Julia Kosulnikova in Gridchinholle, project laceration Barbara

[Vladimir]

Once again, convinced how little I need. Worth seeing skull, because once the body insists on the positive. As he sang Basilio Cat: "He'll show the dead birth - and do with it what Hosh ..."

And I needed the skull at an exhibition of Julia Kosulnikovoy were. Visitors already meets six pieces, varying degrees of friendliness. Upper left - just super! This is also a cry baby-sitting with "Battleship Potemkin, one of the" trigger "in the works of Francis Bacon.

The project itself laceration Barbara - a 12 seven foot canvases, mainly from sluggish scenes of refined pleasures: bandages, binding or whatever they call ... obvious allusions, but without some stunning naturalistic. And it's not necessary - the audience itself speculation. Thought some vilnet in carnal side. Others will think about the internal conflict, powerlessness before an obsession. Still others will start to collect a "technical" puzzle from Bacon ▓ palette and the Chinese version of Pop Art.

More importantly. Prior to all this, the audience easily reach the bare personal perception, without further explanation. Barbara laceration - a rare example for our times show that simply watch without reading the accompanying text. It fits into a new course, or turn. Attendance depleted intellectual work, are increasingly drawn to things highly madeness and availability. To be technically soundly, durable, and preferably with an element figurativa.

Julia Kosulnikova - radiant, St. Petersburg's young artist. 1988, she 23. Preparing for the Diploma in Mukhina College. Her first exhibition was held in 2009, Gallery D137. He oversaw the project Artemy Troitsky. He and this time was Sergei Gridchina at the opening. Another was a collector Pierre Brochet, Milena Orlova, Peter Voice, and they say, still under a hundred people closer to the official part (I myself was late to the beginning, the same day Antique Salon opened).

Press Release Julia Kosulnikovoy here: http://gridchinhall.ru/events/yuliya...zaniya-varvari

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Strange rusty pitchfork, bent nails, spearheads, sickles - all that is perceived in the context of torture as a weapon - in fact, authentic artefacts from the open spaces of the village of Dmitrov (where the Gridchinhall).
People living there since 15 century.

[Vladimir]

Strange rusty pitchfork, bent nails, spearheads, sickles - all that is perceived in the context of torture as a weapon - in fact, authentic artefacts from the open spaces of the village of Dmitrov (where the Gridchinhall).
People living there since 15 century.