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Art Kaleidoscope Interesting and relevant information about art. Discuss general art issues and any topics not covered in other forums. It’s only about art — love, politics, sports, hobbies etc. are discussed in “Chatter”.

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Старый 12.02.2010, 19:11 Язык оригинала: Русский       #1
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In my opinion we do not know how to analyze the work of artists. Rarely criticized for not paying, but the praise is a favorite pastime. Even the term is. I read a book about Falk, and finally it was disappointed. I liked very much pathos place when the two come to nimu artists to select works to the Tretyakov Gallery, and he kochevryazhetsya. Then the work did not take a buy and for good money.
Escheraz-no professional analysis, can not. Pity.
Commend and scold it is not tricky.



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Старый 12.02.2010, 19:24 Язык оригинала: Русский       #2
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In my opinion we do not know how to analyze the work of artists. Rarely criticized for not paying, but the praise is a favorite pastime. Even the term is. I read a book about Falk, and finally it was disappointed. I liked very much pathos place when the two come to nimu artists to select works to the Tretyakov Gallery, and he kochevryazhetsya. Then the work did not take a buy and for good money.
Escheraz-no professional analysis, can not. Pity.
Commend and scold it's not tricky.
How Bakushinskii just can not and do not try
How Efros - attempting to, but do not know how

In principle, the whole of their approach and move to today's realities can not.

I personally servo with milk - could come today as a role model, at least in the approach, the quality is not attainable anyway.



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Старый 12.02.2010, 20:00 Язык оригинала: Русский       #3
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How Bakushinskii just can not and do not try
How Efros - attempting to, but do not know how

In principle, the whole of their approach and move to today's realities can not.

I personally servo with milk - could come today as a model to emulate, at least in the approach, the quality is not attainable anyway.
In order to analyze the work does not necessarily do as ... We must simply follow impartially on all parties to create things. Usually all at once evident, the school and that she gave, the purpose and intent of the author's examples podrozhaniya and originality, etc. The fact is that artists working seriously enough, and the rest had finished and was once chtoto have learned to someone else. In most of the time they are busy at work, teach, supervise or moonlighting. Such work usually done at the last moment, then it's accidental or skompelirovannye things. Very funny when kompeliruyut with Mattis, a French-Nizhny Novgorod. Or how Salakhov at the last exhibition put up two very funny things, neurovnoveshannye and scattered. And so on ...



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Старый 12.02.2010, 22:07 Язык оригинала: Русский       #4
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In order to analyze the work does not necessarily do as ... We must simply follow impartially on all parties to create things. ...
Professionally this can be done only by another artist and then under the condition that his skill is not in doubt, as his authority for personal ispytuemogo.Togda and nelitsepryatno will be very polezno.Naschet effectiveness of such assistance from the art critics, I doubt, for all their merits.



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Старый 12.02.2010, 22:34 Язык оригинала: Русский       #5
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professional do it can only another artist and then under the condition that his skill is not in doubt, as his authority for personal ispytuemogo.Togda and nelitsepryatno will be very polezno.Naschet effectiveness of such assistance from the art I doubt, for all their merits.
It's not that critics can not do it professionally.
The fact that the artists really better listen to other artists. This is especially true artists are not very young. There, for forty. Rather, even at fifty.
The relationship of artists to forty such that the judgments, they do not want to hear because of some jealousy, and listen there is not something special. Senior did not want to because little or no little /envy them, afraid of total carping, and irrational.

But art, in the bulk, and the truth to say anything sensible can not. Elderly do not want to (hurt, they are lazy, etc.). The young can not. Art Technology in universities were poorly taught recently and the day to devote to the development of artistic skills have stopped - had taken to the usual art school - to write, just like real artists the whole day a week, Pts. useful way.

Art Critic, which is necessary - to understand what they do - go to workshops.
 The All-around to this understanding if you want you can learn just for artists. It would be a desire.
I am not one of them drove. Well, I am a third year and worked as director of exhibitions at the House of the artist .




Последний раз редактировалось Причал; 12.02.2010 в 22:41.
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Старый 12.02.2010, 22:50 Язык оригинала: Русский       #6
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wharf, And why go to the art, and what it means to be a good art critic?



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Старый 12.02.2010, 23:54 Язык оригинала: Русский       #7
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wharf, And why go to the art, and what it means to be a good art critic?
Ohhh.
I still failed because of the dream to be an artist. Maybe there and understanding what I'm doing.
Went as a child in the studio to the artist a graduate of Fine Arts. Compared myself with other students. Herself diagnosed - the ability of the average.
Then there was a lot of different. Type of Mining Institute.
In 27 years, came to study at the university, came to this in a totally strange city zahirevshego miner from a small village. From the first day of school she knew - not for the brown study, and for their own benefit.

Unsuccessful artists, by the way are quite large%art, or rather constituted. So it used to be, at the dawn of the profession.

What does it mean to be a good art critic? ...
Good to know the subject by the work. For the teacher - all of system to know the history of art, but its also understand and be able to convey to the students. Being intesesnym charismatic man.

For the organizer of exhibitions - to know all the local material suitable for exhibiting that from year to year is an interesting plan of what to bohh sent. This is the most creative part - think of the concept and to find work (this should be constantly going in the studio and even drink in vottku ). To then picture "of the goods in warehouses," lined up in my head clearly and quickly. Remember that without a collective exhibitions and interesting information, there is no reason and generally lives galleries withers. While doing them, of course, than the troublesome personalki.
Organizational skills, enormous patience and even vospitatelskie ability (at the hands because golimy kindergarten ). Good taste - innate and polished the special education system. We met up correctly display and understand that there are artists who do it better than you, but with other better one is right. And be prepared to sometimes hang himself alone at night, in which case the sausage postrugat. Dealing with the press. Written summaries and press releases, and so that it is more likely that the press will come. Persuade reporters personally.
Ring up hundreds of guests so that the sponsor said the same text, but it turned out that one just came, and others not. . Know someone at personalku can not call that, but in fact - out of those.
Listen, listen, and once again hear about the creative plans, even if not very interesting.
So much to help select works for exhibition. And the other is better not to climb. And it is necessary that in both cases it is spoiling the image of the hall.
And the paintings with the artist talk, especially when just hung. Obozhzhayu these first half-hour after the hanging. So far, not tired
For some - to maintain an atmosphere of light flirtation, especially for veterans I'm particularly good at it. I love our elders, and they told me .

Many of these relates to the actual art criticism ? "But without this anywhere.

The museum did not work, and talk about what I do not know, I do not like. There are two types of work - research (those not engaged) and the exhibition - then everything is the same as that of an organizer of exhibitions, but less conditionality. Muzeyschki such, are not required and do not know all the complexities of relationships between groups and individual artists.

Worked - the director of exhibitions for the most part in public organizations, auctions, in the usual urban salon. In the state examination, even a little.



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Старый 13.02.2010, 00:17 Язык оригинала: Русский       #8
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Thank you very much for the detailed otvet.Horosho that there are not indifferent as Vy.Navernoe is appropriate to talk about service to art in the highest sense of the slova.Neobhodimost your activity does not cause people somneniy.Dolzhny be able to convey to our people's creative artists in any particular civilized forme.Zdes you are a mediator is primarily in spiritual sfere.Zhelayu you good luck!



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Старый 13.02.2010, 00:47 Язык оригинала: Русский       #9
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Thank you very much for the detailed otvet.Horosho that there are not indifferent as Vy.Navernoe is appropriate to talk about service to art in the highest sense of the slova.Neobhodimost your activity does not cause people somneniy.Dolzhny be able to convey to our people work of artists in a particular civilized forme.Zdes you are a mediator is primarily in spiritual sfere.Zhelayu you good luck!
Thank you!
Something you've completely embarrassed
This is one aspect of my life I still have another - I still deal in paintings. Usually, artists are not very fond of "hucksters art."
I'm just lucky that I did not need to mix these two are not identical activities. In one hall - Exhibitions. I have them still without a salary 10 years did. . In another, a small - trade. Although the artists, whose opinions I respect, many times told me that my office will be more interesting selection
___________
But enough about the art critic. Subject something about nastoyaschesti artists



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Старый 13.02.2010, 00:54 Язык оригинала: Русский       #10
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___________
But enough about the art critic. Subject something about nastoyaschesti artists
A theme and can be expanded ..



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