Boris Kocheyshvili. Life in Art

[Тамара]

But with the work of "Lily Allen" (see previous post )( and shows it Akhedzhakova and Kozhenkova against the background of their famous villas in Domodedovo airport, where at that time were incredible some art -artistic hangouts), such an interesting story goes: The work described in the catalog of the exhibition "Works of Moscow Artists" CHA 1982. And then its commission, can be seen in the Tretyakov bought.
I'm in the studio of Boris Petrovich found somewhere six months ago, a color copy of this work (oil on canvas 94 * 99sm. 1980.) The artist's very cool to it took, "Well, picture and image, to me, saying that she did not interesting, is obsolete for me to learn there is nothing ... " And I liked that portrait - aunts are alive, funny, and the composition of such a dynamic and excellent knocked together. Beautiful picture. I took her and took the pictures for a directory, as the earliest of the paintings. And then get out of the Tretyakov disk, and then "original", sorry for the year has not been signed, in November I think it is somewhere in 1976-78, according to the style.
Put the two images. I think it's interesting:

[Тамара]

What interesting information can be collected through the directory!
Asked Nicholas Milk with the question: does it "good" to publish the text of his father, Yuri milk (which had a little cut) of Boris Kocheyshvili. Nicholas was delighted: "Publish" - says.
And another story that his father liked and respected by Boris, and considered a remarkable artist, and therefore in the family Milk is kept at least a dozen works Kocheyshvili. "Portrait of a mother of Boris's hanging in our living room as I can remember" - said Nicholas.
Moreover, he shot a certain amount of work and sent me a photo - can I take away something for publication in the catalog.

The most interesting - he sent me two canvases dating of the late 70's! The wild rare. During his life, Boris Kocheyshvili canvases made quite a few - can be counted on the fingers. I know that a few (two or three) were at one time purchased for the collection Deutschebank. The two - turns out - in milk. Where are the others, only God knows. Boris says that many works were taken at the time in Israel, maybe there is a canvas ...
Two of the canvas from the collection of the family Milk (courtesy of Nicholas):

[Тамара]

But part of the graphics from the collection of the family Milk:

[Тамара]

Concluding the topic every discoveries and discoveries-designed by me during the preparation of materials for the catalog, decided to show a couple of pictures with a curious history. It's about "Walk". In the artist's studio, unfortunately, left not much graphics, made in the 70's 80's. Most works are in private collections and "tails" of their long-lost ... Among those sheets that I found in the workshop was a wonderful thing - Walk. I like it a lot - incredibly theatrical and easy to do. And not for nothing it I liked. Come to a workshop recently, a friend of Peter and said - I have, they say to you a present. And gives the directory "Drawings and Watercolours in Russia XX Century" collection of Russian Museum. And there - my favorite walk. Well not Exactly, of course, but a very similar thing. Here is a surprise!
And Boris told us, where did this repetition: his friend George Anisimov liked this work, he asked Boris - a gift, they say. But Boris is not given, but made for a repeat. A friend and forgot all about his request. And funny, that it is this repetition, then there is work "Anisimova" is in Russian, and the original is still stored in the workshop. That's how it happens.

[Черномашенцев Владимир]

Tamara, I am proud that I can fix you a little bit about creativity Kocheyshvili. Fed up now, off the shelf album of the Russian Museum Drawings and Watercolours in Russia HHvek "to consider the illustration in the best possible quality.

The work is called "Country Street" in 1975
62,1 x 70,5 cm, boom. chalk, ink, brush.

In the annotation to the work of Ludmila Vostretsov wrote:
"... in the inhabited space figures of previous periods invades ghostly theatrical world of dreams or sleep. Dachnaya Kocheyshvili street inhabited by characters that are brought to life by the poetic imagination of the artist. Kompzitsiyu sheet is impossible to explain or tell in words. Symbolism is born from the most plastic figure ..."

[KaterinaMN]

Tamara, a great theme, thank you very much!

[Тамара]

Сообщение от Chernomashentsev Vladimir

Tamara, I am proud that I can fix you a little bit about creativity Kocheyshvili. Fed up now, off the shelf the album of the Russian Museum Drawings and Watercolours in Russia HHvek "to consider the illustration in the best possible quality.

The work is called "Country Street", 1975
62,1 x 70,5 cm, boom. chalk, ink, brush.

Vladimir! Thank you very much for the clarification! Of course you're right, referring to the work of the directory should be specified and its catalog name.
I did, so far, "settled down" already in the artist's studio has a lot to look at his eyes. "Walk" from his studio, of course, unsigned, like many other works. So I called her, as he calls Boris ... And the name in the directory are not noticed.
He, of course, believes that the main HOW and what is depicted, and you can sign when needed - for an exhibition catalog or a buyer ... And no one, he thinks, I just recently had a visit at Katya Medvedeva, she told me how she lived and worked in the famous "Belyaevskaya basement" like this: "There's a Belyaevo exhibitions were held, that the artists bring work to the exhibition, spread person wall canvases, and I go with Khrushchev and guessing - that this good work, and this town .. but. He was surprised - I can see through the canvas or what?? And I looked - if the artist wrote on the back big beautiful letters and full name and still it is possible, the year brought all sorts of nice, the picture itself - most likely bad. Always on the signature guessed ... "

Although, of course, unsigned work can create over time a lot of problems ... just now come to me photo GRT everywhere - work Kocheyshvili in the collection of milk, Alshibaya - All Unsigned ... even the GTG half years of work without a ... Name one thing, think easy, but the year is now no longer restore the exact ... So we write - 70-s ...

Добавлено через 17 минут
To dilute the texts and pictures please dear public, publish a completely new "hot" is the work of Boris Kocheyshvili, while unsigned
(sorry for the bad quality pictures. Broke the camera, flick terrible soap box ...)

[Тамара]

To dilute the texts and pictures please dear public, publish a brand new "hot" is the work of Boris Kocheyshvili, while unsigned
(sorry for the bad quality of the shooting. Broke the camera, flick terrible soap box ...)

[Черномашенцев Владимир]

Сообщение от Tamara

To dilute the texts and pictures please dear public, publish a brand new "hot" is the work of Boris Kocheyshvili,

I did not even consider these images. Guess why?
I hope to see the original. Why waste time?

Added after 6 minutes

Сообщение от Tamara

He himself, of course, believes that the most important how and what is drawn, and the sign can be when needed - for an exhibition catalog or a buyer ...

This "problem" of many artists. Moreover, some of them often work long, periodically returning to the old linen to correct. And the sign is already before the sale. You're taking a picture with the signature of crude - and fear grease, so as not to shock the future art.

That way, appear strange signatures are identified technical expertise - the picture is covered with varnish and then signed. Normal life situation - the buyer requires a signature - get it!

We, the buyers signature oh as important! Bread does not feed them, just give maybe more signatures, inscriptions. Certificates ...

[LCR]

Сообщение от Tamara

Although, of course, unsigned work can create over time a lot of problems ... just now come to me photo GRT everywhere - work Kocheyshvili in the collection of milk, Alshibaya - All Unsigned ... even the GTG half years of work without a ... Name one thing, think easy, but the year is now no longer restore the exact ... So we write - 70-s ...

Year Year, but the signature on the front whether the parties, or the reverse - you can not imagine how important that is: the fact that the owner of an unsigned work is not entitled to any exhibit or publish it if he can not prove that this work has already been exhibited or published. It is immaterial and integral right to disclosure belongs to the author, and after his death did not pass by will, but to "mandatory", or what? heirs (do not know what it's called in Russian, but it comes to heirs, who by law to disinherit nalzya: in most cases it is children, but in their absence, it can be, and parents in any case this is not the husband).

That is, the artist might, for example, to donate or sell an unsigned painting, its owner, in turn, assign it to someone else, but all these people can neither stand, nor to publish it without the consent of the aforementioned assignees.

Therefore, we strongly advise artists sign their work, and owners of works to do whatever is necessary to work to sign and /or find evidence that it had already been made public (the catalog with a photograph or just a name, a photocopy of the publication, at last, just a sticker gallery).

Here there are legal technicalities, with which all of you and pozdrravlyayu