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Investing in Art Share your opinion about the profitability of investments. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #1 | |
Бывалый
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[color="# 666686"]Posted 6 minutes[/color] As I wrote in another branch: the production of a masterpiece is an internal process or state. Often, in order for this process took place should be time and inner peace. |
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Этот пользователь сказал Спасибо Zenia за это полезное сообщение: | Тамара (24.12.2009) |
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Язык оригинала: Русский #2 |
Гуру
Регистрация: 19.05.2008
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--- in my opinion, time, and outside quiet (and internal "Trouble")
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Язык оригинала: Русский #6 | |
Гуру
Регистрация: 09.11.2008
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Эти 4 пользователя(ей) сказали Спасибо SAH за это полезное сообщение: |
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Язык оригинала: Русский #7 | |
Авторитет
Регистрация: 05.07.2008
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1. What I want from the artist? - that I was greatly touched by his work (otherwise not be able to 10000 times equally sincerely admire to 10000 potential customers) - That he was ready to exclusive work with me and that he was a decent (otherwise it makes no sense to invest money, time and soul into not your business) - that he was looking and industrious, although this is usually linked (or otherwise get bored or have nothing to sell, or both together) - that was smart (if even a decent, but not clever, it eventually kills the toad from a very different prices for buying and selling paintings. If you're an intelligent, it presents itself, at least in general , the cost of promoter and its risks, which also cost money). 2. What am I willing to give the artist? - almost all his work, and often not working time and professional skills - risky (for the promoter, not the artist) investing money - is statistically high probability of future success, including - commercial. 3. What I'm not ready to give the artist? - full guarantee of success, since this market, and I am one of the participants - "retaliatory" exclusives For each affected item can give some explanation, if anyone interested. |
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Эти 15 пользователя(ей) сказали Спасибо iosif за это полезное сообщение: | AlexanderG (27.10.2008), Allena (25.08.2009), dedulya37 (27.10.2008), DOS (01.01.2009), DSF (28.10.2008), Glasha (27.10.2008), ikoku (24.12.2009), LCR (27.10.2008), navymast (14.02.2010), Ninni (23.12.2009), Tana (02.02.2010), uriart (27.10.2008), Zenia (27.10.2008), Владислав Кудин (12.01.2009), Люси (17.11.2009) |
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Язык оригинала: Русский #8 |
Бывалый
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In fact, talent art dealer is the same and the ability to admire the work of artists, and the ability to stay while in the shadows, not pushing myself, and art.
Yes, so if you think, so art-dealer network must pamyarniki place. |
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Эти 5 пользователя(ей) сказали Спасибо Zenia за это полезное сообщение: | AlexanderG (27.10.2008), K-Maler (17.02.2010), L-ana64110 (18.11.2009), Ninni (23.12.2009), SAH (18.11.2009) |
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Язык оригинала: Русский #9 |
Старожил
Регистрация: 20.09.2008
Адрес: Moscow,Russia
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What I want from the dealer?
To - he clearly had his own position in life and in business and not to throw in different directions, as the phrase is now for sale is now fashionable to be ready to work as a partner on an equal footing in otosheniyah and to lower their demands in the pursuit of personal gain . That he was honest, and decent, and arrange everything on the shore. "Have you ever tried to keep to yourself enslaving conditions. -that was clever (even if decent, but not clever, it eventually kills the toad from the fact that an artist paints a picture 2 o'clock as it gets for 1500 euro and the size of its 30x40 but if clever, it presents itself, although be in general production costs cathine, there is a good example from the history of Titian, when the customer was outraged at the cost of his painting written just a week the size of a few meters, to which the maestro has noticed, but a week. plus a whole life!, maintenance workshop and education its risks, which also cost money). And in conclusion I want to say that success depends on the behavior of both partners, their understanding: shy: |
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Язык оригинала: Русский #10 | |
Авторитет
Регистрация: 05.07.2008
Сообщений: 965
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"That he was honest, and decent, and arrange everything" on the bank ". Again, agree 100%. "That he was willing to work as a partner on equal terms in otosheniyah and do not lower their demands in the pursuit of personal gain". Here is unclear. This is subjective. The stated problem does not exist, unless, of course, the dealer does not come to an agreement with a soldering iron. In other words, if the dealer claims seem excessive to you, simply do not sign a contract with him. And then - which means "equal relations"? They initially unequal. You, the artist, who puts his talent, which the dealer does not. The dealer puts their skills, which are not an artist. The dealer is also investing their money, which too often is not an artist. And the risks they note, alone - the artist in any case receive a "promotion" (pardon the jargon), even if the dealer has not earned a dime. "And in conclusion I want to say that success depends on the behavior of both partners, their understanding" With this again absolutely agree. Z.Y. In general, I think I am well aware of the artist. Because I am absolutely in his skin when it comes to my books. I am not able to distribute them without the publisher. So sign in his life very unattractive at first glance, the contract. How would you like to get 8 000 rub. very well-respected publishing house for the first novel that he wrote it all my life? Me as a business consultant, while many have paid for two hours. But, annoy, and on reflection, came to the conclusion that I will get more than lose. Moreover, all the risk was them. A potential benefit - and mine too. And he did. |
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