I invite you to participate in the exhibition!

[NATA NOVA]

Seema, show-well (osebenno to complete the open air!) Where can I learn more?
 And how to get to the Picnic?
That's what I opened:

Читать дальше... 

 Ôîíäå
 × òî ñêàæóò î òåáå äðóãèå, êîëè òû ñàì î ñåáå íè ÷ åãî ñêàçàòü íå ìîæåøü?

Êîçüìà Ïðóòêîâ
 
 
 
 

 Î ÔÎÍÄÅ

 

 Sur nous
  About us
 

 
 
Íàöèîíàëüíûé ôîíä "Âîçðîæäåíèå ðóññêîé óñàäüáû" ïðèãëàøàåò æåëàþùèõ ïðèíÿòü ó ÷ àñòèå â ðåàëèçàöèè ïðîåêòà "Çíàìåíñêîå-Ðàåê. Êóëüòóðíàÿ çàñòàâà" â óñàäüáå Çíàìåíñêîå-Ðàåê Òâåðñêîé îáëàñòè
Ïðîåêò ðåàëèçóåòñÿ Íàöèîíàëüíûì ôîíäîì â ðàìêàõ Êóëüòóðíîãî âçàèìîäåéñòâèÿ Åâðîïåéñêèé Ñîþç-Ðîññèÿ â ðàìêàõ ïðîãðàììû âçàèìîäåéñòâèÿ ÅÑ-Ðîññèÿ Èíñòèòóòà Ñòðîèòåëüñòâà Ïàðòíåðñêèõ Ïðîãðàìì (IBPP) ïðè ïðåäñòàâèòåëüñòâå ÅÑ â Ðîññèè.

Íàöèîíàëüíûé ôîíä ïîëó ÷ èë ãðàíòîâóþ ïîääåðæêó íà ðåàëèçàöèþ äàííîãî ïðîåêòà â òå ÷ åíèå 1,5 ëåò îò ÅÑ.

Ïàðòíåðû ïðîåêòà: The Dutch Gilde van Tuinbazen (Íèäåðëàíäû), Àññîöèàöèÿ Ñîþç REMPART (Ôðàíöèÿ) Àäìèíèñòðàöèÿ Òâåðñêîé îáëàñòè, ïðè àêòèâíîì ó ÷ àñòèè Ãðóïïû êîìïàíèé ÊÎÍÊÎÐ.

 ðàìêàõ ïðîåêòà "Êóëüòóðíàÿ çàñòàâà", ðåàëèçóåòñÿ ïðîåêò - Ìåæäóíàðîäíûé âîëîíòåðñêèé ëàãåðü ïî âîññòàíîâëåíèþ óñàäüáû Çíàìåíñêîå-Ðàåê ñîâìåñòíî ñ Àññîöèàöèåé Ñîþç REMPART (Ôðàíöèÿ). Ïðèãëàøàåì æåëàþùèõ âêëþ ÷ èòüñÿ â ðàáîòó ëàãåðÿ. Ñìîòðåòü ïîäðîáíåå Ìåæäóíàðîäíûé âîëîíòåðñêèé ëàãåðü â óñàäüáå Çíàìåíñêîå-Ðàåê â èþëå 2011 ãîäà

ÏÐÈÃËÀØÀÅÌ ÂÑÅ ÇÀÈÍÒÅÐÅÑÎÂÀÍÍÛÅ ÎÐÃÀÍÈÇÀÖÈÈ È × ÀÑÒÍÛÕ ËÈÖ Ê ÑÎÒÐÓÄÍÈ × ÅÑÒÂÓ Â ÝÒÎÌ ÏÐÎÅÊÒÅ.

Ñìîòðåòü ïîäðîáíåå ...

 

 
Ñìîòðèòå ðàçäåë "Óñàäüáà èùåò õîçÿèíà"
  
Ñòàðòîâàë íîâûé ïðîåêò ôîíäà - ñîöèîëîãè ÷ åñêèå èññëåäîâàíèÿ. Èíôîðìàöèÿ è àíêåòû äëÿ çàïîëíåíèÿ çäåñü: http://www.fondus.ru/projects/sots/
 
Æóðíàë "Æèçíü â óñàäüáå" ó ÷ ðåæäåí Íàöèîíàëüíûì Ôîíäîì «Âîçðîæäåíèå ðóññêîé óñàäüáû» è Ãîñóäàðñòâåííûì ó ÷ ðåæäåíèåì êóëüòóðû - Ãîñóäàðñòâåííûé ìóçåé-óñàäüáà «Àðõàíãåëüñêîå». Æóðíàë èçäàåòñÿ ñ 2003 ãîäà. NF RRCE: Our magazine `Life în the country estate` Ïîäðîáíåå ....

 

 

Èíôîðìàöèÿ î ôîíäå

 

Îáðàùåíèå ê ðîññèéñêîé è çàðóáåæíîé îáùåñòâåííîñòè
Ìàíèôåñò Íàöèîíàëüíîãî ôîíäà
Èç Óñòàâà Íàöèîíàëüíîãî ôîíäà
Õðîíèêà ñîáûòèé ôîíäà
Íàøè ñîòðóäíèêè
Ïóáëèêàöèè ñîòðóäíèêîâ
 àïðåëå 2000 ãîäà ïî èíèöèàòèâå ãðóïïû åäèíîìûøëåííèêîâ ñîâìåñòíî ñ Èíñòèòóòîì ïðèðîäíîãî è êóëüòóðíîãî íàñëåäèÿ èì. Ä.Ñ. Ëèõà ÷ åâà, Ðîññèéñêèì äâîðÿíñêèì ñîáðàíèåì, Èñòîðèêî-ðîäîñëîâíûì îáùåñòâîì â Ìîñêâå áûë ñîçäàí Ôîíä «Ðóññêàÿ óñàäüáà». Îí ñòàë ïåðâîé íåãîñóäàðñòâåííîé îðãàíèçàöèåé, ïîñòàâèâøåé ñâîåé çàäà ÷ åé íàéòè ïðàêòè ÷ åñêèå ïóòè âîçðîæäåíèÿ ïàìÿòíèêîâ êóëüòóðíîãî íàñëåäèÿ Ðîññèè è â ïåðâóþ î ÷ åðåäü óíèêàëüíûõ îáúåêòîâ îòå ÷ åñòâåííîé êóëüòóðû - çàãîðîäíûõ óñàäåá. Ñ ​​ýòîãî ìîìåíòà íà ÷ àëîñü ñèñòåìàòè ÷ åñêîå èññëåäîâàíèå èñòîðè ÷ åñêèõ óñàäåáíûõ êîìïëåêñîâ è ðàçðàáîòêà ïðîåêòîâ ïî âîâëå ÷ åíèþ èõ â õîçÿéñòâåííûé îáîðîò.

Çà ýòè ãîäû áûëè íàëàæåíû ïàðòíåðñêèå îòíîøåíèÿ ñ ôåäåðàëüíûìè îðãàíàìè âëàñòè, àäìèíèñòðàöèÿìè ðåãèîíîâ öåíòðàëüíîé Ðîññèè, ïðåäñòàâèòåëÿìè ÷ àñòíîãî áèçíåñà, øèðîêèì êðóãîì íàó ÷ íûõ, îáùåñòâåííûõ îðãàíèçàöèé è ñðåäñòâàìè ìàññîâîé èíôîðìàöèè. Âûïóùåíî äâà èçäàíèÿ óíèêàëüíîãî ïóòåâîäèòåëÿ «Ïîäìîñêîâíûå óñàäüáû ñåãîäíÿ», ðàññêàçûâàþùåãî î 650 ñîõðàíèâøèõñÿ óñàäüáàõ Ìîñêîâñêîé îáëàñòè.

 

 ñâÿçè ñ íåîáõîäèìîñòüþ äàëüíåéøåãî ðàçâèòèÿ äåÿòåëüíîñòè 17 ÿíâàðÿ 2005 ãîäà áûë îôèöèàëüíî çàðåãèñòðèðîâàí Íàöèîíàëüíûé ôîíä (ÍÔ) «Âîçðîæäåíèå ðóññêîé óñàäüáû», îáúåäèíèâøèé óñèëèÿ åùå íåñêîëüêèõ îðãàíèçàöèé, çàíèìàâøèõñÿ ñîõðàíåíèåì ðîññèéñêîãî êóëüòóðíîãî íàñëåäèÿ.

Íîâûé Ôîíä ÿâèëñÿ ïðååìíèêîì Ôîíäà «Ðóññêàÿ óñàäüáà», ñòàâøåãî îäíèì èç ó ÷ ðåäèòåëåé íîâîé îðãàíèçàöèè.

 

Íàøè ñîòðóäíèêè ïîñòîÿííî ðàáîòàþò íàä èçó ÷ åíèåì, ïîïóëÿðèçàöèåé è àêòóàëèçàöèåé óñàäåáíîé êóëüòóðû, ïðèâëå ÷ åíèåì èíâåñòèöèé â âîññòàíîâëåíèå è ïîääåðæàíèå óñàäåá. Â íàñòîÿùåå âðåìÿ ìû ðåàëèçóåì ïðîåêò ïî ïåðåâîäó íàêîïëåííîé èíôîðìàöèè ïî èñòîðè ÷ åñêèì óñàäåáíûì êîìïëåêñàì íà òåððèòîðèè Ðîññèè, â ôîðìàò ýëåêòðîííîé áàçû äàííûõ.

 

 Íàöèîíàëüíûé Ôîíä «Âîçðîæäåíèå ðóññêîé óñàäüáû» ãîòîâ îêàçàòü ñîäåéñòâèå âñåì çàèíòåðåñîâàííûì ÷ àñòíûì, ãîñóäàðñòâåííûì è îáùåñòâåííûì îðãàíèçàöèÿì â âîïðîñàõ ñîõðàíåíèÿ è âîçðîæäåíèÿ ðóññêîé óñàäüáû.
 
Ñäåëàíî â ñòóäèè Artpage

[LCR]

Сообщение от NATA NOVA

Seema, show -good

Nat , this is you have a problem encoding. Click on the "show" (?) - The right of " Edit ", then select the " character encoding ", then " More Encodings ", then " Eastern European characters ," and then try all types of Cyrillic (I have 7), go to kuzhnuyu page and click on all of these types in turn , one of them will fit , most likely KOI8-R.
Then tell >

[artist]

Yes ...
Lviv ...
genius, on its face - an amateur, and, genius!

And inside, then, "Italian conceptual artist" ...

How fortunate that Lviv was just palladiantsem and conceptualist not - would not farm, some house-pail or, more generally, the room is laughing ...

[inega]

Сообщение от artist

Yeah ... Lviv ... genius, on its face - an amateur, and , genius!
And inside , then , " Italian conceptual artist " ...
How fortunate that Lviv was just palladiantsem and conceptualist not - would not farm, some house- pail or, more generally , the room is laughing ...

Oh, those conceptualists ...! >
Found at blog Evgeny Smirnov excellent photos estates to complement the scale and the general perception of the entire complex ! Sharing . (And the same cat , I recommend a look )

[Сима]

Сообщение от NATA NOVA

And how to get to the Picnic?

NATA NOVA, well.
unfortunately, has not hit, he was one - this open-air.
Then take a look ...

[fabosch]

Сообщение от inega

Oh these conceptualists ...! >
Found at blog Evgeny Smirnov excellent photos estates to complement the scale and the general perception of the entire complex ! Sharing . (And the same cat , I recommend a look )

inega thanks. Pictures there are great. Especially good balanced view from the balcony above the entrance. Versailles rest ...

[Сима]

inega, terribly sorry. that does not enter . Good in many safety , is encouraging. It's unfortunate . that you are not an interior job. My glitch ...

artist, surprisingly , what is palladianstvo unless conceptualism . Palladio creativity itself completely conceptually , but it is his imitators (in the best sense) of three conceptual . And as for the bucket - you know , the drum under the dome of the main house of the manor strikingly similar to the soup tureen with handles. I drove it all seems - well, sort of daze , my mind you - but remember him with the St. Petersburg Trinity Church - Kulich and Easter. They say that the idea of " formopodrazhaniya " does not belong to him . But he could just plant a soup tureen . Although conceptualism is not in this ...

[Сима]

As they used to say the fortress : " Where is the " Paradise " , where is the " Joy "? Well, in " Paradise " we were in July, and find the " Joy . " And now we're going to Serednikovo . Today went to negotiate. Perfectly preserved complex of estate Vsevolozhskys - Stolypin , leased by Mikhail Lermontov (!) great poet spent several years in his youth. None of the scope that the Raika , but snug chamber . Here's one we really ahead , evaluate the seriousness of the creative method . >

[NATA NOVA]

Сообщение от Sima

And now we're going to Serednikovo.
Today went to negotiate.

This is an invitation to an exhibition or open air?
(In the context of the title theme)

[Сима]

This is the story of the different stages of preparation of the exhibition.
If there is a species with Russian manors, they may be considered for participation.