28 th of Russia Antique Salon

[Konstantin]

In early flashed phrase that at this salon are no masterpieces. And that's not so - there is, but still are!

Mona Lisa (La Gioconda) - NH 19 century bed - 6 v. $ gallery Bulgakov on the third floor
Lifetime portraits of Stalin, the artist Puskina (not a mistake "with" rather than "w") 150 000 rubles. (not in the U.S. as a leader ) gallery BC and CB

[Евгений]

Сообщение от Konstantin

At the beginning of the phrase that flashed at this salon are no masterpieces. And that's not so - there is, and even what.

Constantine this nonsense why waste time? "The people on the forum comes to a different .. think that is actually" masterpieces "..

[Konstantin]

Mona Lisa saw for the first time at the Salon, was unable to pass.

[Wladzislaw]

Konstantin,

that, and for the work requested from 5 thousand $? ...

http://forum.artinvestment.ru/attach...1&d=1267312513

[манна]

Wladzislaw, for this request to 10 thousand dollars.

[Wladzislaw]

Сообщение от manna

Wladzislaw, for this request to 10 thousand dollars.

Stunned! ...

Under the order will make dumping

[Тютчев]

Сообщение от Lorart

venerated posted Tyutchev above link to the publication in the Independent newspaper.
http://www.ng.ru/culture/2010-02-18/8_salon.html
as well as fully contained very publication. for those who link will not be able to pass.

and why now is a place here? what's the point? people clearly first wrote about the Salon. There are people (like Markina, which are also cited, or Boutkevitch and TAs. - which are perfectly write about antiques, antique market, including on the race for many years). Well, or new talented reporters. But why do so first press release published. Then link that blunt generalities repeats the worst place of the official release. If you really give references - that for something worthwhile, interesting ...
In my opinion, sorry.

Lorart, you no reason to apologize. This is your point of view, and good that you have one. I myself have repeatedly drawn the attention of the forum on the fact that Russia has a shortage of journalists who write about the art market and art with knowledge of the case. Why do I hang out at the forum article, the content of which I do not agree or that I was not quite satisfied? But precisely because of the fact that then discuss what someone (in this case, you) did not like the article or add missing information. The fact that the articles published in the media, reads a lot of people. This, in turn, form a definite opinion in the society. And, in my opinion, it is important to discuss at the forum, which is not so in these publications.

Often, news reports, notes, and more extensive publication injected into the information revolution false or distorted information. Forum is just an opportunity to debate is identified. The strength of the forum, unlike traditional media, is precisely that it is possible to lively discussions of the material, and it would be wrong not to use.

In your assessment notes, published in "Nezavisimaya Gazeta", I agree. On my own I might add, that the man who wrote it, not something that has never wrote about the cabin, but probably did not expect to go into this topic. This is one of the anadromous articles "on the occasion." I want to come to the salon person who had read this story, it's a great question! Those who go to beauty permanently, of course, will come. But interested in whether the new interior potential client? I do not know. Poor Russia's professional art critics, or, shall we say, her immaturity, and lack of information on the art market are a significant factor hindering a more efficient functioning of Russia's art market.

Agree, I did not publish this note and you do not react to it, this is very important, in my opinion, the problem would remain untouched. Incidentally, this theme - one of the most talked about parties salon. (Theme efficiency of information support of the passenger compartment.)

P.S. Yes, you still have a question, why publish the entire text of the article in fasting and not simply be a link to the publication. I can answer for himself. I give the entire text for the convenience of the reader. I know from personal experience, that was published in fasting text read are more likely than the link. And another important nuance - published on the forum is more convenient text quoted in the comments.

[Евгений]

Сообщение от Tjutchev

Poor Russia's professional art critics, or, shall we say, her immaturity, and lack of information on the art market are a significant factor hindering a more efficient functioning of Russia's art market.

 Dear Tjutchev, you are a specialist, one of the leading art dealers, collectors in Moscow, interested in your opinion about the salon, photos, pictures
 etc.
Write, waiting for your comments ..
-------------------------------------
ps A small request: "a cat" take your message ..
"Under the category" - (hidden part of the text).

[Vladimir]

An hour before the official opening of 29 Antique Salon, we walked on Constantine Babulinym stands with three "quick question":
1. With the launch of the year? Feels a positive trend in the antiques business?
2. What are the two major works can be noted in the exposure of your picture in this room?
3. What now there are new trends in the behavior of buyers and where are shifting their tastes?
Other issues the participants decided not to torture, not up to them now. But up to the cabin to talk it would be useful - so it will meet once more before closing. And yet - opinions.

Anatoly Borovkov. Gallery Russian Avant-Garde 1910-1930 years »

1. For my portrait subjects (antique books, books Russian avant-garde - approx. Ed.) Situation was so. Years ago I had a buyer who purchased a book of Russian avant-garde. Then, in response to the crisis, he disappeared. And now again appeared and began to buy.
2. Of course, this Venetsianov - High-level museum. And Denisov - great job, he was a "blue rose", was a favorite artist Vrubel. It is known that Vrubel admired his work. And Samokhvalov. Our exposition, as you see, is devoted to women in art - images of women and the work of women artists.

Valery Aksenov. Gallery of Great Style

1. Has the business activity? Perhaps the changes since the beginning of the year no: no failures, no gifts.
2. Two major works - Adams and Brueghel. Six and seven-digit numbers.
3. Appeared galaxy of new buyers, which focuses on the purchase of interior painting. These are the new owners of money, which appeared after the crisis. Acquire not for investment purposes, and for the registration of premises.

Ildar Galeev. Galeev Gallery

2. First shown in public, this collection of works by Vera Ermolaeva. She was kept for 25 years in a foreign private collections and two months ago, was bought by us and brought. From Vera Ermolayeva left crumbs. When arrested, all her works were confiscated and destroyed. Some remained with the students - in particular Mary of Kazan. Heirs of Kazan, risking my life, saved the shot of the repressed artist. And many works were sold during the 70's and 80 years abroad. There is one major American private collection, which includes masterpieces Ermolayeva. In Chile suprematistskie things from Vitebsk, from UNOVIS. It is known as a leader UNOVIS. In the American collection is a lot of book design, illustrations. And the value of this collection is that it is mounted work. We have only one canvas. But the rest gouache on paper pozvolyabt suggest that these canvases were many. She developed a new plastic principles. That's gouache "red box" of the early 1930 - sketch for this work is in the Russian Museum. The collection is sold at random - from 40-60 thousand dollars for gouaches to 150 thousand dollars for a painting. The collection was brought from Europe. In principle, this is a sensation - the appearance of works Ermolayeva on the market in such quantities. She's not at auctions, it is not in "artpraysah", so it is difficult to set prices. If it were the work Sterligov, Christmas, Leporskii, it would cost them much higher. This is despite the fact that Eromolaeva was the leader of the picturesque plastic realism. In this group of students Malevich was number one. But this really her fate.
3. People have become legible. And two and three and five years ago, I predicted that we were waiting for a renaissance in the 30-ies, will be reviewed every price parametric. Because, if we take the German art of the 20-30-ies they are no match does not go with a 10-mi years. We simply had a different story. With steep collection honors chasing Knave of Diamonds and the entire suite is also chasing Knave of Diamonds. There is another trend. I know that the first collectors of the country already focused on 1930. Therefore, all now lomanutsya. People lack oschuschueniya novelty, want stroinm collections on other principles. Here look at these landscapes Ermolayeva - shows that things are a passionate person. And in art is always expensive prized passion. Not calm, not measured, not satisfied, but something with the rod.

Elena Gribonosova-Grebneva. Gallery G.O.S.T. »

1. The beginning of this year - better than the beginning of last year
2. Accent stand Galleries G.O.S.T. this time - painting and graphics Lev Bruni, 1920. Paintings worth 130 thousand, and graphics - 17 thousand dollars. And second, the emphasis of Paul Yakovlevicha Saltzman. He was a pupil Filonova. He lived a long life. Since the 1940's he lived and worked in Tashkent. In the late 1920's - early 30's he lived in Leningrad, where he met with Filonov. We have presented several drawings of the 1930's and postwar works. Prices - from 5 thousand dollars to 10 thousand dollars. Here is the sign pattern, similar to the plots Filonova worth 7 thousand dollars.
3. We have a feeling that most collectors have switched, returned to the undisputed classic, first names - Shishkin, Repin, Serov, Korovin. The things these authors do not lie around longer than two or three days.


«Elysium. Marina Molchanov

2. Among the most striking blocks of our exposition - Theaters Goncharov - "Dancer with a tambourine," "Spanish Flu" in 1915, for Tairovskoe theater. "Spanish costume" Goncharova - this thing was made in 1919 for parizhkskoy Gallery Serpentine. Specially Goncharova and Larionov were there her best things they did for Diaghilev. For the opening of the exhibition were made albums. Very limited edition, but how many copies - It is not known. It was not a directory. Because in those days were tonekie catalogs and usually just listing the titles of works. This was the album - the folder with the attached sheets. And there, as he wrote himself Larionov, were embedded original schedule - work on yellow paper. These albums were given only the most important guests.

Mirjana Marichevich. Gallery Maricevic Fine Art

1. I am a very long time was not in Moscow. About the market, I read more than felt. But sales this year already, sales are good. Advertise your site is working, it was more useful meeting.
2. Among the major works on our stand - Feshin for 250 thousand dollars and Shumanovich.
3. Are there any new preference among collectors? People always want quality. And now they want the quality at discount prices. Unfortunately, not all the work that we wanted to show time to come. But hopefully come next week and we will update our booth.

[Vladimir]

Сообщение от Vladimir

Anatoly Borovkov. Gallery Russian Avant-Garde 1910-1930 period "2. Of course, this Venetsianov - High-level museum. And Denisov - great job, he was a "blue rose", was a favorite artist Vrubel. It is known that Vrubel admired his work. And Samokhvalov. Our exposition, as you see, is devoted to women in art - images of women and the work of women artists.

Key works in the gallery Anatoly Borovkov - Dance and Venetsianov. Provenance - the photo certificate.

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By salon usually prepare a thematic cultural project - something enlightening. At this time the theme was the atmosphere of the sixties. Volga GAZ-21, Krasnopevtsev - such a prosperous situation.