Russian avant

[Маруся]

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[color="# 666686"]Posted 1 hour 34 minutes[/color]
Perhaps the most famous "project" Hope Liubavin was the idea of creating a museum in St. Petersburg city signs (so favored by the Russian avant-garde). Together with Vera Ermolayeva and Nina Kogan (with whom she later worked in Vitebsk), they saved more than one product of unknown masters in the cold and hungry post-revolutionary Petrograd.
The fruits of their labors are still kept in the Museum of the City of St. Petersburg.

In 1922, Hope Lyubavina married a professor of Hindu devotee Velimir Khlebnikov, and apparently left Russia in the early 1920's.

[Pavel]

We must look at nature. Our critics say over-analysis praise. The best thing to compare putting together. Red furniture is also darkened, but what a vibrant painting, because it is built composition. Other paintings are sketches rather than paintings with all the consequences ie nepostroennoy composition, hence smearing, the lack of tonal dominants.
Color itself is not the case, the color is always component composition, ie important not the color and what role it plays, than surrounded and how interacts with other colors and tones. Therefore, if vyepiraet gray or another color that is a mistake.

[Кирилл Сызранский]

Red furniture Falk wrote in 34 years, in the 20 th year, and Samarkand "sketches", as you, Pavel, put it in the 57-year old already.
It is clear that the manner of the artist and the age varies, and some, perhaps, the problem he poses.

[Pavel]

Сообщение от Cyril Syzransky

Falk Red furniture wrote in 34 years, in the 20 th year, and Samarkand "sketches", as you, Pavel, put it in the 57-year old already.
It is clear that the manner of the artist and with the age change, and some, perhaps, the problem he poses.

It's not the way, but in the loss of expressiveness. I advise you to compare the Furniture and Etudes-strained left. But Picasso strained basis as in Matisse. Why I say that before he had the expressiveness and then left, appeared smearing, mediocrity, ordinariness. The severity of a composition is achieved, and in later works eeu him no.

[qwerty]

1919 February. In Moscow hosted the 5 th National Exhibition of paintings, which was attended by 52 artists, including Drevin, Zhegin, Kandinsky, Kliun, Lentulov, Morgunov, Pevzner, Pestel, Popova, Rodchenko, Stepanova, Udaltsova, Falk, Chekrygin.
April 13 in St. Petersburg opened 1-I state free exhibition of works of art. It was attended by 299 artists submitted 1,826 works, among them: Altman, Baranov-Rossine, E. Bebutov, Kalmykov, Mansurov, Matyushin, Chagall, Shkolnik.
May. In Moscow on the 10 th National Exhibition "non-figurative art and Suprematism" was presented 220 works 9 artists: V. Agar (Varvara Stepanova) - aimless book chart in 1918, Alexander Vesnin - color compositions, N. Davydova - Suprematism, Ivan Kliun - Supremacist and color compositions, as well as a sketch of the monument Rozanova and aimless sculpture, Kazimir Malevich - Suprematism and Mikhail Menkov - Suprematism and the combination of light and color, Lyubov Popova - a picturesque architectonics 1918 and linocuts, 1917, Alexander Rodchenko - color abstractions, 1918 , aimless sculpture and design of the monument Rozanova.
September. «III Exhibition of paintings" in Ryazan (more than 400 works by 81 participants) and "1 st National Exhibition of paintings by local artists and Moscow" in Vitebsk (241 artist's work 41), which was presented to the cream of the avant-garde direction.
Directs the Department of Fine Arts Tatlin to draft a memorial III International.
Lissitzky begins work on PROUNI (draft approval of a new).

[qwerty]

And a bit:

[qwerty]

Сообщение от Pavel

I judge Falke to work in the Tretyakov Gallery and in his book or about him. Work eerie gray and dark. He took a lot of early work that byle performed on one spirit and style of late, led to the blackening of the layering.

Somewhere you are not there watching. Falk - the only bubnovovalettsev, who not only has eroded over time and become, perhaps more subtle, airy. He immediately recognizable, his later works can be seen for hours, so they grace and wisdom. Look more closely at his self-portrait in a red fez (incidentally, this is generally his most recent paintings), it is simply a masterpiece!

[Pavel]

In my opinion is such a painting-painting. It must be active

[Кирилл Сызранский]

Himself Bonnard love.
Beautiful painting.
However, Pavel, can you just say that there are not enough fans of art and a more "active". For that, and Bonnard, and late Falk will be dull for them there will be little "activity" as her little fans of the drums in Mozart, for example, in the piano sonatas.

[Grigory]

Сообщение от Maroussia

Perhaps the most famous "project" Hope Liubavin was the idea of creating a museum in St. Petersburg city signage (so favored by the Russian avant-garde). Together with Vera Ermolayeva and Nina Kogan (with whom she later worked in Vitebsk), they saved more than one product of unknown masters in the cold and hungry post-revolutionary Petrograd.
The fruits of their labors are still kept in the Museum of the City of St. Petersburg.
In 1922, Hope Lyubavina married a professor of Hindu devotee Velimir Khlebnikov, and apparently left Russia in the early 1920's.

Dear Maroussia!
If no secret where this information?