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Язык оригинала: Русский #1 |
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In the Multimedia Art Museum until February 9 last retrospective exhibition "The Persistence of change » (http://mamm-mdf.ru/exhibitions/igor-chelkovski/) semidesyatnik Igor Shelkovsky . Many people know and remember him as the publisher of the famous magazine " A to Z " - unreleased in France since 1979, the magazine about contemporary art , including about unofficial art in the Soviet Union . The project was timely, important and resonant. The collection Kizevaltera " These strange seventies " Shelkovskiy recalled that with the second issue had to be printed in the magazine mock disclaimer : " The materials of the authors who are in the USSR , are printed without their knowledge ." It was awkward , but at least some way to formally protect artists from the claims of the authorities. But such claims were . For example, the artist Sergei Shablavin , recalls that after the first two rooms with their materials, it was a few years removed from the Municipal Committee of graphs. But that was then .
And in the early sixties Shelkovskiy - young graduate school named in 1905 , dabbled in expressionism (later , after the discovery of a sculpture, it is these paintings gave away ) . Circle of friends and associates - DAPrigov , Boris Orlov , Rostislav Lebedev, Alexander Kosolapov , Sergei Yesayan . In the seventies - workshop on Sretenke . Passion for wood - the good people of the starting material was discarded in abundance. Apartment exhibitions , informal competitive process , the competition of ideas. Hardly the first buyer in the Shelkovskiy sculpture - Costacis who " knew that among the unofficial artists must be even and the sculptor ." In 1976 - emigration to ABCP and move to France . There - opportunity to fully engage in creative , rural workshop in a former monastery of the Templars, and a year - beginning work on " A to Z ".
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AI в Telegram: https://t.me/artinvestmentru AI на Facebook: https://www.facebook.com/artinvestment Последний раз редактировалось Vladimir; 07.01.2014 в 21:13. Причина: Добавлено сообщение |
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Эти 5 пользователя(ей) сказали Спасибо Vladimir за это полезное сообщение: | Grigory (08.01.2014), Hollandup (13.01.2014), Maskit (08.01.2014), Tiger73 (12.08.2018), Кирилл Сызранский (07.01.2014) |
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Язык оригинала: Русский #2 |
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Interesting but it was mostly his work very, very casually made, so do not think that would work to afford people the inspiration for this
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Этот пользователь сказал Спасибо Sergey11 за это полезное сообщение: | Maskit (08.01.2014) |
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Язык оригинала: Русский #3 |
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Well, not Jeff Koons, of course, in terms of technical madeness flawless.
Does not shine. But it would be strange. Alive looks quite harmoniously.
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Этот пользователь сказал Спасибо Vladimir за это полезное сообщение: | Maskit (08.01.2014) |
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Язык оригинала: Русский #4 |
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Sergey11, negligence Igor Shelkovsky only works on plus - makes it clear geometry works vibrant and warm . This creative style of the artist. Even some of his bronze sculptures he covers the usual paint , maybe the same as the wooden or iron , balancing the different materials like external sostoyaniyu.Mne and casually connected wooden molds sculptor , but I have a meeting in two of his works in metal. In Moscow, Igor workshop that near Kropotkinskaya , very friendly makes discoveries for lovers of this style of art , and it is very interesno.Spasibo Igor for wisdom and generosity in their search .
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Эти 2 пользователя(ей) сказали Спасибо Maskit за это полезное сообщение: | mihailovoh (10.01.2014), Tiger73 (12.08.2018) |
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Язык оригинала: Русский #5 |
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How many people, so many opinions
suprematists but early in the century (from which I believe he is repelled) such negligence did not allow himself - he certainly was not an artist and sculptor but it is not the father's not to say - the color scheme is not less important than the geometry and shape But it is in my opinion |
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Язык оригинала: Русский #6 |
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Sergey11, certainly a lot of opinions , but where do you think that is repelled by Igor ... - he has long been coming their way . Secondly, what makes you think that , in suprematists beginning of the century , did not allow himself to negligence . Even Malevich almost all papers sloppy - look carefully as he prescribes hands , and black square is painted so carelessly that any longer . And then what makes you think that this is one sculptor and artist is quite another . And the concept , color , very broad, and sometimes subtle , does not necessarily correspond to the salon art . At the Shelkovskiy this is OK, and in graphics and painting and objects.
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Этот пользователь сказал Спасибо Maskit за это полезное сообщение: | mihailovoh (10.01.2014) |
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Язык оригинала: Русский #7 |
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Caught the eye of a historical anecdote about Igor Shelkovskom memories of Leonid Sokov ( author of the sculpture " Lenin Giacometti " ) .
One distinguished editorial high principled Shelkovskiy came to Dina Verny with the aim to organize an exhibition . And she answered him : " If you are such a good and well-known sculptor , why then you do not have in" A to Z "?
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Язык оригинала: Русский #8 | |
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Этот пользователь сказал Спасибо Кирилл Сызранский за это полезное сообщение: | Vladimir (13.01.2014) |
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