How to unleash the artist

[NATA NOVA]

Сообщение от Berth

Let me you will not explain how I deal with grandfathers. Generally, all the grandparents, or close to, the opening of the exhibitions are hanging on me bunches.

Veterans do not want to give the old pictures. They are one of the few artists who are well aware (old hudsovetovskaya hardening, ahha), they have better and worse. And it does not tend to this part. Old ruse. Someone who. Oh for them do not worry.
As I finally achieve my pictures trade secret. I can only say that their health is impressive is that I am familiar with the topic.
     

Well, if "they know" and you know why the game?

[Причал]

Сообщение от NATA NOVA

Well, if "they know" and you know why the game?

Rules are. Imposed by them. Also it seems from the artistic council got
They have the same picture there ten times then forced to build upon. That class lowered. I have, incidentally, an old book with quotations hudfondovskaya somewhere there.
And about the game with the prices - they are also introduced.
Sami immediately say: such a price, if that call.
Many artists have adopted this style and not just the elderly.

The phrase in the doorway: "if anything - call. And both clearly what it means.

And revels about why a particular picture? There are many reasons. But they leave with a picture sorry. Tell all need. They were pleased to see specialists in the studio, talk, well, not in the gallery at tea, in reality do <!--~ 10 "-" have to kill half a day. Who pleasant, useful, with whom tiring, but still useful - information, history, much of everything.

[Pavel]

In any case something !
And who asked to sell a previously purchased the picture, not exchange, namely to sell?

[Veronic]

Сообщение от Pavel

In some cases a !
And who asked to sell a previously purchased the picture, not exchange, namely to sell?

Paul, it is in this case, the auction starts. if the artist is dead, so he did not write the paintings, which are directly in the workshop can buy (and it confuses the market), which makes it possible to start the game with prices. This is called the secondary market.
I am personally surprised if the pictures are in the living artists come to auction. It is logically clear that the workshop will be cheaper to buy, and there is a risk that an artist with his own hands the market will fill up, there is no control.

[Семен Семенович]

Сообщение от Veronic

I personally wonder if the picture is still in living artists come to auction. It is logically clear that the workshop will be cheaper to buy, and there is a risk that an artist with his own hands the market will fill up, there is no control.

At the auction pictures should not fall on the basis of survival (excuse) of the artist, but for its artistic value ... And the studio is not always cheaper to obtain. In self-respecting artists working with reputable galleries, just the opposite. The artist allowed to come to the wrong person in the holy of holies, spent a lot of time and nerves to communicate, to pay 10 percent of the gallery (from the transaction amount). A buyer was able to select and interact with the maestro ... So pay more than the gallery, not less. That is my understanding that cooperation. Then we can say that the market is civilized, the formation of ..., where each has its place.

[Veronic]

Сообщение от Semen Semenovich

At the auction the picture should not fall on the basis of survival (excuse) of the artist, but for its artistic value ... And the studio is not always cheaper to obtain. In self-respecting artists working with reputable galleries, just the opposite. The artist allowed to come to the wrong person in the holy of holies, spent a lot of time and nerves to communicate, to pay 10 percent of the gallery (from the transaction amount). A buyer was able to select and interact with the maestro ... So pay more than the gallery, not less. That is my understanding that cooperation. Then we can say that the market is civilized, the formation of ..., where each has its place.

Are you talking about the ideal relationship. But, life happens so rarely. Yes, of course, if the artist will be offered a very lucrative contract for him, only then to be insane to sell out of the shop is cheaper. However, such contracts rarely offer gallery owners, and artists from time to time it seems that the workshop can earn more than the shares with the gallery owners.

Then Paul asked a specific question "And who is asked to sell a previously purchased the picture, no exchange, namely to sell?" What do you say?

And yet, at the auction (the West) get a lot of things, not necessarily on the basis of artistic value. It is all about price alone and nothing more. There are a large quantity of auctions around the world, information on sales which is decentralized.

[Илья Максимов]

Neither ever did not sell more cheaply than in the gallery, well, if only hunger was falling down.

[Семен Семенович]

Сообщение от Veronic

However, such contracts rarely offer gallery owners, and artists from time to time it seems that the workshop can earn more than the shares with the gallery owners.

In order to, as you noticed, "a contract", it is necessary that the artist in these respects was a partner, not a dreamer, wishing to have everything and no one to share ... All work must have an equivalent reward. If an artist wants to combine in himself all the functions - he has every right to it. But what if the market penyat7

Сообщение от Veronic

Then Paul asked a specific question, "And who asked to sell a previously purchased the picture, not exchange, namely to sell?" What do you say?

It seemed to me that Paul asked the question to someone specific. If we talk about my experience, that such options were plentiful. True, some artists, when they want to buy something back, remember that price should not be a market. They want to one that was a couple of years ago, when he sold ...

[Pavel]

Сообщение от Semen Semenovich

At the auction the picture should not fall on the basis of survival (excuse) of the artist, but for its artistic value ... And the studio is not always cheaper to obtain. In self-respecting artists working with reputable galleries, just the opposite. The artist allowed to come to the wrong person in the holy of holies, spent a lot of time and nerves to communicate, to pay 10 percent of the gallery (from the transaction amount). A buyer was able to select and interact with the maestro ... So pay more than the gallery, not less. That is my understanding that cooperation. Then we can say that the market is civilized, the formation of ..., where each has its place.

If the gallery buys more expensive than selling the question-what earns gallery? I have great respect Odessa, but think the same need.

Added after 5 minutes

Сообщение от Semen Semenovich

When the seller sets the price - this is just the most natural way of pricing. After all, only the seller knows all the nuances of the market, considering its own interest.

In the catalog Akun says that in the galleries, prices can be higher than in the catalog and everything is clear, buying things at auction dealer has made easy to find, evaluate this thing and selling it he gets more money. Compare your prices and they and you will understand the meaning of the auction.
You do not have on their salaries. Buy from beginners and more money is not necessary.

[Семен Семенович]

Сообщение от Pavel

If the gallery buys more expensive than selling the question-what earns gallery? I have great respect Odessa, but think the same need.

You open my eyes to the gallery business. First, the gallery buys only in extreme cases, when the price of necessary goods is low. The usual rule - commission torglvlya. Secondly, the task of galleries - sell, not buy. And thirdly, I also have great respect for Odessa (even love), but I am in Kiev. I think at the same time always try ...