Total exhibition-installation 'sleeping areas. School № 109. Open lesson

[Lorart]

Well, yes! Of course there were different objects, and something-likes, but something not very much. The children were ecstatic. Born completely different meanings (just about that Cyril wrote Syzran) works, and quite different associations - just the children and offers suggestions. Well, for example, about Rooks Polissky, as always great. At this time they are surrounded by standing in the courtyard of the monument Okudzhava. Of kids who said - "Oh, well, just like in the movie" The Birds. "Someone remembered Okudzhavskoe

And the past is gone: bullshit!
We look to the future: the light!
And in the fields zhireet crow,
and by roaring war.

generally, the school - well, different. and the project entirely different sounds here. overall - excellent! Dima, really nothing like it?

yet few have posted. zhdems.

[DimaB]

No, just like a lot: old and has already proven works. The same Garikovich with computer-Bayan (my favorite). Savko with the new Russian fairy tales (very funny look in the lobby next to touching children's drawings on the theme of classic fairy tales - full postmodernism ). Black with a chair-click and bed-canning jar. Always great Polissky - Rooks on a snowy schoolyard - just great!
And new: witty work of Joan Fisher of Pulsarta, powerful objects Living and Dead Water Marina Zvyagintseva already listed my new items from Garikovicha with Katranom (I am the way, Sergei's first live match I saw, I was not at the exhibition dedicated to the anniversary exhibition in the Palace of Culture Exhibition Center, where, they say, it looked great, was the center of the exposition, but here, again it just pushed a dead end near the window). And what about Alexander Brodsky with the interior of a peasant's hut in the school locker room: burning stove looks super-realistic. Or Tishkov: two buckets in which the alleged water pdsvkechena inside.
I will not describe the rest, it must be seen. I look forward to the imminent appearance of photographic reporting.
Importantly, I think that both children and teachers who are here, by the way looked quite advanced, they saw that art can be very different, and realized that they themselves can participate in the art process. Some participated in realiztsii projects and is listed as co-sponsors (Why? Zvyagintsev, scientists light Antoshina). And some of themselves were building the installation from scrap materials mainly textbooks.

[Lorart]

Kommersant »№ 14 (4555) on 01/28/2011
Educational Installation
//Open the lesson at school N 109
Exhibition of public art
Anna Tolstova
http://www.kommersant.ru/doc.aspx?fr...docsid=1574464

Nezavisimaya Gazeta
Provocation in the school
Modern art on the outskirts of Moscow
Elina Kwon
http://antrakt.ng.ru/people/2011-01-28/9_sch.html?mpril


RIA Novosti
http://www.rian.ru/culture/20110129/327814563.html
Contemporary Art Exhibition opened at the school in the south-west of Moscow
Svetlana Yankina


MR.
http://www.mk.ru/social/megacity/art...ovokatsii.html
Maria Moskvicheva
Artists occupied the most progressive school in Moscow

Gazeta.ru
Tyrants and Vrubel went to school
http://www.gazeta.ru/culture/2011/01/28/a_3507554.shtml
Velimir Moist

and many others. etc.

[Vladimir]

Excellent press gathered.
Well done.
Congratulations!
Works great.

[Vladimir]

http://izvestia.ru/news/516366

Multifunctional cultural centers appear in some residential areas of Moscow. As explained by the head of the museum and the exhibition of the Moscow Department of Culture, Anton Goryanov, first of all such objects will be created in places where most people live and where the least of these institutions.

- In the capital, 27 district showrooms, whose premises can be used as a modern museum - said Goryanov.

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However, the distribution of theaters and museums in the capital, of course, uneven. Currently 80%of cultural objects in Moscow are located within the Third Ring Road. At the same time in the territory outside the TTC is home to nearly 93%of the citizens. Meanwhile, according to Goryanova, the need for cultural facilities for residents of bedroom communities is stronger than that of the inhabitants of the center of Moscow. "Because of transportation problems is not all convenient to spend more than an hour only to have to get to the museum," - he said.

An expert in the field of urban planning, a specialist in cultural heritage conservation theory and Natalya Dushkin noted that the lack of cultural facilities in residential areas leads to social isolation of residents. In her opinion, all Moscow must form a "dense, lively historic environment", not only with the help of pictures, but also by the houses. Dushkin gave an example of reconstruction of housing estates in Berlin: "It is quite primitive house 20-30s have been restored and included in the list of objects of cultural heritage, and their small apartments were in demand."

In Moscow, according to Dushkin, "The 26 workers' settlements, which would repeat the experience in Berlin, among them - Usachevka, Dangauerovka and Dubrovka." Despite the fact that the building where diverse and attractive "sockets", most of settlements, according to Dushkin, is about to go under demolition.

Member of the Presidium of the expert advisory board of social, architectural historian Alexei Klimenko proposed to use the unused area of ​​industrial zones. He added that a museum could use some lofts in which the world will shift the former industry. As of 2011, the capital is not used more than 5.8 hectares.

Chairman of the cultural, informational, and urban development policy of the public council of Moscow, Mikhail Lermontov, believes that in each area should receive a museum and recreation centers on the principle of estates. According to him, demographic well-being of the city depends on the number and quality of opportunities for recreation with children.

The expert added that in many residential areas lack the infrastructure of the simplest: "On the outskirts of the little cafes, clubs, and even public toilets are hard to find."

According to Lermontov, in new areas of the easiest to develop contemporary art: "On the outskirts of the many free sites, people are not spoiled by an abundance of museums, and local authorities are more willing to include a" green light "interesting initiatives. All this gives a good chance for young artists to express themselves. "

Recall metropolitan areas have become the venue for cultural events. For example, in the Biennale of Contemporary Art was organized by the project "Sleeping area", which exhibits are displayed, in particular, in the Lublin and South Butovo.

However, on the second day after the opening of the Biennale number of elements that were under the open sky, was quite spoiled by local residents. Lermontov, explained that "people need to go step acculturation within reach." In his view, the process will go faster if the students will work in local galleries and exhibition halls.

[Lorart]

Vladimir, thanks! yes, now often appears information about the cultivation of margins, but that's the first time "sleeping area" referred to, in my opinion. Indeed, this is one of the most exciting projects! I still want to add a very important news on this topic (thank you, that it raised it again!).

The "sleeping area. Open Lesson" (curated by Marina Zvyagintsev, Yuri Samodurov) entered into the shortlist VII All-Russian competition in the field of contemporary visual art "Innovation" in the "curatorial project"
http://www.ncca.ru/news.text?filial=2&id=429
http://www.ncca.ru/innovation/shortl...ntest=18&nom=2

and entered the great company of powerful high-profile projects:

Viktor Misiano. "Impossible community"
Olesya Turkin. "Necrorealism"
Andrei Smirnov. The exhibition project "Generation Z. The pioneers of music technologies in Russia 1910-1930-x"
Marina Zvyagintsev, Yuri Samodurov. "The sleeping area. Open lesson" in the framework of the NCCA "Contemporary Art in an open society"
Catherine Tar, John Mytkovska, David Rieff. "The audience Moscow. Design of public space"

So, very soon, in the NCCA see the exhibition, and then, and we will get sick on the return of the Prize.