Armenian artists - Страница 80 - Форум по искусству и инвестициям в искусство

Armenian artists · 04.01.2010, 08:21

Armenian artists on our site ARTinvestment.RU

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National Gallery of Armenia
Minas Avetisyan (1928-1975)
Hakob Hakobyan
Hmayak Hakobyan
125th anniversary of Sedrak Arakelyan
Avakimyan Makarovich Victor (1935 -2007)
Agamyan Karen Gurgenovich
Avanesyan S. Rook
Vahan Ananian (1959-2007)
Aslamazyan Arshakovna Miriam (1907-2006)
Aslamazyan Eranui Arshakovna (1910-1998)
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Avoyan Ayvaz
Adalyan Ruben
Avakian, Sergei
Armenian Ceramics of Jerusalem
Armenian Ceramics of Jerusalem (2)
Armenian Ceramics of Jerusalem (Marie Balian)
Armenian ancient ceramics (Jerusalem).
Arthur Avetisyan, Ananikyan Hagop (1919-1972gg), Ananian Pato (1908-1991), Gagik Antashyan, Michael Arakelian, Vahram Haroutunian, Arutchyan Sergei Voskan Asatryan, Rafael Atoyan
Abajian Edward
Agamyan Karen
Arevik Arevshatian
Aladzhalov Manuel Hristoforovich
Amalbashyan Sarkis
Robert G. Avetisyan
died folk artist Edward Artsrunyan
Suren Ayvazian
Suren Abrahamian Artashesovich
Abrahamian Seda Artashesovna
Abrahamian Elena Levonovna
Abrahamian Vladimir Smbatovich
Abrahamian Karapet Rafaelovich
Abrahamyan Sargis Surenovich
Abrahamian David Aramaisovich
Abajian Eduvrd Gareginovich
Abrahamian Artashes Saakovich
Abrahamyan Gagik Aramaisovich
Atamyan Karabed Charles (1872-1947)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Gyumri home Aslamazyan sisters
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Arpine Vartanovna Bekaryan
Ashot Adamian Kh (1951g.r.)
Adamian Olivia Ashotovna (1974g.r.)
Adamian Ovsepovich Stepan (1959.)
Harutyunyan, Anna (1976)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Adiyan Anna V. (born 1972)
Azatyan Alexander Tadevosovich (1930gr)
Azatyan Levon Garushevich - 1957gr.
Azizian Tsolak L.
Susanna Azatyan Garushevna - 1947gr.
Azizian Tsolak (Private collection of pictures)
Abraham Azarian Karapetovich (1950gr).
Azizian Minasovich Gregory (1923 to 2009)
Azizian Rafael Karenovich-1937gr
Azizian Khachatur Surenovich-1948gr
Azizian Isabella Hachaturovna - 1973gr.
Atayan Alexander Keropovich-1953gr.
Armen Atayan Arshakovich-1922gr.
Atayan Armen (2)
Museum of the History of Armenia

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Just Armenia ... I really like this country ..

Евгений · 01.10.2010, 07:01

September 29, 2010

The Louvre will decide on Thursday or Friday of the problem with the display of the Russian exhibition "Counterpoint: Contemporary Russian Art", from which the decision of the Ministry of Culture of Russia expelled four works by the artist Avdei Ter-Oganyan, RIA Novosti reports, citing the press service of the museum.
Recall, an exhibition of Russian art to be revealed on October 14 at the Louvre in the Year of Russia and France.
Earlier it was reported that Rosokhrankultura, administered by the Ministry of Culture of Russia, did not allow to be exported from Russia to France four of Avdei Ter-Oganyan a series of "radical abstraction, originally selected to be shown at Paris exhibition curator Marie-Laure Bernadac. In response, eight exhibitors refused to participate in it, among them, Vitaly Komar, Diana Machulina, Yuri Albert, Igor Makarevich, and others.

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"The decision will be no earlier than Thursday-Friday. Curated by Marie-Laure (Bernadac) had not yet returned to the Louvre, we are waiting when she comes. We know that the four paintings by Ter-Oganyan not allowed in France, but the Louvre is not solved the problem, "- said the agency interlocutor.
Louvre know that other artists have expressed solidarity with the Ter-Oganyan, but does not comment on the decision of Russians.
Moreover, the museum could not yet say will be an exhibition or not. "Right now we do not know, but this question is not posed. We are trying to solve a problem with a delay of four paintings," - said the representative of the Louvre. According to her, the exhibition has not yet arrived at the museum, whereas previously the Ministry of Culture of the Russian Federation reported that the exhibition is sent to Paris.
For his part, General Commissioner of the Year of Russia and France, Nicolas Shibaev hopes that the exhibition will feature all the declared product.
"We work closely with the Louvre that this show was. I hope that we will hold an exhibition of the way it was conceived, with the works of artists - as Ter-Oganyan, and the other" - said Shibaev.
He noted that the final decision on holding the exhibition remains with the Louvre. According to the Commissioner, the museum will decide what priority: the organization of the exhibition or the presence of her works Ter-Oganyan.
"The exhibition was organized by the Louvre. I'm working on so that all events are cross-Year Program passed the way they were conceived by the organizers," - said Shibaev.
The exhibition "Counterpoint: Contemporary Russian Art" also includes the works of Yuri Albert, Alexander Brodsky, Eric Bulatov, Olga Chernysheva, Emilia and Ilya Kabakov, Alexei Kallima, Valery Koshlyakov, Yuri Leiderman, Diana Machulin, Andrew's Monastery, St. Paul Pepperstein, Vadim Zakharov , Igor Makarevich and Elena Yelagina, Komar and Melamid, the group "Blue Noses and AES + F, and Vladimir Dubosarsky and Alexander Vinogradov

va.

Евгений · 01.10.2010, 09:27

Museum of the History of Armenia became a real discovery for me, because it presents a very interesting exhibits of both the European and Armenian culture, "- said Professor of Experimental Education, University of Rome 3, Italy, president of the International Committee on Education and Cultural Programme (CECA ) of the International Council of Museums (ICOM) Emma Nardi at a press conference in Yerevan.
According to her, in this context is very important to conduct in 2012 in Armenia was the first in the South Caucasus Annual Scientific Conference of ICOM. "This conference typically involves over 200 representatives from various countries. And they can discover Armenia with its museums, "- said Emma Nardi.
She also added that a scientific conference in Armenia, scheduled to take place in the 500 th anniversary of printing in Armenia. "On it, we will discuss topics related to both museums and to the publishing business, including printing brochures and guidebooks and a number of other issues," - said Emma Nardi, adding that the annual conference is a very important event for executives museums, reports PanArmenian.Net.
http://yerevan.ru/2010/09/28/v-2012-...soveta-muzeev/

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"A person can have many different moods,
but he has a soul, and that his soul, he subtly
invests all his works. "

John Galsworthy

Natura Creative is given not only put their hearts into their work, but also to see the soul, where mere mortals is not always a virtue. Sculptor Ara Alekyan one of the few who manage to see the life of the place where it can not be. Naughty little pig in the hallway, terrible bug in the kitchen, a small spider on the curtain - these "pets" of iron live together peacefully in a cozy apartment of a famous sculptor.
However, many works Alekyan just do not fit within the four walls. They need space. So it happened that most of the work of the sculptor "lives" on the streets. In Yerevan, some of them settled in the street Abovyan, or rather, on the square before the name of Charles Aznavour's Moscow cinema.

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The huge bull and a spider on slender legs are very popular among local people and visitors of our city. "For me, it is important that the tactile sensation that people get touching my work. I myself have never liked it when forbidden to touch any sculpture. To me it is unpleasant. Created did it all for the people, and they want to communicate not only visually "- recognized Ara and jokingly adds, -" I saw how a guy taschivshego my bull by the horns. May want to try your hand? He enjoys it, then I have fulfilled my task. "
One of my favorite works of the sculptor - "wrought iron" Paradjanov (installed in the hotel Tufenkian Avan Villa in the area of Nork-Marash. - Ed.) Attach to his head a special pen Alekyan wanted to make people fit, twisted it and heard the distinctive sound of the old camera. "In this sculpture is quite meaningful. Twisting the handle as you would directly obschaeshsya with him, the old time, view archives of old movies, "- shared with us Ara Alekyan -" Head Parajanov attached to a tripod, which suggests that this camera is ready: all you can not see records eyes ".

Alekyan himself in the book and the outline does not need: "To me, as it were sitting with the birth of this monumentalism. I'm doing great work, even in bronze, all without sketches and preliminary work. It is important to create a certain amount, around which there is a "build" the entire sculpture. "
In the process of "assembly" of great importance are the details. They suggest a sculptor and how and what to do. "I often change them, the first option does not conclusive. Something clean, something I leave some details add "- explains the sculptor. According to him, for ultimately it is necessary that all the parts combined with each other, each has its place. "It happens all going, then because of one detail rework all over again, if this detail is not convincing. What is bad, - false ... But I do not like it. I am always honest with my art "- recognized Ara Alekyan.
It is often called a "sanitary" landfills iron. Necessary materials for work: metal springs, washers, nuts, parts of old cars sculptors are in car and points of delivery of scrap metal. "I did everything I collect" - recognized Alekyan - "Everything should be on hand, otherwise I can not.". Sometimes the sculptor had to buy the right part, however, more often, recognizing him, people give all the trash for free.
"It happens to me so detail like that keep it" until better times, as long as it does not have at the time. Sorry, if not there. It turns out that an end of sculptures, one by one, and "favorite" part remains unused, "- says Ara.
It also happens that found in the trash item itself dictates what to do. "It was while working on a bear. When I received the order, at first refused. We must see and feel. Months later, rummaging in his trash, found the piece looks like a bear paw ... so he was born "- says Ara Alekyan.
Bear it with two horses and a bull adorns today on the streets of Brussels. Incidentally, one of the horses placed in the top 200 best sculptures of the city. Alekyan for a serious cause for pride: "The directory, which includes and my horse, covers the work of sculptors of different periods. Ara Alekyan there is listed, along with masters such as Bourdelle and Maillol.
It is now, and everything started back in college, at the latest courses. "It really helped my teacher" - recalls Alekyan - "I've been doing songs from the clay, which later were to become the bronze figures. The process was quite difficult. But the skeleton was so good that, in the words of my teacher, and so looked like a sculpture. " It is a teacher and offered Alekyanu work with welding machine. His first job was as "Dancer." Little by little beginner sculptor was to go into details, he began to feel the shape and discovered a different, already his world.
"Without this I can not ... It's my life" - recognized sculptor - "Sometimes I work in parallel on two sculptures. I so like. Do not like it when at the conclusion of the workshop remains empty.
The plans of a sculptor working on a new spider. He, according to Alekyan be different from the spider that adorns today's cinema, Moscow. "It was assumed that I will do it in Shanghai, as part of Expo 2010. Has been allocated a place, shop, welders, but did not have enough finances "- told us a sculptor. Lack of funding slows down and the creation of a huge tree out of metal, which the sculptor would like to see on the streets of the beloved city.

Alekyan able to present gifts and surprises. In 2004th it was he turned into a show in the opening of the horse sculpture. "I wrapped the horse by Soviet newspapers. This was my first event. The idea was to burn the old ideologiyu, and in return receive a new, independent Armenia. That's it symbolized my horse - "Horse of independence," as I call it, "- says the sculptor.
A year later, the fire had a second horse Alekyan. Footage of the "birth" became the basis of the documentary, filmed by director Suren Ter-Grigoryan. The film participated in a charity competition horse tracks, which takes place in France. "Born of Fire", just so we called the film won the Grand Prix finals, "- said Ara -" In the same 2005th 12-minute film won a prize at the festival "Golden Apricot".
"Ultimately, all of my work is born out of the fire," - says the sculptor, - Fire - is energy. In life, nothing is created without energy, it is with the help of the fire is born something. "
Fire in the hands of Alekyan turns rough iron in graceful, lively sculptures that seem to walk the streets of cities or decorate showrooms galleries, and sometimes held in private collections, carrying a charge of energy from this unique man. After a fire in his hands, fire in his eyes and, most importantly, in the heart.

http://yerevan.ru/2010/09/16/skulpto...80%9D-chast-ii /

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A little offtopic .. artists, no offense ... (EA)
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Describing the Armenian feast, we usually talk about its special atmosphere and heartfelt toasts, but the intrinsic food as something awkward silent. Is that - a couple of words about its abundance, and even excess. Or maybe the food - after all not just a good seasoning for good communication? Well, who would stay up at a party, if the meal does not like? Here's to us and wanted to talk about what is happening not because the Armenian table, and on it. Dishes, which we decided to tell you, have been tested for thousands of years of development of a taste for life. Try it!

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Евгений · 01.10.2010, 09:34

Евгений · 01.10.2010, 17:52

Самвел · 01.10.2010, 22:36

Sorry if not teme.Turki broke into the cathedral of Ani, and to pray.
http://www.tert.am/ru/video/slHbYKihcHk/ Just this temple was built by architect Trdat, which restore the dome after the earthquake the church of Hagia Sophia (Aya Sofia), is said about him.

Евгений · 02.10.2010, 06:35

Freedon S. Aslanian was born March 13, 1938 in Yerevan. In 1963 he graduated from the Architecture Department of Yerevan Polytechnic Institute. Professional career started in the workshop academician of architecture Jim Torosyan. Love of art instilled in him such well-known master teachers as Veik Ter-Grigorian, Yervant Kochar, etc.
Freedon Aslanian known in Russia and abroad as an architect, designer and author of numerous projects, as a painter and graphic artist. The geography of architectural projects Freedon extensive: large-scale project recreation areas in Yerevan, the memorial to an outstanding astrophysicist, VA Ambartsumian Byurakan in town-planning project area of the October Revolution in Bryansk, a complex of restaurants, "Armenia" and store "Ararat" in Mordovia, was adjudged the best project of the Soviet Union in 1986, a number of dispensaries and resorts in Sochi, Agavnodzore and Old Norka, a project of the Armenian Embassy in Turkmenistan reconstruction of the museum in Yerevan, the exposure monument 18 centuries in Moscow - the Lazarev Institute, as well as portraits of its founders ... Created by the artist studio "Aslanian has carried out under his leadership a number of popular projects in the capital and other cities of Armenia. Many exhibitions in Russia and abroad - the U.S., Argentina, Brazil, Czech Republic, Germany, France, Belgium, Luxembourg ...
As an artist, F. Aslanian debuted in 1964, winning the national poster competition on the theme "Student Spring".
Since 1972, Freedon S. created a series of graphic works by urban stories that were inspired by the experiences of travel to Finland, the Czech Republic, England, India and Ceylon.

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Евгений · 04.10.2010, 05:53

Hereditary artist Aram Isabekyan invites.
In the Union of Artists - an exhibition of his work. And it is remarkable to many.
Firstly, Isabekyan - an interesting painter. Modern, but stands on the foundations of traditional realism. Secondly, they exhibited paintings, which tell in detail about how to evolve the artist from his youth. And finally, the audience understands: Hereditary not mean - I repeat for the older generation.
Since the beginning of his artistic career (and in Armenia it failed: Aram Isabekyan even became the rector of the university art) painter was under the scrutiny of art historians and critics. Those trying to understand how Aram independent of his father - a painter Edward Isabekyana. Yes, he is independent. Has its own handwriting, creative self-sufficient and interesting. "I always did what he wanted. My work correspond to the stages of my life, they are depending on my emotional state, experiences, hobbies "- dropped the artist.

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Interesting article (EA)
-------------------------------------------------- ----------------------- Acquisition of works of art has always been a reliable investment vehicle, but in Armenia it is difficult to make because of the lack of a civilized market and related infrastructure. And this despite the fact that the Armenian arts and crafts have a long tradition. Yerevan Fine Arts Academy, founded in 1945, this year marks 60 years of age. Over the years the academy here has been prepared more than 2000 professionals who are working in many countries around the world. Today, guests of "DE" Rector of the Yerevan State Academy of Arts, Professor Aram Isabekyan, which we were asked to assess the situation in the field of art business in Armenia.

   - At the present time, of course, there are some rudiments of the art business, but the civilized art market, which exists in Europe, the U.S. and partially in Russia (mostly in Moscow and St. Petersburg), Armenia has not yet formed. Not yet, and the necessary infrastructure. There are several private and semi-public galleries, and something, of course, is on sale, but it is spontaneous. There is a gallery and in our academy, which was established five years ago with the financial support of my friend from USA Armen Boyajyan. Here, we organize exhibitions of works of our students and artists from outside. While in Armenia, a lot of good artists and works, no auctions, in which artists could participate. There is no adequate assessment of their work.
  - What should be done to ensure that Armenia has developed the art business and has earned the market? As is done in developed countries?
  - In the last ten years, every year I worked for two months in Paris and I know how it is organized art business. First, auctions are necessary because if an artist sold the painting in his studio, this is not the art business. Secondly, the market began to take shape, should be established under the legal field, have laws that will regulate the activities of market participants.
   Significant role in the development of the art gallery business play. There are several ways the work of artists with galleries. In particular, the artist may enter into a contract under which all of his works are the property of the gallery (it they are sold, duplicated, etc.), and the artist receives a monthly amount that can be very significant. Another option - the artist collaborates with a particular gallery, which it advertises, or, as they say, "spins", the artist may sell his own work, but at a price not lower than that determined by the gallery. In Paris, which has a developed network of large and small galleries, they are intermediaries between artist and buyer.

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We have, unfortunately, none of these things, and because professional artists is difficult to work. Rather than engage in creative work, our artists are forced to address many different organizational and commercial issues. Many just do not know how. Looking for professional dealers, which would become mediators between the artist and buyer. We even wanted to open the academy courses for training of such specialists, but due to lack of teachers were forced to abandon the idea.
   In addition, each year should be available catalogs, which include the names of artists who participated in various exhibitions and other events and whose works were sold at any auction. In France, for example, the mere inclusion of a name to these directories is a determinant of prices for works of art, but also protects the interests of the buyer, in the sense that if they had purchased the picture is included in the appropriate directory, he can sell it for about the same price.
   - You mentioned that in Armenia there is creativity, ie, There are good artists and good works. How do you assess the prospects of export of works of art? Could eventually appeared in Armenia, such low-cost, and maloresursnaya neenergoemkaya sector of the economy? What to do this?
  - I am sure that these opportunities Armenia has, as a country which has always given and will give artists, and we now have some very talented students. And that art has become a promising sector of the economy, the government must show a genuine interest in this happening now, unfortunately, only at the level of conversation.
   Necessary and appropriate investments. It should be noted that in all civilized countries there is a system of tax incentives to encourage investment in art. I think that this is manifested interest in the development of the state of the art market and art business. Our Ministry of Culture has addressed these issues, although I think that the officials do not really to blame, since there is no clear government strategy for the development of this industry.
   One of the areas of export development of art is to open art galleries abroad. Several years ago I proposed to open a public gallery in Paris, where Armenian professional artists could exhibit and sell their work. However, this proposal received no support from the government, and the artist or the private art galleries can not be solved this problem yourself, the more that the first two years one can hardly expect to make a profit.
   In Armenia, there are talented artists but their work on the world market are worth nothing, since they are unknown. I do not know when we formed the art market and will form if at all. Incidentally, not all countries (even quite affluent), there's art market, so artists from many countries went to France and the United States, where such markets are. We need to integrate into European culture and the arts, actively assert its existence. Today, thanks to the opportunities the Internet, it can be done without leaving Armenia.
   Another direction of development of the export of art objects, including paintings - the acquisition of the tourists coming to Armenia. I think that this trend will grow as the development of tourism. However, the current procedure for export of art treasures, although he was somewhat simplistic, remains uncomfortable for tourists and business people coming to Armenia for a day or two.
  - Is there a strategy in terms of training for the sphere of art?
  - Human Resources for the sphere of art are preparing three state universities - our Academy, a conservatory and theater school, but here there is no strategy. Our academy is a public university, but we do not get from the state order on what is necessary to prepare personnel and in what quantities, and we do not know what the country needs specialists today: the designers, potters, weavers and painters. For example, we have made significant costs and opened a branch of the metal, which trains professional jewelers. We expected that the current level of development of jewelry industry in these frames will need, but this did not happen - we gave the two issues and now are closing the office. I think it happened because our jewelry businesses operate primarily on the patterns of their customers and they do not need jewelers such qualification, which would make unique works of authorship, ie, Today the jewelry industry need artisans, not artists.
  Armenia needs today art restorers, art historians, and cook them, of course, be with us. I have several times offered to open an office for the preparation of the restorers, but this requires some financial investments. This question has still not received their decision.
   In addition, despite the fact that the tuition is the main source of funding for the academy, believe that education in public schools, which train specialists for the sphere of art should be free: talented children from poor families should be able to get a professional education. Another thing that should be commercial and alternative high schools, where training will be paid.
   - What is today the main problem of the academy, in addition to finances?
  - I think that is the problem of teachers. The older generation of luminaries is gradually disappearing, but they do not like for like replacement. Of course, we have teachers of middle age and young, but there are fears that the departure of the elderly can reduce the level and quality of student training.
  - How is the future of your graduates? Whether they can realize themselves in Armenia, or forced to leave the country?
  - Many, unfortunately, have left, but most remained. Those who are truly talented and active, still can apply their knowledge and their place, albeit with great difficulty. Most in demand today, designers, and interior designers, while previously enjoyed great demand in industrial design. Nevertheless, graphics, painters, sculptors, too, find some work. I think that with the development of Armenian art business, the issue of employment of our graduates will be easier to solve.

Interviewed by Julia Kuleshov
http://www.express.am/19_05/artbusiness.html

Евгений · 04.10.2010, 06:00

Nara · 04.10.2010, 08:52

Цитата:

Сообщение от Eugene

Interesting article, the art business in Armenia .. perspective, galleries, etc. (EA)
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The article is not new, but excited, unfortunately, is still there. And even more, the situation continues to deteriorate. The crisis, of course, but not all. Here's more like a systemic problem. Art market, as such, virtually non-existent. If anyone has links somewhere far away, so he will be happy. Private galleries are opened, and a couple of years before you know - have fashion store. Exhibitions, however, are held regularly, but have more artistic and aesthetic than commercial value. Not because of our artists are bessrebrenniki, just - do not buy ...
What is needed, probably serious crisis manager. Although it seems to me to be enough. Reasons are very deep. But here I am afraid to start talking to all sorts of anti-patriotic things would not like to ...

Arthur777 · 06.10.2010, 21:37

Gabriel Mikaelovich Gyurjyan (on the forum looked at, there is information about the other masters of Hakob Markaroviche Gyurdzhyane), a native of the town of Artvin (s Taik Western Armenia), formerly part of the Batumi district of the Russian empire, now owned by Turkey's still young, in 1909, away from their homes in Penza, where he enrolled in art school, one of the best provincial educational institutions in Russia at that time. Teaching beginners was conducted here in the tradition of the Wanderers. Gyurjyan teachers were painters - PI Korovin, N. Petrov and I.S.Goryushkin-Sorokopudov.
In 1922, having completed his education and behind two years of pedagogical work, Gyurjyan moved to Yerevan. He immediately actively involved in the artistic life of the young Soviet Armenia. Emerged in 1924, the first organization of the Soviet Armenian artists - "Society of Armenian Artists" - elect Gyurjyan in his reign. Gyurjyan later became one of the founders of the Armenian branch AHRR.
Gyurjyan - landscape. His works are filled with great love for the beauty of nature, to his native Armenia.
Gyurjyan depicts the Armenian nature in different seasons, at different times of the day. The viewer sees on his canvases blooming orchards, cotton fields, lakes and majestic mountains. Among the best works Gyurjyan include such views as "the Mill in Byurakan (1941)," Evening in Ahpyurake "(1947)," Spring in Nork "(1948)," Hill in Kashbulahe "(1950)," The Armenian landscape (1954), "Grey Day on the Lake Sevan" (1956), "Ayrivank Beach" (1966), etc.
Of the works devoted to rural workers, particularly for the painting "Laying collective hay stack" (1949), "Collection of cotton Arevshat" (1949).
Knowing full well his native region, its small villages and industrial centers, its historic attractions, Gyurjyan could not remain indifferent to those places which are connected with the memory of Pushkin, with his famous journey to Erzurum. For several years working on this theme, he created in 1949 painting "Pushkin's place."
Gyurjyan treated to pictures. The exhibition devoted to millennial anniversary of the epic "David of Sassoon (1938), exhibited his painting" The naming of Sassoon fortress. " And, of course, captured on canvas Gyurjyan well as his native Artvin.
A lot of energy gave Gyurjyan teaching as a professor of the State Art Theatre Institute in Yerevan.
Of Merit in Fine Arts Gyurjyan awarded the title People's Artist of Armenian SSR, was awarded the Order of Lenin, the Order of Labor and many Soviet medals.

01.10.2010, 07:01	Язык оригинала: Русский #791
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Louvre Museum tries to deal with the work of Ter-Oganyan September 29, 2010 The Louvre will decide on Thursday or Friday of the problem with the display of the Russian exhibition "Counterpoint: Contemporary Russian Art", from which the decision of the Ministry of Culture of Russia expelled four works by the artist Avdei Ter-Oganyan, RIA Novosti reports, citing the press service of the museum. Recall, an exhibition of Russian art to be revealed on October 14 at the Louvre in the Year of Russia and France. Earlier it was reported that Rosokhrankultura, administered by the Ministry of Culture of Russia, did not allow to be exported from Russia to France four of Avdei Ter-Oganyan a series of "radical abstraction, originally selected to be shown at Paris exhibition curator Marie-Laure Bernadac. In response, eight exhibitors refused to participate in it, among them, Vitaly Komar, Diana Machulina, Yuri Albert, Igor Makarevich, and others. Читать дальше... "The decision will be no earlier than Thursday-Friday. Curated by Marie-Laure (Bernadac) had not yet returned to the Louvre, we are waiting when she comes. We know that the four paintings by Ter-Oganyan not allowed in France, but the Louvre is not solved the problem, "- said the agency interlocutor. Louvre know that other artists have expressed solidarity with the Ter-Oganyan, but does not comment on the decision of Russians. Moreover, the museum could not yet say will be an exhibition or not. "Right now we do not know, but this question is not posed. We are trying to solve a problem with a delay of four paintings," - said the representative of the Louvre. According to her, the exhibition has not yet arrived at the museum, whereas previously the Ministry of Culture of the Russian Federation reported that the exhibition is sent to Paris. For his part, General Commissioner of the Year of Russia and France, Nicolas Shibaev hopes that the exhibition will feature all the declared product. "We work closely with the Louvre that this show was. I hope that we will hold an exhibition of the way it was conceived, with the works of artists - as Ter-Oganyan, and the other" - said Shibaev. He noted that the final decision on holding the exhibition remains with the Louvre. According to the Commissioner, the museum will decide what priority: the organization of the exhibition or the presence of her works Ter-Oganyan. "The exhibition was organized by the Louvre. I'm working on so that all events are cross-Year Program passed the way they were conceived by the organizers," - said Shibaev. The exhibition "Counterpoint: Contemporary Russian Art" also includes the works of Yuri Albert, Alexander Brodsky, Eric Bulatov, Olga Chernysheva, Emilia and Ilya Kabakov, Alexei Kallima, Valery Koshlyakov, Yuri Leiderman, Diana Machulin, Andrew's Monastery, St. Paul Pepperstein, Vadim Zakharov , Igor Makarevich and Elena Yelagina, Komar and Melamid, the group "Blue Noses and AES + F, and Vladimir Dubosarsky and Alexander Vinogradov va. Миниатюры

01.10.2010, 09:27	Язык оригинала: Русский #792
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	In 2012 Armenia will host a conference of the International Council of Museums Museum of the History of Armenia became a real discovery for me, because it presents a very interesting exhibits of both the European and Armenian culture, "- said Professor of Experimental Education, University of Rome 3, Italy, president of the International Committee on Education and Cultural Programme (CECA ) of the International Council of Museums (ICOM) Emma Nardi at a press conference in Yerevan. According to her, in this context is very important to conduct in 2012 in Armenia was the first in the South Caucasus Annual Scientific Conference of ICOM. "This conference typically involves over 200 representatives from various countries. And they can discover Armenia with its museums, "- said Emma Nardi. She also added that a scientific conference in Armenia, scheduled to take place in the 500 th anniversary of printing in Armenia. "On it, we will discuss topics related to both museums and to the publishing business, including printing brochures and guidebooks and a number of other issues," - said Emma Nardi, adding that the annual conference is a very important event for executives museums, reports PanArmenian.Net. http://yerevan.ru/2010/09/28/v-2012-...soveta-muzeev/ Добавлено через 7 минут "A person can have many different moods, but he has a soul, and that his soul, he subtly invests all his works. " John Galsworthy Natura Creative is given not only put their hearts into their work, but also to see the soul, where mere mortals is not always a virtue. Sculptor Ara Alekyan one of the few who manage to see the life of the place where it can not be. Naughty little pig in the hallway, terrible bug in the kitchen, a small spider on the curtain - these "pets" of iron live together peacefully in a cozy apartment of a famous sculptor. However, many works Alekyan just do not fit within the four walls. They need space. So it happened that most of the work of the sculptor "lives" on the streets. In Yerevan, some of them settled in the street Abovyan, or rather, on the square before the name of Charles Aznavour's Moscow cinema. Читать дальше... The huge bull and a spider on slender legs are very popular among local people and visitors of our city. "For me, it is important that the tactile sensation that people get touching my work. I myself have never liked it when forbidden to touch any sculpture. To me it is unpleasant. Created did it all for the people, and they want to communicate not only visually "- recognized Ara and jokingly adds, -" I saw how a guy taschivshego my bull by the horns. May want to try your hand? He enjoys it, then I have fulfilled my task. " One of my favorite works of the sculptor - "wrought iron" Paradjanov (installed in the hotel Tufenkian Avan Villa in the area of Nork-Marash. - Ed.) Attach to his head a special pen Alekyan wanted to make people fit, twisted it and heard the distinctive sound of the old camera. "In this sculpture is quite meaningful. Twisting the handle as you would directly obschaeshsya with him, the old time, view archives of old movies, "- shared with us Ara Alekyan -" Head Parajanov attached to a tripod, which suggests that this camera is ready: all you can not see records eyes ". Alekyan himself in the book and the outline does not need: "To me, as it were sitting with the birth of this monumentalism. I'm doing great work, even in bronze, all without sketches and preliminary work. It is important to create a certain amount, around which there is a "build" the entire sculpture. " In the process of "assembly" of great importance are the details. They suggest a sculptor and how and what to do. "I often change them, the first option does not conclusive. Something clean, something I leave some details add "- explains the sculptor. According to him, for ultimately it is necessary that all the parts combined with each other, each has its place. "It happens all going, then because of one detail rework all over again, if this detail is not convincing. What is bad, - false ... But I do not like it. I am always honest with my art "- recognized Ara Alekyan. It is often called a "sanitary" landfills iron. Necessary materials for work: metal springs, washers, nuts, parts of old cars sculptors are in car and points of delivery of scrap metal. "I did everything I collect" - recognized Alekyan - "Everything should be on hand, otherwise I can not.". Sometimes the sculptor had to buy the right part, however, more often, recognizing him, people give all the trash for free. "It happens to me so detail like that keep it" until better times, as long as it does not have at the time. Sorry, if not there. It turns out that an end of sculptures, one by one, and "favorite" part remains unused, "- says Ara. It also happens that found in the trash item itself dictates what to do. "It was while working on a bear. When I received the order, at first refused. We must see and feel. Months later, rummaging in his trash, found the piece looks like a bear paw ... so he was born "- says Ara Alekyan. Bear it with two horses and a bull adorns today on the streets of Brussels. Incidentally, one of the horses placed in the top 200 best sculptures of the city. Alekyan for a serious cause for pride: "The directory, which includes and my horse, covers the work of sculptors of different periods. Ara Alekyan there is listed, along with masters such as Bourdelle and Maillol. It is now, and everything started back in college, at the latest courses. "It really helped my teacher" - recalls Alekyan - "I've been doing songs from the clay, which later were to become the bronze figures. The process was quite difficult. But the skeleton was so good that, in the words of my teacher, and so looked like a sculpture. " It is a teacher and offered Alekyanu work with welding machine. His first job was as "Dancer." Little by little beginner sculptor was to go into details, he began to feel the shape and discovered a different, already his world. "Without this I can not ... It's my life" - recognized sculptor - "Sometimes I work in parallel on two sculptures. I so like. Do not like it when at the conclusion of the workshop remains empty. The plans of a sculptor working on a new spider. He, according to Alekyan be different from the spider that adorns today's cinema, Moscow. "It was assumed that I will do it in Shanghai, as part of Expo 2010. Has been allocated a place, shop, welders, but did not have enough finances "- told us a sculptor. Lack of funding slows down and the creation of a huge tree out of metal, which the sculptor would like to see on the streets of the beloved city. Alekyan able to present gifts and surprises. In 2004th it was he turned into a show in the opening of the horse sculpture. "I wrapped the horse by Soviet newspapers. This was my first event. The idea was to burn the old ideologiyu, and in return receive a new, independent Armenia. That's it symbolized my horse - "Horse of independence," as I call it, "- says the sculptor. A year later, the fire had a second horse Alekyan. Footage of the "birth" became the basis of the documentary, filmed by director Suren Ter-Grigoryan. The film participated in a charity competition horse tracks, which takes place in France. "Born of Fire", just so we called the film won the Grand Prix finals, "- said Ara -" In the same 2005th 12-minute film won a prize at the festival "Golden Apricot". "Ultimately, all of my work is born out of the fire," - says the sculptor, - Fire - is energy. In life, nothing is created without energy, it is with the help of the fire is born something. " Fire in the hands of Alekyan turns rough iron in graceful, lively sculptures that seem to walk the streets of cities or decorate showrooms galleries, and sometimes held in private collections, carrying a charge of energy from this unique man. After a fire in his hands, fire in his eyes and, most importantly, in the heart. http://yerevan.ru/2010/09/16/skulpto...80%9D-chast-ii / Добавлено через 8 часов 17 минут A little offtopic .. artists, no offense ... (EA) -------------------------------------------------- - Describing the Armenian feast, we usually talk about its special atmosphere and heartfelt toasts, but the intrinsic food as something awkward silent. Is that - a couple of words about its abundance, and even excess. Or maybe the food - after all not just a good seasoning for good communication? Well, who would stay up at a party, if the meal does not like? Here's to us and wanted to talk about what is happening not because the Armenian table, and on it. Dishes, which we decided to tell you, have been tested for thousands of years of development of a taste for life. Try it! Читать дальше... Dzhraars Unripe blackberries or dried dogwood lightly fried with coarsely chopped green onions. In the same pan add cinnamon, then mix flambiruetsya that is watered brandy and ignited. Then purified from the bone trout fillet spread on freshly prepared fillings and to pack it all in the roll. Get the contents of pans needed so that the bottom left enough released when frying a side dish of juice. That it should add the sour cream, mix and cause a lot of the finished roulade of trout before you can post it in the oven. In the meantime, roll baked, you can do special sauce "Ararat". To cook it you need to delete the peach slices in a bowl filled with a mixture of brandy and cinnamon, and leave for 15-20 minutes, then add pepper and add finely chopped dried flowers of fennel, coriander and crushed garlic. Serve rolls with vegetable garnish of chopped cooked mushrooms, carrots and peppers. Agani Chicken On the bottom of the dishes of Armenian cuisine, distinguished by a combination of seemingly incongruous products. Cut into large pieces of chicken cooked in a salted broth. She then shifted to the pottery, furnished lavash. Part of the broth used for a special mixture, brought to the consistency of sour cream, which is made from cooked or dried pastas Cornelian dogwood, to stand its own juice, adding a bit of fried flour and a handful of raisins. This mixture is poured boiled chicken in an earthenware dish and place in oven for 10-15 minutes. While she languishes, prepare sauce Ashtarak. To do this, mix the crushed garlic, walnuts, sunflower oil, vinegar and chopped fresh herbs (dill, and cilantro). The sauce is added to the dish for 2-3 minutes before take it out of the oven and serve with white dry wine. Dolma "Biayna" Originally dolma stuffing wrapped only in grape leaves and fed it hot, ostyvshaya immediately clear the table. Not accidentally Armenians about people inert, uninteresting and lacking sense of humor, saying: "How cold dolma". Today dolma stuffing wrapped in cabbage leaves and stuffed her vegetables - tomatoes, eggplant, Bulgarian pepper. However, the root of the word "toli" which in ancient language means "vine", has remained in the names of all the variations of this dish. Kind of dolma, which bears the name of an ancient Armenian state Biayna, is interesting because it is not prepared from minced meat, and from the ribs of lamb. First, a little meat to beat off, much the same way as is done for making splints. The loin is almost ready and it can be wrapped blgur (sliced - crushed wheat grain, heat-treated and sun-dried) mixed with finely chopped pieces of kurdjuchnogo bacon, tomatoes, peppers, herbs, dried fruits and onions - so that outside could see only a small portion of bone. Now it can be wrapped in cabbage leaves are soft, put in a special pottery, furnished lavash bread, add the water mixed with white wine, a couple slices of tomato and dried fruits. The final touch: all this must be covered and lavash - a tinted or oven for forty minutes. By the way, topping matsun and garlic to the "Biayne" does not fit. Its better to add Tholme traditional. Tapaka "Artsahyan" This dish was taken there in summer and autumn. To cook it you need to take the lamb chops (loin), slightly to discourage him, pepper, salt and fry over low heat. After that, alternately fry vegetables: eggplant, sweet green peppers, tomatoes and potatoes. And bell peppers cut in half, peeled eggplant and potatoes - lengthwise, sliced, and tomatoes - sliced. To make fried sheep's tail fat the vegetables have cooled, biding their time, they are left in a shallow bowl, covered with lids. When all ingredients are ready, they are placed in a special two-tiered earthen ware heated: a dish served hot surely. Tanapur (saved) Unlike summer okroshka also being prepared on the basis of matsun, tanapur - a dish off-season: summer it is eaten cold in winter - hot. For the preparation should be diluted in tanapura matsun a handful of flour and egg, then whisk until smooth. Then add water and dzavar (wheat) or rice and bring to slow lennom fire to a boil, stirring constantly with a wooden spoon sure. The fact that matsun has a habit of rolling into curd, and that this did not happen, the hostess did not depart from tanapura a single step, until it boils. Just a minute up to full readiness in tanapur add herbs: coriander, mint and peppermint. The taste you can add pepper, butter or finely sliced, fried in oil until golden brown onions. Skewers of beef with a peach To make this kebab, thin slices veal first marinated in white wine, flavored with thyme, onion, salt and black pepper. Thyme - excellent cleanser also prevents pressure surges from drinking large quantities of meat (khorovats, as you know, not much happens!), And onion juice - a great tool for mitigating the meat. To achieve the desired effect, the meat must lie in the marinade for 6 to 12 hours. Peach or quince, which are traditionally used as a filling for such a shish kebab, the best pre-hold in brandy and then wrapped in pieces of meat threaded onto a skewer. Cook barbecue on the embers on the grill or in tonir. At the barbecue fast enough to be formed a crust while the inside stays juicy meat, and a peach and brandy bring a dish a little spicy and sour note. Boranes "Carnot" Boranes prepared almost all the villages of Armenia, but his taste in every region had its own special flavor. Invented boranes "Carnot" in Karin (now in Turkey). In preparation of this dish is traditionally used "sohuk" - a special variety of small onions with a special sweet and sour taste, which grows on the outskirts of the city. In our time, it bred only in certain parts of Kotayk. For the preparation of boranes "Carnot" to season lamb crushed walnuts, celery, allspice, garlic, salt and onion. First, small whole onions roasted in a pan with the lamb in the purest sheep's tail fat. 5 minutes until cooked shanks add celery, seasoning to sauce Ashtarak. Prepare the sauce of ground walnuts, dressed with a homogeneous mass of finely chopped dill and cilantro, beaten into a mixture of oil, vinegar, garlic and salt. The final touch to this grandeur - lavashnye Chips: finely sliced pita bread, salted, and lightly browned poperchenny in butter. Its spread on the edges of a large flat dish, and placed in the center of boranes "Carnot". The combination of celery and lamb meat creates a little tart and sweet taste. Ishli-kyufta External In this improvisation on the theme kyufta like a cutlet, are only a few rounded and pointed ends. To get the stuffing to "cocoon" - the outer layer kyufta - to whip until sufleobraznogo state blgur add veal, roasted red pepper and a little water, then knead until smooth. Filler, which are stuffed with "cocoon" - is fried in butter, minced meat with chopped onions and herbs. From kyufta blgurom with molded cups with a palm, which are stuffed with filling and rolling up in his hand, turned into elongated bullets with sharp tails. Finished pellets are dipped in boiling water for ten minutes. Ishli-kyufta served hot with lemon wedges and red dry wine. Hush Hash has taken a few months, the title which contains the letter "p" - from September to April. The process of cooking, holding the day, it is advisable to start the morning. Prior to cooking cow calf to thoroughly clean, rinse, cut, put into cold water and change it every 2-3 hours. Cook hash begin in the evening. To do this, choose two pots: one for the actual legs, the other - for the scar. While cooking you should periodically remove the foam from the broth, and after two hours - and zhirok, which must be collected from the surface every half hour. By morning the stock should get a milky-white color, indicating the richness. Gently percolating through gauze, it was poured into a pan and put on a very slow fire: hash should not boil, it just should be kept hot. Seethe pieces of meat separated from the bone and shift into a separate pan. So do the pre-cut scar. But the water in which boiled tripe drained. Everything is done to please the guests, because one likes hash without meat, the other - without the tripe, the third - even without anything. By the arrival of the guests table should already be covered. Indispensable attributes of a feast - a dry pita bread, broth, seasoned with crushed garlic, white radish, pickled hot peppers, herbs, salt. And, of course, on the table to be vodka, which tend to bring with them a visit. Ready served hot in a soup plate. The first toast is traditionally raised for those who cooked hash. Kyalla H and one of the dialects of Armenian the word means "head". Prepare kyallu from whole sheep's head or cow, and only in Gyumri and the surrounding area. Oshkurivaetsya head with a sharp knife, carefully washed with plenty peppers, salted, wrapped in pita bread and a shallow copper pan placed in the tinted windows. After an hour and a half of the dish to be served - always with vodka. As a seasoning kyalle good greens, radishes, spicy pickled peppers. Specific taste of this dish due to the combination of flavors and textures of different muscle tissues. By the way, in Soviet times, many specially came in Leninakan to try this kyally. Kufta (kololak "Echmiadzin) M Yaso for kololak - this is exactly the native Armenian name for this dish - in the old stone kicked up a special device known as Sand. Kololak cooked together - both men and women. Dark red fresh, still warm bovine meat beat until air bubbles, gradually adding a salt and water. Nowadays, the whole procedure does not necessarily make at home - ready for kololak beaten meat you can buy in any store Yerevan. Here's the rest of the recipe kololak not changed. In sufleobraznoe meat add chopped onions, egg, 50 grams of vodka or brandy and whisk thoroughly again until until it posvetleet. Then, in a large pot fill with water and bringing to a boil, lower it kololak - fashioned by hand kruglyashi 500-700 grams. Kyufta cook for 40 - 45 minutes. Serve hot kololak. On the table must be melted butter, red pepper and pita bread. By kololak as a side dish can be submitted pilaf. Gapama T his is a dish that is pleasant in every way - sweet, spicy, colorful both inside and outside - made from whole pumpkins in October and November. The process will take at least four hours, even if the cook in the oven, and if the pitch in the old fashioned way, you have to leave gapamu in tonir overnight. Oven, by the way, you need to warm up beforehand. First, cut dried fruit (apricots, prunes, raisins), walnuts, carrots and apples. All this must be mixed with pre-finished up to half cooked rice and plenty of honey to water. Only then is it a pumpkin - preferably, last year. It needs to be cut by removing the cap, remove the core and fill the prepared mixture. And then closing the lid and place in oven. Gapamu eat hot, cutting into slices and scraped together with filling the orange flesh of pumpkin, fed to the brim with pure honey and the aroma of fruit and vegetables. http://www.yerevanmagazine.com/12_blyud/ Последний раз редактировалось Евгений; 01.10.2010 в 17:52. Причина: Добавлено сообщение

01.10.2010, 09:34	Язык оригинала: Русский #793
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Sculptor Ara Alekyan: "I'm always true to his art" Миниатюры

01.10.2010, 17:52	Язык оригинала: Русский #794
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Or maybe the food - after all not just a good seasoning for good communication? Миниатюры

01.10.2010, 22:36	Язык оригинала: Русский #795
Самвел Гуру Регистрация: 27.08.2008 Адрес: Москва-Шуши. Сообщений: 4,525 Спасибо: 4,920 Поблагодарили 5,759 раз(а) в 1,470 сообщениях Записей в дневнике: 2 Репутация: 10306	Sorry if not teme.Turki broke into the cathedral of Ani, and to pray. http://www.tert.am/ru/video/slHbYKihcHk/ Just this temple was built by architect Trdat, which restore the dome after the earthquake the church of Hagia Sophia (Aya Sofia), is said about him. Последний раз редактировалось Самвел; 01.10.2010 в 22:45.

02.10.2010, 06:35	Язык оригинала: Русский #796
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Aslanian Freedon S. (1938) Freedon S. Aslanian was born March 13, 1938 in Yerevan. In 1963 he graduated from the Architecture Department of Yerevan Polytechnic Institute. Professional career started in the workshop academician of architecture Jim Torosyan. Love of art instilled in him such well-known master teachers as Veik Ter-Grigorian, Yervant Kochar, etc. Freedon Aslanian known in Russia and abroad as an architect, designer and author of numerous projects, as a painter and graphic artist. The geography of architectural projects Freedon extensive: large-scale project recreation areas in Yerevan, the memorial to an outstanding astrophysicist, VA Ambartsumian Byurakan in town-planning project area of the October Revolution in Bryansk, a complex of restaurants, "Armenia" and store "Ararat" in Mordovia, was adjudged the best project of the Soviet Union in 1986, a number of dispensaries and resorts in Sochi, Agavnodzore and Old Norka, a project of the Armenian Embassy in Turkmenistan reconstruction of the museum in Yerevan, the exposure monument 18 centuries in Moscow - the Lazarev Institute, as well as portraits of its founders ... Created by the artist studio "Aslanian has carried out under his leadership a number of popular projects in the capital and other cities of Armenia. Many exhibitions in Russia and abroad - the U.S., Argentina, Brazil, Czech Republic, Germany, France, Belgium, Luxembourg ... As an artist, F. Aslanian debuted in 1964, winning the national poster competition on the theme "Student Spring". Since 1972, Freedon S. created a series of graphic works by urban stories that were inspired by the experiences of travel to Finland, the Czech Republic, England, India and Ceylon. Читать дальше... separate phenomena biography of F. Aslanian was a series of portraits by the bitumen, (director Paradjanov, composer Khachaturian, sculptor Ter-Arutyunyan, etc.) and a series of transcendental art, which can be attributed to an abstract painting. In 1985, F. Aslanian first introduced a series of portraits, executed in a unique technique - stamps. In 1968godu Freedon Aslanian created the first national wooden faces (dolls), in conjunction with the creation of the 2750 anniversary of Yerevan. Design products from sea shells - an entirely separate phenomenon from the list of creative discoveries F. Aslanian. Freedon Aslanian is a member of the Union of Architects (1970), the Union of Artists (1978), the Union of Designers (1978), Armenia and Russia, a corresponding member of RANS. List of design works by F. Aslanian often intersects with a list of his architectural projects. Solo Exhibitions: 1965 - Armenia, Yerevan, Armenia's Union of Architects (paintings, drawings); 1972 - Karlovy Vary (graphics); 1975 - Yerevan, Armenia, Cinema House (drawing, painting, crafts); 1978 - Yerevan, Armenia, the House of Journalists (graphic arts, crafts); 1986 - Yerevan, Armenia, Union of Architects (urban planning, design, painting, graphic arts, crafts); 1988 - Belgium, Mr. Antoine (design, painting, graphic arts, crafts); 1988 - Luxembourg (design, painting, graphic arts, crafts); 1989 - Russia, Pushkin (graphics); 1993 - Armenia, Yerevan, foyer Philharmonic Hall (portraits, paintings transcendental) 2000 - Russia, Moscow, House of Science (transcendental paintings, portraits); 2000 - Russia, Moscow Museum of Oriental Arts (transcendental paintings, paintings, drawings, portraits); 2001 - Moscow, Russia, Roerich Museum (transcendental paintings, paintings, drawings, applied research, and portraits); 2006 - Russia, Moscow, Russian Union of Architects (transcendental paintings, portraits, fine arts, architecture, design); 2006 - Russia, Moscow Polytechnical Museum (transcendental paintings, portraits, fine arts, architecture, design); 2007 - Russia, Moscow Polytechnical Museum (transcendental paintings, portraits, fine arts, architecture, design) Participation in international exhibitions and All: 1978 - Armenia, Yerevan, first republican exhibition of graphics (drawings); 1998 - Armenia, Yerevan, The Second Exhibition of graphics (portraits); 1963 - Cuba, Havana; 1974 - Argentina; 1974 - Morocco; 1987 - Bulgaria, the International Biennale " 1989 - Belgium, Brussels, Galerie Moderne; 2000 - Germany, Hanover, Expo-2000; 2003 - Moscow, Russia, CHA; 2006 - Russia, Moscow Polytechnical Museum, "Dialogue between two cultures"; 2006 - Russia, Moscow House of Nationalities, "Armenia-Russia: Dialogue of Cultures" SPIRITUAL EXPERIENCE Freedon absorbs time and space, transforming reality into a spiritual experience. Creative artist line was formed outside designated areas of the critics of recent decades - the "modern", "postmodern", "high-tech", "Conceptualism," "pop art", etc. At an early age survived clinical death, the artist has experienced feelings psychospiritual death and rebirth (rebirth). Dying before death played a role in the philosophical thinking of the artist. After 10 years behind the Iron Curtain, "he got the book" Pranoyama Ramacharaka "- the first sign of oriental philosophy. Heavily influenced by practical yoga, studying Eastern philosophy in the knowledge of his "I". Spiritual practice has led the artist to the school Yoga Brahmachari, Delhi. In 1989 in the village of Pushkin, with the help of prayers, mantras, meditation - in unusual conditions were created first transcendental work. Work performed on the basis of "Bezrazumnogo" by Jung called archetypes. "Mark," this work is difficult. Overlay color - a spontaneous process and the creation of art is without the participation of "pure consciousness", and the hand is directed by consciousness, is important, still like the result. The result is an extraordinary charge of the emotional impact of paintings in which there is no beginning and no end, no barriers, though soar, plunging into the infinite sense of integrity, completeness and remains of any fragment. Obviously, so pictures can be viewed from different angles and at different angles, looking for a long time and getting to know the reach to the bottom. In these paintings there is one certainty, all that is eternity: love, tragedy, strength, and hopelessness. All of a sudden riot of colors - a shining triumph of hope. In transcendental paintings Freedon expressed micro and macro worlds. Looking at pictures of Freedonia to make excursions in rebirth, going through the familiar and new worlds, revealing the capabilities of their own vision. Pictures of their depth and fantastic lines reminiscent of the "Crossroads of the Worlds" way of Sartre, the romance of Paul Eluard, the eternal interplay of characters the Tao, the entrance gate on-chi, the eternal wisdom and unfathomable mysteries of the universe. http://www.fridonart.ru/bio.shtml Миниатюры

04.10.2010, 05:53	Язык оригинала: Русский #797
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Exhibition Aram Isabekyana .. Hereditary artist Aram Isabekyan invites. In the Union of Artists - an exhibition of his work. And it is remarkable to many. Firstly, Isabekyan - an interesting painter. Modern, but stands on the foundations of traditional realism. Secondly, they exhibited paintings, which tell in detail about how to evolve the artist from his youth. And finally, the audience understands: Hereditary not mean - I repeat for the older generation. Since the beginning of his artistic career (and in Armenia it failed: Aram Isabekyan even became the rector of the university art) painter was under the scrutiny of art historians and critics. Those trying to understand how Aram independent of his father - a painter Edward Isabekyana. Yes, he is independent. Has its own handwriting, creative self-sufficient and interesting. "I always did what he wanted. My work correspond to the stages of my life, they are depending on my emotional state, experiences, hobbies "- dropped the artist. Читать дальше... Isabekyan like portraits. The exhibition is full of them - the artist plays with them, addressing the history of painting. Modern heroes are depicted in warm tones the past - when the tradition of calling a special look to grant a character, to portray him in a classical pose, in the interiors of the past and even alien. Favorite Isabekyana era, it seems - the Renaissance. Portrait of his daughter he had called - "Renaissance". In addition to portraits and landscapes painted in a different technique, exhibited still lifes Isabekyana. They are amazing life, the artist breathed into unattractive items. Imagine: A group of glass bottles - different. Under the brush Isabekyana they come to life - and become actors in a solid play ... In short, we are not reviewing - a call: go to the Artists' Union, while exhibition works. http://arvest.armenia.ru/2010/09/30/...aet/#more-2875 ---------------------------------------------- Information on the forum about the artist Aram Isabekyane http://forum.artinvestment.ru/showpo...&postcount=449 Добавлено через 7 минут Interesting article (EA) -------------------------------------------------- ----------------------- Acquisition of works of art has always been a reliable investment vehicle, but in Armenia it is difficult to make because of the lack of a civilized market and related infrastructure. And this despite the fact that the Armenian arts and crafts have a long tradition. Yerevan Fine Arts Academy, founded in 1945, this year marks 60 years of age. Over the years the academy here has been prepared more than 2000 professionals who are working in many countries around the world. Today, guests of "DE" Rector of the Yerevan State Academy of Arts, Professor Aram Isabekyan, which we were asked to assess the situation in the field of art business in Armenia. - At the present time, of course, there are some rudiments of the art business, but the civilized art market, which exists in Europe, the U.S. and partially in Russia (mostly in Moscow and St. Petersburg), Armenia has not yet formed. Not yet, and the necessary infrastructure. There are several private and semi-public galleries, and something, of course, is on sale, but it is spontaneous. There is a gallery and in our academy, which was established five years ago with the financial support of my friend from USA Armen Boyajyan. Here, we organize exhibitions of works of our students and artists from outside. While in Armenia, a lot of good artists and works, no auctions, in which artists could participate. There is no adequate assessment of their work. - What should be done to ensure that Armenia has developed the art business and has earned the market? As is done in developed countries? - In the last ten years, every year I worked for two months in Paris and I know how it is organized art business. First, auctions are necessary because if an artist sold the painting in his studio, this is not the art business. Secondly, the market began to take shape, should be established under the legal field, have laws that will regulate the activities of market participants. Significant role in the development of the art gallery business play. There are several ways the work of artists with galleries. In particular, the artist may enter into a contract under which all of his works are the property of the gallery (it they are sold, duplicated, etc.), and the artist receives a monthly amount that can be very significant. Another option - the artist collaborates with a particular gallery, which it advertises, or, as they say, "spins", the artist may sell his own work, but at a price not lower than that determined by the gallery. In Paris, which has a developed network of large and small galleries, they are intermediaries between artist and buyer. Читать дальше... We have, unfortunately, none of these things, and because professional artists is difficult to work. Rather than engage in creative work, our artists are forced to address many different organizational and commercial issues. Many just do not know how. Looking for professional dealers, which would become mediators between the artist and buyer. We even wanted to open the academy courses for training of such specialists, but due to lack of teachers were forced to abandon the idea. In addition, each year should be available catalogs, which include the names of artists who participated in various exhibitions and other events and whose works were sold at any auction. In France, for example, the mere inclusion of a name to these directories is a determinant of prices for works of art, but also protects the interests of the buyer, in the sense that if they had purchased the picture is included in the appropriate directory, he can sell it for about the same price. - You mentioned that in Armenia there is creativity, ie, There are good artists and good works. How do you assess the prospects of export of works of art? Could eventually appeared in Armenia, such low-cost, and maloresursnaya neenergoemkaya sector of the economy? What to do this? - I am sure that these opportunities Armenia has, as a country which has always given and will give artists, and we now have some very talented students. And that art has become a promising sector of the economy, the government must show a genuine interest in this happening now, unfortunately, only at the level of conversation. Necessary and appropriate investments. It should be noted that in all civilized countries there is a system of tax incentives to encourage investment in art. I think that this is manifested interest in the development of the state of the art market and art business. Our Ministry of Culture has addressed these issues, although I think that the officials do not really to blame, since there is no clear government strategy for the development of this industry. One of the areas of export development of art is to open art galleries abroad. Several years ago I proposed to open a public gallery in Paris, where Armenian professional artists could exhibit and sell their work. However, this proposal received no support from the government, and the artist or the private art galleries can not be solved this problem yourself, the more that the first two years one can hardly expect to make a profit. In Armenia, there are talented artists but their work on the world market are worth nothing, since they are unknown. I do not know when we formed the art market and will form if at all. Incidentally, not all countries (even quite affluent), there's art market, so artists from many countries went to France and the United States, where such markets are. We need to integrate into European culture and the arts, actively assert its existence. Today, thanks to the opportunities the Internet, it can be done without leaving Armenia. Another direction of development of the export of art objects, including paintings - the acquisition of the tourists coming to Armenia. I think that this trend will grow as the development of tourism. However, the current procedure for export of art treasures, although he was somewhat simplistic, remains uncomfortable for tourists and business people coming to Armenia for a day or two. - Is there a strategy in terms of training for the sphere of art? - Human Resources for the sphere of art are preparing three state universities - our Academy, a conservatory and theater school, but here there is no strategy. Our academy is a public university, but we do not get from the state order on what is necessary to prepare personnel and in what quantities, and we do not know what the country needs specialists today: the designers, potters, weavers and painters. For example, we have made significant costs and opened a branch of the metal, which trains professional jewelers. We expected that the current level of development of jewelry industry in these frames will need, but this did not happen - we gave the two issues and now are closing the office. I think it happened because our jewelry businesses operate primarily on the patterns of their customers and they do not need jewelers such qualification, which would make unique works of authorship, ie, Today the jewelry industry need artisans, not artists. Armenia needs today art restorers, art historians, and cook them, of course, be with us. I have several times offered to open an office for the preparation of the restorers, but this requires some financial investments. This question has still not received their decision. In addition, despite the fact that the tuition is the main source of funding for the academy, believe that education in public schools, which train specialists for the sphere of art should be free: talented children from poor families should be able to get a professional education. Another thing that should be commercial and alternative high schools, where training will be paid. - What is today the main problem of the academy, in addition to finances? - I think that is the problem of teachers. The older generation of luminaries is gradually disappearing, but they do not like for like replacement. Of course, we have teachers of middle age and young, but there are fears that the departure of the elderly can reduce the level and quality of student training. - How is the future of your graduates? Whether they can realize themselves in Armenia, or forced to leave the country? - Many, unfortunately, have left, but most remained. Those who are truly talented and active, still can apply their knowledge and their place, albeit with great difficulty. Most in demand today, designers, and interior designers, while previously enjoyed great demand in industrial design. Nevertheless, graphics, painters, sculptors, too, find some work. I think that with the development of Armenian art business, the issue of employment of our graduates will be easier to solve. Interviewed by Julia Kuleshov http://www.express.am/19_05/artbusiness.html Миниатюры Последний раз редактировалось Евгений; 04.10.2010 в 06:00. Причина: Добавлено сообщение

04.10.2010, 06:00	Язык оригинала: Русский #798
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,457 раз(а) в 4,506 сообщениях Записей в дневнике: 271 Репутация: 32444	Aram Isabekyan: Art can be a promising sector of the economy .. Миниатюры

06.10.2010, 21:37	Язык оригинала: Русский #800
Arthur777 Местный Регистрация: 26.02.2010 Сообщений: 159 Спасибо: 939 Поблагодарили 965 раз(а) в 132 сообщениях Репутация: 1964	Gabriel Mikaelovich Gyurjyan (1892-1987) Gabriel Mikaelovich Gyurjyan (on the forum looked at, there is information about the other masters of Hakob Markaroviche Gyurdzhyane), a native of the town of Artvin (s Taik Western Armenia), formerly part of the Batumi district of the Russian empire, now owned by Turkey's still young, in 1909, away from their homes in Penza, where he enrolled in art school, one of the best provincial educational institutions in Russia at that time. Teaching beginners was conducted here in the tradition of the Wanderers. Gyurjyan teachers were painters - PI Korovin, N. Petrov and I.S.Goryushkin-Sorokopudov. In 1922, having completed his education and behind two years of pedagogical work, Gyurjyan moved to Yerevan. He immediately actively involved in the artistic life of the young Soviet Armenia. Emerged in 1924, the first organization of the Soviet Armenian artists - "Society of Armenian Artists" - elect Gyurjyan in his reign. Gyurjyan later became one of the founders of the Armenian branch AHRR. Gyurjyan - landscape. His works are filled with great love for the beauty of nature, to his native Armenia. Gyurjyan depicts the Armenian nature in different seasons, at different times of the day. The viewer sees on his canvases blooming orchards, cotton fields, lakes and majestic mountains. Among the best works Gyurjyan include such views as "the Mill in Byurakan (1941)," Evening in Ahpyurake "(1947)," Spring in Nork "(1948)," Hill in Kashbulahe "(1950)," The Armenian landscape (1954), "Grey Day on the Lake Sevan" (1956), "Ayrivank Beach" (1966), etc. Of the works devoted to rural workers, particularly for the painting "Laying collective hay stack" (1949), "Collection of cotton Arevshat" (1949). Knowing full well his native region, its small villages and industrial centers, its historic attractions, Gyurjyan could not remain indifferent to those places which are connected with the memory of Pushkin, with his famous journey to Erzurum. For several years working on this theme, he created in 1949 painting "Pushkin's place." Gyurjyan treated to pictures. The exhibition devoted to millennial anniversary of the epic "David of Sassoon (1938), exhibited his painting" The naming of Sassoon fortress. " And, of course, captured on canvas Gyurjyan well as his native Artvin. A lot of energy gave Gyurjyan teaching as a professor of the State Art Theatre Institute in Yerevan. Of Merit in Fine Arts Gyurjyan awarded the title People's Artist of Armenian SSR, was awarded the Order of Lenin, the Order of Labor and many Soviet medals. Миниатюры __________________ Интересно Последний раз редактировалось Arthur777; 06.10.2010 в 21:46.

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