Soviet, Russian art 1930-1980 years - Страница 12 - Форум по искусству и инвестициям в искусство

Евгений · 21.05.2009, 06:43

Цитата:

Gallery SOVCOM. Auction - № 100 "Jubilee" 20 May 2009
Interesting collection lots on the upcoming auction.
-------------------------------------------------- ----------
1.Lot number 44 - Gurzuf. Mountain landscape.
Author: PP Konchalovsky Description: 1929 Oil on canvas. 79h100. Additional information: The work is published in the list of products catalog "Konchalovsky, M., 1964, pp. 120. Product "Gurzuf. Mountain Landscape" was exhibited at the 7 th exhibition PP Konchalovsky, held in Moscow in 1930 g.Podpis bottom right. Estimated cost: 13500000-15000000 rub.
2.Lot number 41 - Still life with a pumpkin.
Author: Yakovlev, VN Description: 1940-s. Oil on canvas. 90x60. Additional Information: Signed lower right. Estimated cost: 1000000-1700000 rub.
3 .. Lot number 37 - Portrait of Svetlana Khalatova.
Author: Svarog VS Description: 1933 Oil on canvas. 97,5 h66, 4. Additional information: Survey ВХНРЦ them. IE Grabarya.Podpis and date at the bottom left. Estimated cost: 1800000-2000000 rub.

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The results of the auction - May 20, 2009 Sold 113 lots of 159. Unsold lots: 17,19,34,35,36,37,40,42,44,45,54,58,60,62,63,68,72 , 73,77,78,79,80,88,91 , 93,96,97,101,104,106,107,108, 113,114,115,116,117,120,121,123,125,127,129,153,15 4.155.

Евгений · 23.05.2009, 08:33

Milena Orlova.
---------------------
Well, finally our museum workers took up promotion Alexander Deineki. The current exhibition of graphic artist from the Kursk art gallery bearing his name, dedicated to his 110-th - the beginning of large-scale project. Publishing program of Interros has already released a magnificent folio "Dejneka. Graphics", which became far more works than the 150 that are represented at the exhibition, and to be continued. In 2010, promised a full retrospective of the master, which will be shown first in the Tretyakov Gallery and the Russian Museum, and then going to take to London's Tate Modern, and then you look - and more around the world. And that's right, not a single glorious Soviet avant-garde art, and it is high time to recognize that Alexander Dejneka - an artist of world importance, not a local value, the political curiosity from behind the Iron Curtain.
Read more ...

Читать дальше...

It is clear that there is still troubled and probably confuses many in the heritage Deineki - as a great master could be so sincere Soviet? Here is his literary counterpart, Vladimir Mayakovsky - and he put a bullet in the forehead, and Deineka, despite the fact that battered him for "formalism", lived happily until his sixty maintaining a serene cheerfulness of spirit, and body, as if borrowing it from their own brawny characters, and not without reason, boldly posing for post-war self-portrait in boxer shorts. And in his later things (as shown by the way, the Tretyakov Gallery in 2001, the same gallery of the Kursk, which has the largest collection of his works), there is no degradation of style, so typical for Soviet artists of his generation: even remember what happened to bubnovovaletovtsami. Is that in his mature years Deineka preferred nudity of models and apolitical bouquets shock worker and smoke shops, well, so this is forgivable, one for me at this no blame or Matisse, whose Deineka, by the way, loved, or Picasso.

But as early iconography Deineki, here selectors of the current exhibition is certainly not once mused whether to skip some very, shall we say, cynical in the light of modern attitudes in Russia's society pages. When the government of the country almost at full strength stands at the mass, in such a God-fearing, moreover, and public museum, as the Tretyakov Gallery, of course, somehow embarrassed to recall that the main Soviet artist was a militant atheist. But the words of the song can not throw, and it is hoped that at least a couple of priests from the huge number of drawn Deineko for "Bezbozhnik at the bench" to the exhibition still fall. Perhaps it will take at least dear picture, where the young pioneers make "Uncle God" listen to the radio. With the bourgeoisie, unearned elements will ask nepmanshami, gold and other youth, according to Soviet terminology, class-alien characters inhabiting densely deynekovskuyu schedule 1920-1930's, of course, easier - such a court for inciting class hatred is not served. Pictures injected in the factories and workers plowing in collective farmers also did not lose social relevance, and sportsmen and athletes - because even now, those general advertising fitness clubs put together with slogans such as "Athlete of thou canst not be, but athletes must", not to mention already on the football scenes - perhaps best of all, that ever on this subject in art was done.

In deynekovskom work there is one theme that paradoxically unites the singer of the Soviet system and way of life with the formation of modern Russia's bourgeoisie. The fact that Dejneka was a rare instance, to paraphrase a recent expression of global russians, "Soviet globalists" that is, had the opportunity a lot and long live abroad. He traveled through VOKS - All-Union Society for Cultural Relations with Foreign Countries, who sent representatives of creative intelligentsia entice foreigners charms state of workers and peasants. Such an instance as Deineka that even drawing albums commissioned specifically for the size of the pocket of his jacket and was not averse to develop designs for ties, that is a dandy cleaner of the same Mayakovsky, is the best suited for this mission. And now you can have new eyes to look at his graphic series, imported from America, Italy, his "Vienna album, full of fleeting sketches of postwar fashionistas, his impressions of the planes and trains, highways and cinemas, the Roman area and New York's skyscrapers, cafes and cabaret. This line is in the works Deineka, of course, not home, but it was through those deprived of so many annoying Soviet work is easiest to appreciate its purely artistic, plastic dignity, only to find them in the most odious of his works.

In this sense, Deineka nothing from the western masters of his age, maintaining and comparison with the German representatives of the "new real", and with the Mexican muralist Siqueiros and Rivera, and the American realists such as Edward Hopper, and even, paradoxically, with characters such as Hockney or Dali. It remains only to ensure that it is obvious an international quality deynekovskih work recognized, and those who do not believe that Soviet totalitarianism could be something beautiful.

The State Tretyakov Gallery, May 26-September 20
http://www.kommersant.ru/doc.aspx?Do...&NodesID=8

the topic: "A. DEINEKO. Drawings from the Collection of the Kursk public art gallery to them. A . Deineki A.
May 26 - September 20, "http://www.tretyakovgallery.ru/ru/ca...hibitions1756/

Евгений · 02.06.2009, 06:18

Artwork by Tatiana Nazarenko at auction Bukowskis in Helsinki 13 - 14 May

NAZARENKO, TATIANA (1944 -) *
"CAFÉ ON ISO ROOBERTINKATU".
Section: Russian art
Estimate: 4.000-6.000 €
Sold at: 4000 €
Results of the trades http://www.bukowski.fi/index.php?page=25

Seriy · 12.02.2010, 18:44

Talking about the Russian collections in the Minneapolis -

http://amoro1959.livejournal.com/703...l?view=9087805

23.05.2009, 08:33	Язык оригинала: Русский #112
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,456 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32443	Graphics Alexander Deineki in the Tretyakov Gallery Milena Orlova. --------------------- Well, finally our museum workers took up promotion Alexander Deineki. The current exhibition of graphic artist from the Kursk art gallery bearing his name, dedicated to his 110-th - the beginning of large-scale project. Publishing program of Interros has already released a magnificent folio "Dejneka. Graphics", which became far more works than the 150 that are represented at the exhibition, and to be continued. In 2010, promised a full retrospective of the master, which will be shown first in the Tretyakov Gallery and the Russian Museum, and then going to take to London's Tate Modern, and then you look - and more around the world. And that's right, not a single glorious Soviet avant-garde art, and it is high time to recognize that Alexander Dejneka - an artist of world importance, not a local value, the political curiosity from behind the Iron Curtain. Read more ... Читать дальше... It is clear that there is still troubled and probably confuses many in the heritage Deineki - as a great master could be so sincere Soviet? Here is his literary counterpart, Vladimir Mayakovsky - and he put a bullet in the forehead, and Deineka, despite the fact that battered him for "formalism", lived happily until his sixty maintaining a serene cheerfulness of spirit, and body, as if borrowing it from their own brawny characters, and not without reason, boldly posing for post-war self-portrait in boxer shorts. And in his later things (as shown by the way, the Tretyakov Gallery in 2001, the same gallery of the Kursk, which has the largest collection of his works), there is no degradation of style, so typical for Soviet artists of his generation: even remember what happened to bubnovovaletovtsami. Is that in his mature years Deineka preferred nudity of models and apolitical bouquets shock worker and smoke shops, well, so this is forgivable, one for me at this no blame or Matisse, whose Deineka, by the way, loved, or Picasso. But as early iconography Deineki, here selectors of the current exhibition is certainly not once mused whether to skip some very, shall we say, cynical in the light of modern attitudes in Russia's society pages. When the government of the country almost at full strength stands at the mass, in such a God-fearing, moreover, and public museum, as the Tretyakov Gallery, of course, somehow embarrassed to recall that the main Soviet artist was a militant atheist. But the words of the song can not throw, and it is hoped that at least a couple of priests from the huge number of drawn Deineko for "Bezbozhnik at the bench" to the exhibition still fall. Perhaps it will take at least dear picture, where the young pioneers make "Uncle God" listen to the radio. With the bourgeoisie, unearned elements will ask nepmanshami, gold and other youth, according to Soviet terminology, class-alien characters inhabiting densely deynekovskuyu schedule 1920-1930's, of course, easier - such a court for inciting class hatred is not served. Pictures injected in the factories and workers plowing in collective farmers also did not lose social relevance, and sportsmen and athletes - because even now, those general advertising fitness clubs put together with slogans such as "Athlete of thou canst not be, but athletes must", not to mention already on the football scenes - perhaps best of all, that ever on this subject in art was done. In deynekovskom work there is one theme that paradoxically unites the singer of the Soviet system and way of life with the formation of modern Russia's bourgeoisie. The fact that Dejneka was a rare instance, to paraphrase a recent expression of global russians, "Soviet globalists" that is, had the opportunity a lot and long live abroad. He traveled through VOKS - All-Union Society for Cultural Relations with Foreign Countries, who sent representatives of creative intelligentsia entice foreigners charms state of workers and peasants. Such an instance as Deineka that even drawing albums commissioned specifically for the size of the pocket of his jacket and was not averse to develop designs for ties, that is a dandy cleaner of the same Mayakovsky, is the best suited for this mission. And now you can have new eyes to look at his graphic series, imported from America, Italy, his "Vienna album, full of fleeting sketches of postwar fashionistas, his impressions of the planes and trains, highways and cinemas, the Roman area and New York's skyscrapers, cafes and cabaret. This line is in the works Deineka, of course, not home, but it was through those deprived of so many annoying Soviet work is easiest to appreciate its purely artistic, plastic dignity, only to find them in the most odious of his works. In this sense, Deineka nothing from the western masters of his age, maintaining and comparison with the German representatives of the "new real", and with the Mexican muralist Siqueiros and Rivera, and the American realists such as Edward Hopper, and even, paradoxically, with characters such as Hockney or Dali. It remains only to ensure that it is obvious an international quality deynekovskih work recognized, and those who do not believe that Soviet totalitarianism could be something beautiful. The State Tretyakov Gallery, May 26-September 20 http://www.kommersant.ru/doc.aspx?Do...&NodesID=8 the topic: "A. DEINEKO. Drawings from the Collection of the Kursk public art gallery to them. A . Deineki A. May 26 - September 20, "http://www.tretyakovgallery.ru/ru/ca...hibitions1756/

12.02.2010, 18:44	Язык оригинала: Русский #114
Seriy Гуру Регистрация: 26.03.2009 Адрес: Москва-Киев Сообщений: 7,078 Спасибо: 4,985 Поблагодарили 6,613 раз(а) в 2,177 сообщениях Репутация: 12970	Talking about the Russian collections in the Minneapolis - http://amoro1959.livejournal.com/703...l?view=9087805 __________________ художник Ixygon - http://artnow.ru/ru/gallery/3/9765/picture/0/0.html

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02.06.2009, 06:18	Язык оригинала: Русский #113
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,456 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32443	Artwork by Tatiana Nazarenko at auction Bukowskis in Helsinki 13 - 14 May NAZARENKO, TATIANA (1944 -) * "CAFÉ ON ISO ROOBERTINKATU". Section: Russian art Estimate: 4.000-6.000 € Sold at: 4000 € Results of the trades http://www.bukowski.fi/index.php?page=25