Monet exhibition at the Grand Palais in Paris

[tchaika]

Сообщение от fabosch

impressionist tradition ... it is typically French phenomenon

That's what I'm talking about that French artists in search of ways to develop their art artistic tradition, finding ever new ways of its original expression. What and Russian artists could wish for.

When Monet groping evolving its pictorial language, he keenly watched for its independence. For example, working in the open air with Renoir and noticing some similarities in the methods of the stroke, he tried to let him go, not to suffer an involuntary interference. When Pissarro, who was at times thrown it at that, then the other side, suddenly began writing technique of Georges Seurat puantilisticheskim - Claude Monet at the meeting ironically greeted him: "Hello, Mr. Sera."

French artists in the painting by Henri Fantin-Latour's "Studio in the Batignolles Quarter (Paris) (1870, Museum d'Orsay).

[tchaika]

Konstantin Korovin - it was the Russian nugget, he naturally was given a fine sense of color, sense of color harmony, he initially took the path of self-identification of priority in painting color system, with no further representations about any of impressionism.

He worried about the dominance of inostranschinoy culture in Russia. In his memoirs, we read: "... in theaters cancel the opera and does not pose any Mussorgsky, or Rimsky-Korsakov. It is necessary that people know its poets and artists. "

He wrote: "Strangely, in spite of contentment with life, many of the estates and cities have sought to go abroad. I was surprised ...
Mammoth Theatre and decorative work for the opera gave me the opportunity to engage in personal painting, although the theater took away a lot of time. At the same time, I had the opportunity to write from life, without being subject to time and no influence. Worked as I wanted, in search of their achievements in painting. "

Korovin was universally gifted. Written by portraits prove his immense talent, a portraitist and a psychologist who was not disclosed.
Awareness of Impressionism, as a way of seeing, it has brought. He ceased to develop its own vision. His Russian talent was buried. The artist seemed satisfied with the superficial form.

Characteristic of Russia misunderstanding, which consists in the orientation of Russian society to Western authorities, which has become habitual, has led to the fact that society has not sought to support national talents.

Unrecognized in the hospital died Mussorgsky, Rimsky-Korsakov failed with the production of his opera "Snow Maiden" ... Mammoths - one of the few people supporting the Russian talent, was forced to close his private opera, where, in particular, has blossomed talent Chaliapin. Maecenas was a false accused of embezzlement of capital intended to build railways, and although the court acquitted him, he was ruined.

And all this persecution of the native talent was conducted with the support of the media who wailed about the same foreign priorities. (Not just whether it now?)

- Konstantin Korovin Portrait of Fyodor Chaliapin, 1911.

[dedulya37]

Сообщение от "tchaika

characteristic for Russia, a misunderstanding, which consists in the orientation of Russian society to Western authorities, which has become habitual, has led to the fact that society has not sought to support national talents.

Well, right about modern Russia!

[Кирилл Сызранский]

Сообщение от dedulya37

Well right about modern Russia!

In Srovremennoy Russia's society has not sought to support national talents?

[dedulya37]

consisting in the orientation of Russian society in the Western authorities


All of our modern society is built on it.

And authorities in many respects erroneous, as it does not take into account national circumstances.

Although reluctant to argue, to be honest to say.

[tchaika]

Сообщение от Peter

Russian tend to borrow form here West progressive

Is this progress?
Borrowing the finished form of the West - is cringing on the basis of cosmopolitanism, on the one hand, and ignorance, on the other. In this there is a large proportion of the national contempt for the root structure (which had never been, say, French. And who was it? - Anybody.)
The form is inextricably linked with the content. And if the content is not, then the form is empty.

[Кирилл Сызранский]

Сообщение от dedulya37; 1345711"

and the authority is largely erroneous, as it does not take into account national circumstances.

Of course, erroneous, konecheo do not consider our features.
We have slavery in 1861 just canceled, and they have a London subway at the time allowed.
Naturally, they will not decree:
I love the New York City.
But kepchonku not sderu with whiskey.
The Soviet's own pride:
To look down upon the bourgeoisie. (c)
And that is true, dedulya37, to hell we are Western values-knife, kepariki, beware, bespectacled man. (c)

Added after 6 minutes

Сообщение от tchaika

Borrowing the finished form of the West - is cringing on the basis of cosmopolitanism

In-in, remember Comrade. Stalin and Zhdanov:
"The fight against cosmopolitanism," "rootless cosmopolitans" article in Pravda, "" bourgeois cosmopolitans in music criticism, "" Till the end to expose the cosmopolitan-antipatriotov "," To destroy bourgeois cosmopolitanism in the film industry ":

" was added alien to us mood oriented our young scientists are not in the direction of solving the problems facing our country, the country of socialism, and towards solving the problems that interested foreign scientific and unscientific organization, in a spirit alien to our ideas of cosmopolitanism, of which only one step away from an explicit betrayal of the interests of our country. "

[tchaika]

"How strange ... Nothing I did not like the way this squalid apartment in the village, as this dark night of winter, where running sleep dark hut where a blank, snowy, boring road, which shines throughout the month and the howling dog in the street. What a heart longing, how lovely this anguish, which fade, what a beauty in this modest life, black bread, and occasionally in the steering wheel in a circle kvas. What a sadness in the house when the lamp is shining, I like my friends. What bosom friends. What a beauty in them, what friendship is. How affectionate dog, I like the village. What are the good people ... And how log homes are good. The new hut ... Ah, the pine smell. Would not go away ever, "- Konstantin Korovin.

[Peter]

Сообщение от tchaika

Is this progress?
Borrowing the finished form of the West - is cringing on the basis of cosmopolitanism, on the one hand, and ignorance, on the other. In this there is a large proportion of the national contempt for the root structure (which had never been, say, French. And who was it? - Anybody.)
The form is inextricably linked with the content. And if the content is not, then the form is empty.

Russia has always had people worried cultural dualism. "Slavophiles" and "Westerners" have always found protivorechiya.Eto said only that Russia's borrowings have been observed at the time of Peter and before him in a "Byzantine" period.Moskovsky Kremlin-Italian arhitektura.A whether there is a Russian architecture in its pure form, as a school? "Oil painting is also non-Russian thing about zaimstvovannaya.Vopros progresse.Impressionizm progresiven or not?" He opened new opportunities for artistic expression - means progressive (and someone says to him began to decline, impressionism "killed" the local color of the object, and then his form) with how the content was associated with a form of impressionism? None of kakim.Forma she was the sole content of the painting. But how beautiful this form!

[Кирилл Сызранский]

Сообщение от Peter

And is there a Russian architecture in its pure form, as a school?

None.

There is only one purely domestic in the architecture, constructivism.
In this school, yet to not outgrown.