Heirs, answer

[Тютчев]

Сообщение от Konstantin

One of the few contemporary artists, who sell on the secondary market

For the credibility of the sales must be at least 10 times more stones and diamonds. It's a modern (now living) artist! He is full of strength and energy, and according to this, if there's serious demand sales should be considerably greater.
 
Yes, even if they were, I still would not recommend to invest in his work. There is much more interesting contemporary artists!

[Konstantin]

For the credibility of the sales must be at least 10 times more stones and diamonds

Most modern artists do not secondary sales, rather than something that auction. The price level is not easy to learn. Now raise the statistics sheet.

[Vladimir]

Сообщение от Konstantin

The majority of contemporary artists, there are no secondary sales, rather than something that auction. The price level is not easy to learn. Now raise the statistics sheet.

Price level will not find on the internet. But in fact not difficult to learn. To shorten the way: for a particular artist to find a modern profile gallery (it's not difficult), and competently formuliruete question gallerist. Not at all in the abstract "How much Pepperstein?" or "How much is the Sandpiper, and specifically to: choose the exhibition, a specific series of works (let's" City of Russia "or" Russian "by Kulik (it almost does not)) and ask - how much is working-class girl with abuzom" Does it really buy and for how much?

[Тютчев]

Сообщение от Konstantin

The majority of contemporary artists, there are no secondary sales, rather than something that auction. The price level is not easy to learn. Now raise statistics, put.

Therefore the price of contemporary art proportionately the credibility of the seller on the one hand, and suggestion from another buyer. In the market of contemporary art are other laws, rather than on the market of old (or not, but with past history), art.

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Сообщение от Vladimir

price level will not find on the internet. But in fact not difficult to learn. To shorten the way: for a particular artist to find a modern profile gallery (it's not difficult), and competently formuliruete question gallerist. Not at all in the abstract "How much Pepperstein?" or "How much is the Sandpiper, and specifically to: choose the exhibition, a specific series of works (let's" City of Russia "or" Russian "by Kulik (it almost does not)) and ask - how much is working-class girl with abuzom" Does it really buy and for how much?

Here, here I am about this ...

[Vladimir]

Сообщение от Tjutchev

For the credibility of sales must be at least 10 times more stones and diamonds. It's a modern (now living) artist! He is full of strength and energy, and according to this, if there's serious demand sales should be considerably greater.

Eventually it will. But after 5-7 years. Demand for the artist and the auction sale did not have a direct relationship. At auction veschit comes to profitable resale. Sell owners. But now people get to their meetings, is primitive accumulation, almost no one sells - that's not their auctions. Not yet. Y Zvereva lot of work has been at auctions in life? And the demand was not there? And Michael Laroionova? How are they treated without auctions?

Your opinion on Kulik's work is based on the media cliches (Kulik - a dog on a chain in Brener), as well as Hurst - a shark in formaldehyde. Creation of both - is much wider and more varied.

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Country we found a branch for such discussions.

[AlexanderG]

Demand for the artist and the auction sale did not have a direct relationship.

Sporno, no mozet byt '. Auktsionnye prodazi podtverzdaiut likvidnost ', a znachit i spros investorov.

At auction veschit comes to profitable resale. Sell owners.

Ne obiazatel'no vygodnoi. Galeristy by ne pokupali na auktsionah, esli by ne imeli vozmoznosti zarabotat '.

Ochen 'chasto auktsiony prodaiut po nizkim tsenam (inache rezerv byl by ne nuzen).

Prodaiut tak ze estates (nasledstva posle smerti vladel'tsa), galeristy (chasto zastoiavshiisia material), kompanii, razvody ipr.

[Тютчев]

Сообщение от Vladimir

Over time, it will. But after 5-7 years. Demand for the artist and the auction sale did not have a direct relationship. At auction veschit comes to profitable resale. Sell owners. But now people get to their meetings, is primitive accumulation, almost no one sells - that's not their auctions. Not yet. Y Zvereva lot of work has been at auctions in life? And the demand was not there? And Michael Laroionova? How are they treated without auctions?

Your opinion on Kulik's work is based on the media cliches (Kulik - a dog on a chain in Brener), as well as Hurst - a shark in formaldehyde. Creation of both - is much wider and more varied.

You see, this is not entirely true ... The fact is that if this demand is there, that is, and auction sales, regardless of whether the modern artist or not. Art Market is designed so that where there is movement of capital, there necessarily embedded middlemen who buy for resale. It is considered dealers, and they often use auctions to artificially inflating the price of the artist's simulating the movement.

By the way, if we talk about Hearst, it is just and was promoted through auctions.

[AlexanderG]

Ni odin auktsion ne skazet byl li "buy in", to est 'ne kupila li kartinu sama galereia, ili sam hudoznik, ili sam auktsion.
Poetomu k auktsionnym rekordam nado otnosit'sia ostorozno. 5-10 prodaz ne fakt likvidnosti.

[Vladimir]

Tiutchev, now talk about. Convincing statistics on the auction of contemporary Russian art no. Buy collectors progressive views because they understand the work and believe in the future of specific artists. To separate the names were chererz crucible auctions and overgrown convincing independent statistics, the need to age 5. But it will have very different money.

[AlexanderG]

Buy collectors progressive views because they understand the work and believe in the future of specific artists.

Ves'ma spornoe utverzdenie. Mozet byt 'v ideale.