Cat Elisha I.

[Борис Кон]

Сообщение от cos

Of course you can , but still, if you want to sell - you can not avoid the issues ( including the rarity of )

Yes, for God's sake , about what it was - Ask !
But remember, not all questions can be answered definitely , because the certainty in the world is absolute .
About this , kokretno engraving , I have found very little information on the net. Auctions, and even more so. It's not often come across a thing which in itself is not enough.
The biblical theme - I agree, this is not a popular genre in the people .
But hack - do not .
These things are also good value for money and value , historical first.

[K-Maler]

Сообщение от Boris Cohn

What are the odds on the Russian market is such a woodcut?

What are the chances of all Russian engraving?

This print may be of interest in the religious environment.
Draw up and offered to buy the monastery to some ...

[Борис Кон]

Сообщение от K-Maler

This engraving may be interested in a religious environment. Draw up and offered to buy the monastery to some ...

A very sensible suggestion.
Tell me , have you competed with Wladzislaw of wits ?
If so , then your chances neveleki .

I asked a very serious question about the Russian engraving of her chances, but somehow everything is translated into zuboskalene unpretentious .

[K-Maler]

Сообщение от Boris Cohn ; 2273171"

Tell me, what do you compete with Wladzislaw of wits ?
If so , then your chances neveleki .

I asked a very serious question about the Russian engraving of her chances, but somehow everything is translated into unpretentious zuboskalene

Sorry that you have understood it so. I in no way want to hurt you . Said quite seriously. I understand your question literally, and not as a question of the fate of Russian engraving. Engraving is not taken at all today and its fate in question ... Lots of reasons ... Black-and- white image of favor ... More recently, it meant something and prints sold out ...
But now all tempted by new technologies ... Not sold even etched etchings ... (I mean modern etchings, since you are asking about the future ...).
And your good engraving , rare in the religious environment of the plot, can be claimed there.

[Борис Кон]

Сообщение от K-Maler

I'm sorry that you have understood it so. I in no way want to hurt you. Said quite seriously. I understand your question literally, and not as a question of the fate of Russian engraving. Engraving is not taken at all today and its fate in question ... Lots of reasons ... Black-and-white image of favor ... More recently, it meant something and prints sold out ...
But now all tempted by new technologies ... Not sold even etched etchings ... (I mean modern etchings, since you are asking about the future ...).
And your good engraving, rare in the religious environment of the plot, it can be claimed there.

Thank you for such an extensive interpretation.
"Black and white image of favor" - Karina but fiction.
Old prints had and has its own unique attraction. And it's not the technology, it's in education.
What you're talking about neraskupaemosti - unfortunately true.
But let me ask you, in this historical moment raskupaemo? Art like hot cakes do not purchase ever, and now even more so.
Time is now completely empty. Empty and dull, despite the advertising lights. Lost a ton. The right tone.
But, prohodyasche, I hope.

 

[Elek]

Boris, I looked at the author's name, and thought it might be read as LeBrun? D ospodin /"g raf" /"g eneral" ... There are at least two good LeBrun: Charles and Andrew (Andrew). On the second track is a Russian. Here is the text from a clumsy translation from Polish:

" Andrew Le Brun correctly Andre Le Brun (born in 1737 in Paris, died September 30, 1811 in Vilnius.) - Classical sculptor, Franco-Flemish, operating in Poland.
 
 Pigalle'a student, was awarded the Royal Academy of Painting and Sculpture in Paris, after which he studied in Rome. [1] In 1767, after Madame Geoffrin, was appointed to the court of King Stanislaw August in Warsaw. In 1768-1795, he worked as a court painter of the Polish king. He made sculptures of allegorical, historical and mythological to the Royal Castle and Lazienki later. [2] Commissioned by Poniatowski, in the years 1773-1778, he lived in Rome, where he copied the monuments of ancient sculpture. [3] In 1793, he went to the king in St. Petersburg. From 1802 he worked as a professor of sculpture at the temple of Vilnius University.
 
 The most important work Statue of Apollo and Minerva, and allegories of justice and peace, which includes a medallion with the likeness of King Stanislaw August at the Royal Palace in Waszawie (Great Hall, Marble Hall), in collaboration with James Monaldim.
  Fame and a monument cast in bronze busts of famous people in the hall Knight, the Royal Castle in Warsaw.
  Bacchae sculpture facing facade bathrooms.
  George Ossoliński bust, around 1781, at the Palace on the water "

[Борис Кон]

You just whiz, Elek!!!

Wow propelled my investigation.
 

[cos]

Сообщение от Elek

Boris, I looked at the author's name , and thought it might be read as LeBrun? D ospodin /"g raf " /"g eneral " ... There are at least two good LeBrun : Charles and Andrew ( Andrew). On the second track is a Russian . Here is the text from a clumsy translation from Polish:
[/I]"

Сообщение от Boris Cohn

You just whiz , Elek!!!
Wow propelled my investigation .
 

Boris Cohn, Elek - you , right , as children , boundless imagination , this is all well and good , but down to earth sometimes useful - if by your reasoning engraving " pisal " D eneral , D raf " LeBryun ", then by the same logic , you see, that " graviroval " E freytor , E of Grace "(not E lisey ) The Cat . "

[Кирилл Сызранский]

Сообщение от cos

then by the same logic, you see, that "graviroval" E freytor, E of Grace "(not E lisey) The Cat. "

E neral!

[Борис Кон]

cos, any information , no matter how useless - is instructive.
Instructive - in one way or another.
And how do you investigating a criminal case?
But on the same uncomplicated logic.

By the way , in Kiev, was a preliminary examination of the etching Shevchenko "vessel glad ," the fact that I just now exhibited in the discussion.

And (!) It was original. Not only is the test version of the maestro . He held it in his hands before the signature engraved on the board in Russian and French .
Although, when the study began , and given where I found it , it's hard to believe.