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| Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #11 |
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Гуру
Регистрация: 16.04.2008
Сообщений: 1,213
Спасибо: 1,422
Поблагодарили 7,269 раз(а) в 947 сообщениях
Репутация: 5499
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It is amazing because it had all been ordered to line up, any free-thinking eradicated, it was clear that the proletarian homeland is all totally unnecessary. Right above Cyril wrote: It was destroyed so much, not only works, but their creators. It is amazing that in such circumstances, people in general continues to create. Generally speaking, I do not recall another such case: that the artist did not sell nothing for the sake of some mythical descendants.
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Язык оригинала: Русский #12 |
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Гуру
Регистрация: 31.10.2008
Адрес: Москва
Сообщений: 1,342
Спасибо: 2,989
Поблагодарили 2,221 раз(а) в 455 сообщениях
Записей в дневнике: 1
Репутация: 2874
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"By working exclusively as a researcher, I do not sell their work, whatever it may cost me, and the bank, wanting to give all of his work of the Party and the Soviet Union and make them his own museum, because these things are an exceptional phenomenon in the world of art "from the diary Filonov, 1932.
"My things are the most interesting moment in the whole world of art ..." ibid, nov. 1932. (reply F. Grabar) Filonov wanted to make a museum of art analysis of his paintings and paintings of his students (in the statute were MAI items on the ban on the sale of paintings team members). In this museum, he wanted to convey to all of his "revolution in art, he discovered new ways of creative thinking. After the death of Filonova in 1941. his work (over 400) kept his sister EN Glebova, until 1977. When she gave her brother at the will of all the assembly of the Russian Museum "without the right to transfer or sale." |
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Язык оригинала: Русский #13 | |
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Старожил
Регистрация: 03.12.2008
Сообщений: 582
Спасибо: 217
Поблагодарили 428 раз(а) в 146 сообщениях
Репутация: 472
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Цитата:
Diary. 1934 July 13. Took from the Russian [museum] 15 of his works that were in Moscow at the exhibition "15 years of Soviet art. One of these works, "The man in the world", I returned in the following way: the picture (it was written in oil on a whole sheet of paper Alexandrian) was torn in two, and one half to two. Instead I got the whole picture, therefore, three separate pieces. Considering the persecution of my art, when the beaters increasingly nagleyut feeling of impunity for any meanness towards me, of course, is useless anywhere to complain or to make any protest in this case. The guard of the Russian Museum - Hercules Novomlinsky, getting things in Moscow, handing them to me and said that someone from the administration of the exhibition - a woman - her name he did not name, told him when depositing things in Moscow: "The thing is broken by accident. We can restore it. For damage Filonov, if they wish, may receive a monetary reward. Tear the thing in half and again in half - reactionary bastard calls the "unexpectedness". Вложение 114615 |
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Язык оригинала: Русский #14 |
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Гуру
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read his memoir is very difficult ... there is too much attention paid to "reactionary assholes"
__________________
До меня мир рисовали таким, как его видят. Я рисую так, как его мыслю. (с) Пикассо. |
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Язык оригинала: Русский #15 |
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Старожил
Регистрация: 22.07.2008
Адрес: Урал.Национальный парк "Зюраткуль"
Сообщений: 597
Спасибо: 371
Поблагодарили 493 раз(а) в 180 сообщениях
Репутация: 540
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For admirers of Paul Filonov, very interesting article about the artist,
his disciples and followers in the magazine "Antiques, art and collectible "№ 3 2002g.Pozhaluy the best experience of creativity Filonov, tell our contemporary published today. |
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| Этот пользователь сказал Спасибо antip за это полезное сообщение: | Samvel (21.01.2009) |
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Язык оригинала: Русский #16 |
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Авторитет
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Pavel Filonov
Painting Graphics From the Collection of the State Russian Museum Exhibition Catalog Publishing Aurora Leningrad 1988 |
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Язык оригинала: Русский #17 |
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Местный
Регистрация: 17.01.2009
Адрес: г.Москва
Сообщений: 122
Спасибо: 48
Поблагодарили 171 раз(а) в 42 сообщениях
Репутация: 316
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Язык оригинала: Русский #18 |
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Гуру
Регистрация: 08.07.2008
Адрес: Москва
Сообщений: 1,066
Спасибо: 4,574
Поблагодарили 3,129 раз(а) в 444 сообщениях
Репутация: 5931
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Look at these pictures made the 20 th May and 18 th
December 1905. In the first photo, P. Filonov stands in the center with a mustache, for L. Dmitriev-Caucasian, and the second at the top. Notice how bright, inspired and sosredatochennoe face. |
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| Эти 4 пользователя(ей) сказали Спасибо Samvel за это полезное сообщение: | eva777 (22.01.2009), nikola (21.01.2009), ottenki_serogo (22.01.2009), Кирилл Сызранский (21.01.2009) |
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Язык оригинала: Русский #19 |
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Гуру
Регистрация: 31.10.2008
Адрес: Москва
Сообщений: 1,342
Спасибо: 2,989
Поблагодарили 2,221 раз(а) в 455 сообщениях
Записей в дневнике: 1
Репутация: 2874
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Samvel, please note it - always in the center, a direct look into the lens, in the eyes of the full realization of its "features" of its greatness, its future place in history.
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Язык оригинала: Русский #20 |
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Гуру
Регистрация: 08.07.2008
Адрес: Москва
Сообщений: 1,066
Спасибо: 4,574
Поблагодарили 3,129 раз(а) в 444 сообщениях
Репутация: 5931
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Exactly! Among students, he was the one who wrote vividly in his original manner, and L. Au .- Caucasian, not only admired and supported him, but kept in the collection of 22 Oil-works, which are now virtually the only surviving early work P. Filonov.
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