Cooperation with foreign galleries

[K-Maler]

Originally Posted by artcol

Really - how?

 
  It seems it does not do. In St. Petersburg, somehow having such projects! But: insurance papers (stolen, tsunamis, etc.)? Packaging, who and how will forward? Removal? Who and what makes out?. The easiest way to invite the author of the works that many did. It may be a courier? Payment of money? A large force majeure? Something happened with the gallery owners or gallery? Where is the picture of who should get them back?

[Кирилл Сызранский]

Originally Posted by K-Maler

It looks like it does not do.

Are you vain. Every effort is made. No question. Rather, the question is one-it's interesting how financially.
Serious interest-no questions. I can paint the technology's potential relationship to the example trail Samara, St. Petersburg, or vice versa, St. Petersburg, Samara, that for the money more interesting, of course.
But I think that in a live broadcast that still do not. " This is my experience and I got it is not easy.
But please believe, all these technical issues, and they re-sha-e-us.

[artcol]

Originally Posted by Cyril Syzransky

Can paint the technology's potential relationship to the example of the route Samara, St. Petersburg, or vice versa, St. Petersburg, Samara

In Russia - no questions. Came, talked, he decided. Question of international contacts. Not naezdieshsya, except that only in Europe. There came to us from afar - the U.S., South Korea, Switzerland. Someone special, someone passing through. From Korea, a delegation of local counterpart to CX-ve count 5 people arrived Yes, of course, all people are nice, but besides talk-it has not shifted.

Originally Posted by Cyril Syzransky

This is my experience and he got me not just

This is a very valuable note. In fact, even the interesting statistics on media such experience. As I understand it, Veronica is working with Western galleries, contacting in person, and it comes to their own work units.

[Кирилл Сызранский]

Originally Posted by artcol

Do not naezdieshsya, except that only in Europe.

Will the meaning-fly!
And do not fly much. Return to Paris, as I in Moscow and back twice by train.

[artcol]

Originally Posted by Cyril Syzransky

Will the meaning-fly!
And do not fly much. Return to Paris, as I in Moscow and back twice by the train.

In Paris, after 11/09 do nothing. There are Russian collectors. They are not afraid of terrorists: D

[AlexanderG]

Opozdal!
No nichego. Ia etu temu uze neskol'ko raz podnimal i est 'plan nad kotorym ia rabotaiu v Pitere. Razgovarival so mnogimi interesnymi liud'mi, i koe-chto zashevelilos'. V otkrytuiu obsuzdat 'ne hochu, no vse interesuiuschiesia mogut pisat' v lichku ili Skype. Est 'narabotki!

[artcol]

Originally Posted by K-Maler

It looks like it does not do. In St. Petersburg, somehow having such projects! But: insurance papers (stolen, tsunamis, etc.)? Packaging, who and how will forward? Removal? Who and what makes out?. The easiest way to invite the author of the works that many did. It may be a courier? Payment of money? A large force majeure? Something happened with the gallery owners or gallery? Where is the picture of who should get them back?

The main question - is the fulfillment of its obligations by the parties (mainly the host country). As I said, there is a "normal" way to design a contract to CCI (CCI): prepare a passport transactions you make to the roster of organizations, leading foreign-economic activities, customs and so on. All this is of course terrible bureaucracy, but then you have legitimate grounds for turning to international arbitration. However, roll out all this - for the sake of 10-20 pictures is absurd, since, for example, the specificity of art-business and bankruptcy laws. As I understand it, the most common option - it is personal recommendations and contacts through participation in international exhibitions (expensive) or "Crossing Europe".

It is a pity that few want to discuss this topic

[Konstantin]

Probably not all threatened to go abroad. So few want to discuss.
Yesterday I was approached by an Italian artist with the question of how to organize an exhibition in Russia. I'm still in the thinking on this topic. One of the items in questions were: - Is it possible to organize an invitation to the exhibition of kokogo a state. body (eg municipality) and then his local Italian municipality compensates for part of the cost.
Here is another topic for reflection. Our authorities compensate anything, his own, to move abroad?

[artcol]

Originally Posted by Konstantin

Probably not all threatened to go abroad. So few want to discuss.
Yesterday I was approached by an Italian artist with the question of how to organize an exhibition in Russia. I'm still in the thinking on this topic. One of the items in questions were: - Is it possible to organize an invitation to the exhibition of kokogo a state. body (eg municipality) and then his local Italian municipality compensates for part of the cost.
Here is another topic for reflection. Our authorities compensate anything, his own, to move abroad?

In the midst of the crisis there were some suggestions: there - here. But besides Moscow and St. Petersburg especially invite nowhere. Pleso times that: D
With regard to our authorities, I think the answer clear.

[AlexanderG]

[QUOTE=artcol;699712] The main question - is the fulfillment of its obligations by the parties (mainly the host country).

Dumaiu, chto glavnyi vopros eto finansirovanie podobnyh sobytii.
Nuzny spetsial'nye usloviia dlia ih provedeniia. Prichina - prosto vystavka, prosto prodat 'paru kartin - ne rabotaet.