Armenian artists - Страница 10 - Форум по искусству и инвестициям в искусство

Armenian artists · 04.01.2010, 08:21

Armenian artists on our site ARTinvestment.RU

A

National Gallery of Armenia
Minas Avetisyan (1928-1975)
Hakob Hakobyan
Hmayak Hakobyan
125th anniversary of Sedrak Arakelyan
Avakimyan Makarovich Victor (1935 -2007)
Agamyan Karen Gurgenovich
Avanesyan S. Rook
Vahan Ananian (1959-2007)
Aslamazyan Arshakovna Miriam (1907-2006)
Aslamazyan Eranui Arshakovna (1910-1998)
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Avoyan Ayvaz
Adalyan Ruben
Avakian, Sergei
Armenian Ceramics of Jerusalem
Armenian Ceramics of Jerusalem (2)
Armenian Ceramics of Jerusalem (Marie Balian)
Armenian ancient ceramics (Jerusalem).
Arthur Avetisyan, Ananikyan Hagop (1919-1972gg), Ananian Pato (1908-1991), Gagik Antashyan, Michael Arakelian, Vahram Haroutunian, Arutchyan Sergei Voskan Asatryan, Rafael Atoyan
Abajian Edward
Agamyan Karen
Arevik Arevshatian
Aladzhalov Manuel Hristoforovich
Amalbashyan Sarkis
Robert G. Avetisyan
died folk artist Edward Artsrunyan
Suren Ayvazian
Suren Abrahamian Artashesovich
Abrahamian Seda Artashesovna
Abrahamian Elena Levonovna
Abrahamian Vladimir Smbatovich
Abrahamian Karapet Rafaelovich
Abrahamyan Sargis Surenovich
Abrahamian David Aramaisovich
Abajian Eduvrd Gareginovich
Abrahamian Artashes Saakovich
Abrahamyan Gagik Aramaisovich
Atamyan Karabed Charles (1872-1947)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Gyumri home Aslamazyan sisters
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Arpine Vartanovna Bekaryan
Ashot Adamian Kh (1951g.r.)
Adamian Olivia Ashotovna (1974g.r.)
Adamian Ovsepovich Stepan (1959.)
Harutyunyan, Anna (1976)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Adiyan Anna V. (born 1972)
Azatyan Alexander Tadevosovich (1930gr)
Azatyan Levon Garushevich - 1957gr.
Azizian Tsolak L.
Susanna Azatyan Garushevna - 1947gr.
Azizian Tsolak (Private collection of pictures)
Abraham Azarian Karapetovich (1950gr).
Azizian Minasovich Gregory (1923 to 2009)
Azizian Rafael Karenovich-1937gr
Azizian Khachatur Surenovich-1948gr
Azizian Isabella Hachaturovna - 1973gr.
Atayan Alexander Keropovich-1953gr.
Armen Atayan Arshakovich-1922gr.
Atayan Armen (2)
Museum of the History of Armenia

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Friends in comments sure to write headlines, if the artist is: Name (Birth year).
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Just Armenia ... I really like this country ..

Игорь Гурьев · 17.01.2010, 01:48

Цитата:

Сообщение от Eugene

A talented artist with a tragic destiny ...
He lived in Paris, in 1947 he returned to Armenia.
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1.Petros Nersesovich Konturadzhyan
2.Kartiny from the collection of National Museum of Armenia (Yerevan)

Thank you. Cityscape I know about 30 years, I always liked it.

What is true, dragging ...

And where, interestingly, all of his legacy?

Евгений · 17.01.2010, 08:11

Teni Vardanyan was born in 1958 in Yerevan, Armenia. In the years 1972-1976 she studied at the Art College. F. Terlemezian. In 1982 he graduated from Yerevan State Art Institute. Since 1986 - Member of the Union of Artists of Armenia.

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Евгений · 17.01.2010, 09:01

Central motif of creativity Marie Balian
Marie Balian was born in 1927 in Lyon (France), the son of Armenian immigrants, distant relatives of the family Balian, who moved from Turkey Kütahya in 1919. In 1954, Marie married Sedrak Balian in Jerusalem. In Lyon, she studied painting, but it has not worked in the Jerusalem studio before 1960, when parted ways Stepan Karakashyana and her husband Sedrak? - Each founded his own separate studio. Only then, at the age of 35 years, being the mother of three children, Marie began her career as a designer shop Balian. Creativity Marie Balian can be divided into three main periods. The first period (1964-1975 gg.) - Marie Balian begins to search its own set of forms and images in the traditional studio Karakashyana-Balian Fine schemes. The second period (1980-e gg.) - Marie Balian rarely decorate the individual tiles, gradually focusing on the painting of large composite panels, experimenting with the image of new themes and images. She also begins to paint the larger vessels. The third period (1990-e gg.) - Marie Balian develops his own style of painting, creating unique compositions with very large mural panels.

Iconography of Marie Balian

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Birds are an important theme in early Christian art of Armenian manuscripts, and later Islam, especially in the Ottoman Empire. In early Christianity birds symbolized the soul of the believer. It is believed that in Islam, the images of birds have also played a much greater role than just an image creations of nature. Since the images of people almost entirely disappeared, the images of birds have become a metaphor for the human, but without any specific list of types and forms. With particular immediacy artists passed a fantastic and fabulous view of the bird's tail and the manner of a bird to move along the ground. Birds play an important role already in early studies Marie Balian. As its emergence as an artist images of birds used increasingly? - Not only due to the abundance of diverse and fantastic images, but also due to their compositional arrangement. The birds became living souls, acquires human characteristics, such as flirting, boastfulness, etc. Their tails acquired allegorical meaning, are subject to bizarre and varied beauty of the picture moving, capable to destroy the bright lines of its statics. Marie Balian continues to use the style found in Jerusalem, Armenian mosaic VI century. She plays with images of vines and birds, sometimes abandoning those or other forms, sometimes singling out individual items. Birds sitting on the vine, appear on one of her huge jugs mid-1990. She especially likes the work, where a couple of peacocks standing in a heraldic posture on amphora. Big fan of the tails look like lace, they turned to the outer side of the figure, as well as birds. This composition was created shortly before Marc Chagall visited the studio of Mary in the 1970's, along with the Mayor of Jerusalem Teddy Kollek. Chagall praised the work - it has since become known as "Peacocks step", the main way to shop. On the plates of Marie Balian birds are depicted as pairs or singly. On the panels, they often appear in packs. Her work demonstrates the infinite variety of birds. Some birds appear as figures strange creatures, standing on two long straight legs, with wings, like a color map. Often the body of a bird resembles a pine cone with an unbelievably beautiful square with feathers and crest. Lani and gazelles were present in the works of Marie Balian from the very beginning, as they entered the vocabulary of forms used by the workshop Karakashyana-Balian. In the works of Marie Balian of these ancient Christian symbols gain new impetus. Before animals are depicted on a completely static background of flowers and leaves. At Marie Balian they convey movement and action, regardless of whether they are in a group or stand alone. Fish in the ancient, traditional Christianity theme, symbolizing the souls of believers, "catch" the apostles of Christ. In the East, the fish were considered a symbol of fertility. Fish from the outset included in the kit form of workshop Karakashyana-Balian. They are still often appear on the dish, created by Marie Balian, usually in a small amount on a light blue background. In her recent work "Journey" fish are endowed with large size, the individual shape and color. As images of people in the early works of Balian attended Biblical characters, each of which is depicted on a separate panel. Most often met Noah in the ark, Jonah and the whale, St. George and the dragon. In my opinion, these scenes the emphasis is on the fantastic elements (the ark, a large whale, a dragon). They emphasize the mythological aspects of the history rather than religious. From the legends of King Arthur Marie on the theme of the knight fights with a lion. Knight was portrayed as a fairy rider, sometimes in exotic eastern garb. This rider can be seen on the traditional Persian paintings ceramics. But mention the name Marie Balian legend of King Arthur? - With stories about knights and the Holy Grail, it was well known since the studies in the Lyons school. Since 1980 some trees? - Cypress, almond, palm tree? - Begin to play an increasing role in the work of Marie Balian as a separate and independent objects. Most often they appear in the paintings of tiles. In ancient Christianity, and Islam is a tree standing alone in the whole landscape, or nature as such, symbolizing eternal life. In addition to the traditional bright pictures of flowers at Marie Balian can meet spikelets of grasses and wild flowers such as thistle, anemones. Their contours are shown thicker lines than the contours of carnations, hyacinths and other flowers, made in the tradition of Iznik. Throughout his career Marie Balian painted abstract vegetable dishes and fantastic forms with a limited spectrum: blue and black, shades of blue and green. These works, on the one hand, faithful to the traditions of Iznik, Kütahya, on the other? - Discover the depth of expression in lines of free form, in the rhythms of the ornamental harmonious world.

Artistic language of Marie Balian
Already in the early works of Marie Balian can find her attempts to transmit the movement gazelles and birds. In contrast to static images studio Karakashyana-Balian, Marie Balian is his animals to turn his head, running and galloping. Her birds also move, fly up and thrust her head. Without limiting the grant of images of mobility, Marie began to develop their own handwriting with full motion, wavy and feminine lines. Her songs look symmetrical, but in fact simultaneous narrative unfolds on each side, as well as on the top and bottom of the picture. Peace in the image of Mary is not symmetric, but rather takes into account the infinite variation of parallel events. Her penchant for contradictions, ambiguity and distance is reflected in the fantastic and fabulous compositions. It seeks to create an intuitive fantastic beauty of the world. World Fit art Marie Balian, a sensual beauty that is reached through the harmony of forms and splendor of light shining on the glazed tiles. Beauty, as a sensuous and idyllic quality, is alien to Western art of XX century, which focuses on self-expression and radical, challenging tradition and, in particular, on a conscious deconstruction of traditional notions of beauty. The Art of Marie Balian in Jerusalem reveals the beauty, reflecting the divine act in material objects. Her paintings abundant that fascinates opinion vegetation become Fata Morgana, a mirage in miniature. Objects themselves are functioning at different levels: at the sensory level of contact, on an aesthetic level? - A vision of paradise and symbolically - how a vow. In a country where the landscape barren, dry and deserted, dressed in a concrete and cement, ceramics Marie Balian allows us to touch a material object, which functions as a garden in the desert.
N.KENAAN-Kedar (Tel Aviv, Israel)

Добавлено через 9 минут
Antique ceramics (samples). Jerusalem.

Евгений · 17.01.2010, 09:10

Ancient keramika.Ierusalim.

Samvel · 17.01.2010, 18:52

In my collection, to the letter A were several artists who are represented by one or two of work, but I want them displayed.
Avetisyan Artur-1964gr
Hagop Ananikyan - (1919-1972gg)
Ananian Pato - (1908, 1991 he)
Antashyan Gagik-1956gr
Michael Arakelian-1923gr
Vahram Haroutunian-1958gryu
Arutchyan Sergei - (1912-1975gg.)
Asatryan Voskan-1951gr.
Rafael Atoyan-1931gr.

Игорь Гурьев · 18.01.2010, 06:19

But even this was a great Armenian artist, who came back like in the 60's or 70's in the USSR, there is almost dead in the 70's, beautiful ...

Departed from the head. His exhibition was in Moscow at the street. Gorky in the early 80's or late 70-ies ...

But how is it?

No, I remember.

The years of his life such as 1937-1974. Type.
And the name of the country.

Samvel · 18.01.2010, 10:06

Цитата:

Сообщение от Guriev, Igor

The years of his life such as 1937-1974. Type.
And the name of the country.

His name is Jacques Ihmalyan (1922-1978gg), he was born and before the 60's lived in Turkey, but because of the political and nationalist persecution moved to the USSR, lived and died in Moscow. His work has constantly exhibited in the Central House of Artists Gallery Liz-Oriad.

Кирилл Сызранский · 18.01.2010, 12:10

Цитата:

Сообщение от Samvel

Jacques Ihmalyan (1922-1978gg)

Igor Guriev, here, look: http://ihmalian.narod.ru/index.htm

Евгений · 18.01.2010, 12:41

1955 Graduated from the School of Arts. Merkurov in Gyumri (Leninakan)
1963 Graduated from Art College named. F. Terlemezian, painting department
1969 Graduated from the Yerevan Fine Arts and Theater Institute
Since 1974 Member of the Union of Artists of Armenia
EXHIBITIONS:

Читать дальше...

Allena · 18.01.2010, 13:47

Цитата:

Сообщение от Samvel

I have a collection on the letter A were several artists who are represented by one or two of work, but I want them to put

Samvel, please duplicate the names of the artists of the text to a search engine to catch. Thanks

17.01.2010, 08:11	Язык оригинала: Русский #92
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Teni Vardanyan Teni Vardanyan was born in 1958 in Yerevan, Armenia. In the years 1972-1976 she studied at the Art College. F. Terlemezian. In 1982 he graduated from Yerevan State Art Institute. Since 1986 - Member of the Union of Artists of Armenia. Читать дальше... SHOWS: 1978 Republican exhibition dedicated to the 150th anniversary of the accession of Armenia to Russia, the Artists' Union Gallery, Yerevan, Armenia, Moscow, Russia; 1980 Republican exhibition dedicated to 60th anniversary of Soviet Armenia, Moscow, Russia; 1982 Mezhkavkazskaya exhibition of Armenian art theater, film and television, Tbilisi, Georgia; 1982 All-Union Exhibition of the USSR - our Homeland ", Moscow, Russia; 1983 Republican exhibition "Land and People", Artists' Union Gallery, Yerevan, Armenia; 1984 "imitative art of Armenia", St. Petersburg, Russia; 1987 Exhibition of Armenian artists, Bratislava, Czechoslovakia; 1995 Exhibition of contemporary artists, Armenia, Kirakosian Paul Studio, Beirut, Lebanon, Paris, France 1996 Group Exhibition, Art Museum, Alex Manoogian, Detroit, USA 1997 Artworks of post-Soviet Armenian artists, Borges Cultural Center Buenos Aires, Argentina, Paris, France; 1998 «10.X - 5.XI» Armenian Center for Contemporary Experimental Art, Yerevan, Armenia; 1998 "On the eve of the XXI century", National Gallery, Yerevan, Armenia; 1999 "Contemporary Armenian Art", Sao Paulo, Brazil; 1999 "Dignified Future, National Gallery, Yerevan, Armenia; 2000 "Symbols and Mysteries, Art in Transition: Armenia, Art Gallery of Duncan KEMBEL, London, England; 2000 "Women's International Art Exhibition", Aleppo, Syria; 2001 Personal exhibition, the Consulate of Armenia, Aleppo, Syria; 2001 "Contemporary Art of Armenia", Museum of Contemporary Art, Tehran, Iran; Theater plays: 1982 B. Brecht "The Threepenny Opera" Institute of Fine Arts, Yerevan 1983 Sundukian "Another victim, a youth theater, Yerevan 1987 W. Shakespeare "Romeo and Juliet" Theater for Young Spectators, Yerevan 1988 W. Goethe's "Faust", the drama, Yerevan 1990 LA Shant "old gods", Yerevan 1992 AD Demirdzhyan "Brave Nazar", Yerevan REVIEWS, BOOKS AND MAGAZINES: 1983 Magazine "Theater", Moscow 1984 Journal of Soviet Artist, Moscow 1995 Catalog "Noah Ark, Museum of Contemporary Art of Armenia, Beirut 1995 Magazine "The first opinion, art and decoration» № 15, Beirut 2000 Journal "Impressions", London 2000 Magazine "Decor" January-February, London 2000 "The Times", January 26, London Catalog of "Modern Art of Armenia", Tehran COLLECTIONS: State Museum of Arts and Letters, Yerevan, Armenia; Museum of Contemporary Art, Yerevan, Armenia; Collection of the World Bank, Washington, USA; Several private collections; Миниатюры

17.01.2010, 09:01	Язык оригинала: Русский #93
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Armenian Ceramics of Jerusalem (Marie Balian) Central motif of creativity Marie Balian Marie Balian was born in 1927 in Lyon (France), the son of Armenian immigrants, distant relatives of the family Balian, who moved from Turkey Kütahya in 1919. In 1954, Marie married Sedrak Balian in Jerusalem. In Lyon, she studied painting, but it has not worked in the Jerusalem studio before 1960, when parted ways Stepan Karakashyana and her husband Sedrak? - Each founded his own separate studio. Only then, at the age of 35 years, being the mother of three children, Marie began her career as a designer shop Balian. Creativity Marie Balian can be divided into three main periods. The first period (1964-1975 gg.) - Marie Balian begins to search its own set of forms and images in the traditional studio Karakashyana-Balian Fine schemes. The second period (1980-e gg.) - Marie Balian rarely decorate the individual tiles, gradually focusing on the painting of large composite panels, experimenting with the image of new themes and images. She also begins to paint the larger vessels. The third period (1990-e gg.) - Marie Balian develops his own style of painting, creating unique compositions with very large mural panels. Iconography of Marie Balian Читать дальше... Birds are an important theme in early Christian art of Armenian manuscripts, and later Islam, especially in the Ottoman Empire. In early Christianity birds symbolized the soul of the believer. It is believed that in Islam, the images of birds have also played a much greater role than just an image creations of nature. Since the images of people almost entirely disappeared, the images of birds have become a metaphor for the human, but without any specific list of types and forms. With particular immediacy artists passed a fantastic and fabulous view of the bird's tail and the manner of a bird to move along the ground. Birds play an important role already in early studies Marie Balian. As its emergence as an artist images of birds used increasingly? - Not only due to the abundance of diverse and fantastic images, but also due to their compositional arrangement. The birds became living souls, acquires human characteristics, such as flirting, boastfulness, etc. Their tails acquired allegorical meaning, are subject to bizarre and varied beauty of the picture moving, capable to destroy the bright lines of its statics. Marie Balian continues to use the style found in Jerusalem, Armenian mosaic VI century. She plays with images of vines and birds, sometimes abandoning those or other forms, sometimes singling out individual items. Birds sitting on the vine, appear on one of her huge jugs mid-1990. She especially likes the work, where a couple of peacocks standing in a heraldic posture on amphora. Big fan of the tails look like lace, they turned to the outer side of the figure, as well as birds. This composition was created shortly before Marc Chagall visited the studio of Mary in the 1970's, along with the Mayor of Jerusalem Teddy Kollek. Chagall praised the work - it has since become known as "Peacocks step", the main way to shop. On the plates of Marie Balian birds are depicted as pairs or singly. On the panels, they often appear in packs. Her work demonstrates the infinite variety of birds. Some birds appear as figures strange creatures, standing on two long straight legs, with wings, like a color map. Often the body of a bird resembles a pine cone with an unbelievably beautiful square with feathers and crest. Lani and gazelles were present in the works of Marie Balian from the very beginning, as they entered the vocabulary of forms used by the workshop Karakashyana-Balian. In the works of Marie Balian of these ancient Christian symbols gain new impetus. Before animals are depicted on a completely static background of flowers and leaves. At Marie Balian they convey movement and action, regardless of whether they are in a group or stand alone. Fish in the ancient, traditional Christianity theme, symbolizing the souls of believers, "catch" the apostles of Christ. In the East, the fish were considered a symbol of fertility. Fish from the outset included in the kit form of workshop Karakashyana-Balian. They are still often appear on the dish, created by Marie Balian, usually in a small amount on a light blue background. In her recent work "Journey" fish are endowed with large size, the individual shape and color. As images of people in the early works of Balian attended Biblical characters, each of which is depicted on a separate panel. Most often met Noah in the ark, Jonah and the whale, St. George and the dragon. In my opinion, these scenes the emphasis is on the fantastic elements (the ark, a large whale, a dragon). They emphasize the mythological aspects of the history rather than religious. From the legends of King Arthur Marie on the theme of the knight fights with a lion. Knight was portrayed as a fairy rider, sometimes in exotic eastern garb. This rider can be seen on the traditional Persian paintings ceramics. But mention the name Marie Balian legend of King Arthur? - With stories about knights and the Holy Grail, it was well known since the studies in the Lyons school. Since 1980 some trees? - Cypress, almond, palm tree? - Begin to play an increasing role in the work of Marie Balian as a separate and independent objects. Most often they appear in the paintings of tiles. In ancient Christianity, and Islam is a tree standing alone in the whole landscape, or nature as such, symbolizing eternal life. In addition to the traditional bright pictures of flowers at Marie Balian can meet spikelets of grasses and wild flowers such as thistle, anemones. Their contours are shown thicker lines than the contours of carnations, hyacinths and other flowers, made in the tradition of Iznik. Throughout his career Marie Balian painted abstract vegetable dishes and fantastic forms with a limited spectrum: blue and black, shades of blue and green. These works, on the one hand, faithful to the traditions of Iznik, Kütahya, on the other? - Discover the depth of expression in lines of free form, in the rhythms of the ornamental harmonious world. Artistic language of Marie Balian Already in the early works of Marie Balian can find her attempts to transmit the movement gazelles and birds. In contrast to static images studio Karakashyana-Balian, Marie Balian is his animals to turn his head, running and galloping. Her birds also move, fly up and thrust her head. Without limiting the grant of images of mobility, Marie began to develop their own handwriting with full motion, wavy and feminine lines. Her songs look symmetrical, but in fact simultaneous narrative unfolds on each side, as well as on the top and bottom of the picture. Peace in the image of Mary is not symmetric, but rather takes into account the infinite variation of parallel events. Her penchant for contradictions, ambiguity and distance is reflected in the fantastic and fabulous compositions. It seeks to create an intuitive fantastic beauty of the world. World Fit art Marie Balian, a sensual beauty that is reached through the harmony of forms and splendor of light shining on the glazed tiles. Beauty, as a sensuous and idyllic quality, is alien to Western art of XX century, which focuses on self-expression and radical, challenging tradition and, in particular, on a conscious deconstruction of traditional notions of beauty. The Art of Marie Balian in Jerusalem reveals the beauty, reflecting the divine act in material objects. Her paintings abundant that fascinates opinion vegetation become Fata Morgana, a mirage in miniature. Objects themselves are functioning at different levels: at the sensory level of contact, on an aesthetic level? - A vision of paradise and symbolically - how a vow. In a country where the landscape barren, dry and deserted, dressed in a concrete and cement, ceramics Marie Balian allows us to touch a material object, which functions as a garden in the desert. N.KENAAN-Kedar (Tel Aviv, Israel) Добавлено через 9 минут Antique ceramics (samples). Jerusalem. Миниатюры Последний раз редактировалось Евгений; 17.01.2010 в 09:10. Причина: Добавлено сообщение

17.01.2010, 09:10	Язык оригинала: Русский #94
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Armenian ancient ceramics (Jerusalem). Ancient keramika.Ierusalim. Миниатюры

17.01.2010, 18:52	Язык оригинала: Русский #95
Samvel Гуру Регистрация: 08.07.2008 Адрес: Москва Сообщений: 1,066 Спасибо: 4,574 Поблагодарили 3,129 раз(а) в 444 сообщениях Репутация: 5931	Armenian artists In my collection, to the letter A were several artists who are represented by one or two of work, but I want them displayed. Avetisyan Artur-1964gr Hagop Ananikyan - (1919-1972gg) Ananian Pato - (1908, 1991 he) Antashyan Gagik-1956gr Michael Arakelian-1923gr Vahram Haroutunian-1958gryu Arutchyan Sergei - (1912-1975gg.) Asatryan Voskan-1951gr. Rafael Atoyan-1931gr. Миниатюры Последний раз редактировалось Samvel; 18.01.2010 в 16:48.

18.01.2010, 06:19	Язык оригинала: Русский #96
Игорь Гурьев Гуру Регистрация: 01.07.2009 Адрес: город П. Сообщений: 4,939 Спасибо: 6,544 Поблагодарили 6,620 раз(а) в 2,829 сообщениях Репутация: 13305	But even this was a great Armenian artist, who came back like in the 60's or 70's in the USSR, there is almost dead in the 70's, beautiful ... Departed from the head. His exhibition was in Moscow at the street. Gorky in the early 80's or late 70-ies ... But how is it? No, I remember. The years of his life such as 1937-1974. Type. And the name of the country. Последний раз редактировалось Игорь Гурьев; 18.01.2010 в 06:35.

18.01.2010, 12:41	Язык оригинала: Русский #99
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Edward Abajyan 1955 Graduated from the School of Arts. Merkurov in Gyumri (Leninakan) 1963 Graduated from Art College named. F. Terlemezian, painting department 1969 Graduated from the Yerevan Fine Arts and Theater Institute Since 1974 Member of the Union of Artists of Armenia EXHIBITIONS: Читать дальше... since 1970 participated in republican, union and foreign exhibitions 1975-1986 Participation in exhibitions in Germany and Cuba 1976 Exhibition in Bulgaria 1980 "Olympic Games-80", Moscow, Russia 1983 "Flowers RA", USA 1983 "Flowers of Armenia, Canada Art 1983 Exhibition of Armenian artists, United Kingdom 1983 "Flowers of Armenia, Finland 1996 Personal exhibition at the U.S. Embassy, Yerevan, Armenia 2002 Exhibition devoted to Dante, Italy E. Aabadzhyana works are in private collections in France, Canada, USA, Germany, Turkey, Finland, Great Britain, Russia, Bulgaria and Poland. Миниатюры

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