for rank and money, but by virtue and Inner Quality (internal qualities, such as translated?) |
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| Этот пользователь сказал Спасибо IrinaC за это полезное сообщение: | Артём (28.01.2009) |
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Язык оригинала: Русский #20 | |
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Гуру
Регистрация: 29.04.2008
Адрес: Париж
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Поблагодарили 38,263 раз(а) в 5,446 сообщениях
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Thank you, Ira.
Robbins' book, I know it is a modern American specialist in Mozart and Haydn. Цитата:
Thanks again! |
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| Этот пользователь сказал Спасибо LCR за это полезное сообщение: | IrinaC (28.01.2009) |
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