Contemporary artists and museums: the record

[Самвел]

Сообщение от "artcol

Yes.
For example Cheboksary art museum

There Lugansk Regional Art muzey.http: //www.artmuseum.lg.ua/cgi-bin/col.pl?cat=5-1&page=40

[artcol]

Сообщение от fabosch

Even if we leave out the obvious reason is that it is impossible in real time to replenish materials posted current income and therefore, the catalog of will never be complete until the museum lives and acts, at what foundation is your confidence in this case (again, we will not accept the absolute truth that is written on the site)?

1) the fact that the information revolution has finally happened
2) well and the flow of revenue has decreased, do not buy, often do not take as a gift - paper filling laziness.

Added after 49 seconds

Сообщение от Samvel

There Lugansk Regional Museum of Art. http://www.artmuseum.lg.ua/cgi-bin/c...at=5-1&page=40

Yes, there is a great collection.

[fabosch]

Сообщение от artcol

1) the fact that the information revolution has finally happened
2) well and the flow of revenue has decreased, do not buy, often do not take as a gift - paper filled day.

Reply spectacular, but to me unconvincing, because, to paraphrase a famous character, the "information revolution" must occur in the head and not in the gland. But the fact that it happened yet in the minds, I strongly doubt.
And about the income you rightly noticed, but equally true used the word "reduced" and not "terminate"

[artcol]

Сообщение от fabosch

A spectacular, but to me unconvincing, because, to paraphrase a famous character, the "information revolution" must occur in the head and not in the gland. But the fact that it happened yet in the minds, I strongly doubt.
And about the income you rightly noticed, but equally true used the word "reduced" and not "stopped"

3) enough promonitorit grant projects - there is very good. much on electronic cataloging and display of network assets. But in general, I'm just close to the subject, and I can confirm about the goals - you are right, yes, but nevertheless it is still in the money, and head bowed, as we have taken

[fabosch]

Сообщение от Samvel

There Lugansk Regional Museum of Art. http://www.artmuseum.lg.ua/cgi-bin/c...at=5-1&page=40

Make prsstuyu thing. Open this site and think for the amount offered for the site exhibits. It's not as difficult as on the page they have 15 units pomeschvaetsya, and the number of pages is easy to calculate (15 minutes will take). Psle this look, there is a review article on kollekyii museum says how much they have exhibits. And then you'll understand what I had in mind

[Seriy]

fabosch, it is not so much about confidence, uncertainty, and on actual practice and procedures.

artcol,
If the artist's works are included in the collections of museums such as MoMA New York, the Guggenheim, the Metropolitan New York - it's completely different positions it in the price and reputation table of ranks.
THEOREM I personally did not ignore this.
Moreover, the West is such a thing as an artist estimate - EM estimate the price of his works, unsold, even unwritten :-) T e as the artist himself is on the market.
Based on this estimeyte, the artist buying corporate collections, foundations, banks issue loans, you can even share issue.
 T e=money reputation.
Therefore, the estimate for the West really fighting, it's no joke.
 Generally speaking, having a job in the listed museums and estimate 50 thousand dollars, with two hundred works unsold, the artist can get a loan from a bank at 5%per annum in the pledge of his works, roughly a million dollars.

Sorry, ten million :-)

[NATA NOVA]

Arhinuzhnaya theme!
I have already accumulated a half dozen "public places and museums, which turned out to be my work (graphic humor)
Proislano and 4 (paper) catalog. Some hang out in virtual
 Some work is in the (paper) catalogs were at the show, but sent back. (Depending on the conditions of the exhibition (Portugal, the theme of "Immigration")
 Other (Draw the graph) remained in those places (museums, Graphics, muzeychikah etc. "Public Place" (public places) because it was agreed that in case of selection remain at the museum. (A common practice with the lottery drawing)

Still others are sent as a "black hole"-no answer, not a greeting (Sugrutsky Museum of humor, for example, sent them a year ago, 5 works is one of the canvas, 30x40, and other original drawings (A-3), no thanks were sent, "not received "probably ..)

Fourth, not taken at vytavku, but left .. (but send a written request)

Thank you Seema for your post (about the museum's "Book of revenue) ..
You just need to ask for "inventory number" of their work. (If you remember which one)

On the need to maintain their catalog (with pictures) what to send ..
It initially seems that the "remember everything" .. (All written, the date
, Dimensions. technology, and to keep post office receipts) nudota, however, but from my experience .. Valuable work only send such mail. To be able to otslezhivt their progress.) "and the experience is the son of errors difficult .. (C)

But this "list of works in museums" to my success is no (absolute) effects to no avail. (Only shows the activity of a certain period) ..
Moreover, I want to see, for example, I have a "yellow pages" phone number per year (free) was (a portrait by request). For the entire year (!) Called one man, the artist, (interest cost) Here it is, the village true ..
Since that announcement have to know where to give, and what museums to be (otherwise it's empty words and empty efforts ", though. Admit. That for the CV, residences, and so may be useful ..- shows the direction ..)

[artcol]

Сообщение от Seriy

fabosch, it is not so much about confidence, uncertainty, and on actual practice and procedures.

artcol,
If the artist's works are included in the collections of museums such as MoMA New York, the Guggenheim, the Metropolitan New York - it's completely different positions it in the price and reputation table of ranks.
THEOREM I personally did not ignore this.
Moreover, the West is such a thing as an artist estimate - EM estimate the price of his works, unsold, even unwritten :-) T e as the artist himself is on the market.
Based on this estimeyte, the artist buying corporate collections, foundations, banks issue loans, you can even share issue.
 T e=money reputation.
Therefore, the estimate for the West really fighting, it's no joke.
 Generally speaking, having a job in the listed museums and estimate 50 thousand dollars, with two hundred works unsold, the artist can get a loan from a bank at 5%per annum in the pledge of his works, roughly a million dollars.

Sorry, ten million :-)

In the West, the situation is different, yes, but there was a painting of unsold Sovrem. artist you credit it seems to me not give - liquidity is not very much, and in general risks.

Another is in the sense that:
1) art has always been the financial prachechsnoy
2) The art is always a way to remove the extra money (tax on luxury and vanity, etc)
3) art is a tool for subjugation and mind control, ie, present gosrezon
3) West (USA) has long served only Mammon, and the so-called museums are no exception
I exaggerate, of course, their findings do yourself.

[Seriy]

artcol, yield-nedadut-little do we about it here in the backwoods, know. However, when hear the sounds from the surface, then, for example, everyone knows that under the unsold skull with diamonds credit was taken, the fund is established, the skull came to the balance of the fund and other mysterious game for hundreds of million dollars Artinvestment also wrote about the gallery owner who took large loans bail FOREIGN paintings.
Bail-matter is absolutely real and it is practiced, the whole question of assessment.
And about the estimate, the official, confirmed, I'm just saying.

[Pavel]

Сообщение от Seriy

fabosch, it is not so much about confidence, uncertainty, and on actual practice and procedures.

artcol,
If the artist's works are included in the collections of museums such as MoMA New York, the Guggenheim, the Metropolitan New York - it's completely different positions it in the price and reputation table of ranks.
THEOREM I personally did not ignore this.
Moreover, the West is such a thing as an artist estimate - EM estimate the price of his works, unsold, even unwritten :-) T e as the artist himself is on the market.
Based on this estimeyte, the artist buying corporate collections, foundations, banks issue loans, you can even share issue.
 T e=money reputation.
Therefore, the estimate for the West really fighting, it's no joke.
 Generally speaking, having a job in the listed museums and estimate 50 thousand dollars, with two hundred works unsold, the artist can get a loan from a bank at 5%per annum in the pledge of his works, roughly a million dollars.

Sorry, ten million :-)

Specifically, this handbook Akun and Meier. I like Akun, it democratic and dynamic. All samonaduvatelstvo with museums immediately sduvaetsyaHorosho this would have been, but that requires obshedostupnye trades, which have replaced the underground trading.