"Supremacist Madonna Malevich

[Кирилл Сызранский]

Сообщение от Ruben

this is not arch and a gold frame

It is clear that the frame, but the shape of her arch ... Malevich, that under the frame composition hurrying?

[Meister]

Сообщение от nikola

Malevich present here such.

and another Malevich was so ...

[qwerty]

Сообщение от Ruben

In the journal in 1996 stumbled upon the work of Malevich called "Supremacist Madonna" Who has information on the history of this work. Thanks

Listen, the whole meaning of Suprematism was divorced from reality, but here some of the geometric elements drawn quite realistic composition. clear that the manufacturer of this masterpiece did not bother to read the theoretical work of Malevich. I do not know what to write such distinguished people as Kovtun and Basner, but, in my opinion, this can not be in principle.

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Сообщение от Meister

and another Malevich was so ...

This is not Malevich, this apprenticeship.

[Meister]

qwerty, you got me, of course, very sorry, but the first and fourth - in 1929. 100%say it is impossible, but it is believed that after the invention Malevich Suprematism created such works, which show that he was to Suprematism came across a search ...

[Кирилл Сызранский]

Сообщение от Meister

fourth - 1929

Flower generally two.
Malevich is repeated a lot. For the Berlin exhibition is done, and the date stamped with the 14th and 12th where he was.
But Flower masterpiece, in my opinion.

[Meister]

fact that the dates he is wise - it is a fact ... but now understand that when it was done, already difficult in my opinion ...

[Кирилл Сызранский]

Сообщение от Meister

but now understand that when it was done, already difficult in my opinion ...

Yes, these dates have long engaged. But many have simply said, later repeated and all.
"In 1929, for the solo exhibition at the Tretyakov Gallery Malevich suddenly made a series of figurative paintings, presented to them as the work of the early period. But it soon became clear to many of one thing - Suprematist cycle is completed, Malevich began to return to fine art. To begin with, he just did voluntary repetition of earlier compositions: for example, the prototype pattern "on haymaking" served as stored in the Nizhny Novgorod Museum "Kosar". All the changes that have occurred in the life and work of Malevich, are ochevidnymi.Mnogie his works, and it is logical and mythological, represents a path from Impressionism to Suprematism. And after that, the last Soviet era, this has been confirmed by the author's dating of the paintings arrived. Such as:: "Spring - a lush garden - 1904 (an early example of creativity)," Sisters "- 1910 (sezannizm)," On the hayfield " - "motif in 1909 (the beginning of cubism)," Dressing Box "," station without stopping "- 1911 (cubism)," Black Square "- 1913" Woman with a rake "- 1915," Girl with a comb "and" Girl with a red shaft "- with original dates, 1932-1933. But in half a century, an amazing hoax Malevich was disclosed for the eye of the viewer. Issues relating to his creative evolution, which appeared already in the preparation of exhibitions in 1988, becoming increasingly becoming the most lives, existence of the artist's works in different exposures. Timid assumptions about the author's reconstruction in the late 1920's his career found new arguments and new supporters. In some catalogs and books began to appear late date of the creation of works (1928-1932), despite the author's paintings dating 1900 -- mi years. "(c)

[qwerty]

Сообщение от Meister

qwerty, you got me, of course, very sorry, but the first and fourth - in 1929. Can not say 100%, but it is believed that after the invention of Malevich Suprematism created such works, which show that he was to Suprematism came across searching ...

In principle, Cyril ahead of me, quite rightly pointing out that Malevich took a few repetitions to the show in 1929, but in this case the history of another and much simpler. In the late twenties, N. Punin, vozglavlyayshy in the Russian Museum Branch of the latest trends and managing the procurement committees of the museum and showed it to a vivid interest in Impressionist masters of the period of Russian avant-garde, and he asked Larionov and Malevich, with the request to sell Impressionist works, which was done . So - everything is just that these works were done only under the order. Incidentally, the fourth job - "Flower" - favorably with earlier student Impressionist works are already visible hand of the master, in addition to mercantile interests Malevich was important to establish itself as a strong Impressionist art at an early stage, ie - Know how and it took place in his youth.

[Кирилл Сызранский]

Сообщение от qwerty

asked Larionov

Mikhail Fedorovich with Natalia in France, then lived. How could he comply with the request Punina?

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Сообщение от qwerty

By the way, the fourth work - "Flower" - favorably with earlier student Impressionist works, there is already visible hand of the master

I'm at the salon a couple of years ago, the Arbat Prestige saw this florist. Could not tear himself away. Super!

[nikola]

Сообщение от qwerty

This is not Malevich, this apprenticeship.

Soon show remarkable creativity of the artist from Nizhny Tagil.
Konstantinov Alexei Semenovich. He died in 1998.
Konstantinov not Malevich, but the quality of work is much higher than shown "Madonna"