Who are the critics?

[Pavel]

Сообщение от fross

In this topic, it can only serve as an example of what will happen to the art if art does not back their right and duty to investigate and evaluate the art.

Investigate please, but how do you want to measure?

[eva777]

Сообщение от fross

if the critics did not back their right and duty to investigate

That is, I think it's true! a score that is not art. IMHO

[Pavel]

And how to evaluate?

[олег назаров]

Сообщение от Pavel

And how to evaluate?

Paul, from the strange to see you this question .... course as greed tells !!!

[Pavel]

Сообщение от Oleg Nazarov

Paul, from the strange to see you this question .... course as greed tells !!!

It is about dealers. The artist puts a price which will correct all the same bargain. I mean the answer to a question from Frosya-iskuss-dy estimate. How?

[Remi]

Sovershenno verno, hvalit 'ne obiazatel'no. Vazno obratit 'vnimanie. Esli na hudoznika, sredi mnozestva drugih obratili vnimanie, to esto znachit u nego vozmozen potentsial. Poetomu kolichestvo statei imeet znachenie

Mnogie hudozniki, v silu razlichnyh prichin, ostaiutsia nezamechennymi.

Articles that matter? And if all the articles simply disbursed (have money). For some articles have meaning?
Gallery owner, does not need to evaluate an art. our colleagues, as well.

Buyers can see the "works" marketing department ", but all the same it is more likely to rely on their own perception. And in the case of buying for investment purposes would discuss this with several dealers.

And if the art was educated in TsUM ...

[Кирилл Сызранский]

Сообщение от Remi

For some articles are relevant?

I am interested in the artist, if his booklet for the exhibition, I see the author of an introductory article for someone from a certain number of names. Go already, still not looking at pictures.

[Remi]

Сообщение от Cyril Syzransky

I am interested in the artist, if his booklet for the exhibition, I see the author of an introductory article for someone from a certain number of names. Go already, still not looking at the pictures.

Okay. In this case, it turns out that there is a "market" art (sounds a bit rude).

[Сима]

The diploma is written: "Qualifications - art historian, art critic."
Ie in the German system, which underlies learning at MSU - these are two different facets of the profession. In my interpretation - art historian - one who had studied in a university course within the art world (chronologically and systematically), and can this "matter" to teach (ie, connected "to articulate on this topic), convey to the listener at least some what about aesthetics, changing styles, masters and masterpieces (and where they are now, these masterpieces, and how to look at reality, rather than reproductions ). The art is - one who can (should be able to) analyze the product (artifact ). And then it all depends on the methodology - an art - a Marxist, the other - Freudian, the third - structuralist. Everybody has their own bird language. They understand, in fact, only "their". + Specialization. One analyzes, "in charge" Rococo, the other - belyutitsev.
And who where "drifted" - is a matter of household. For example, I once skidded to write in the catalog about the artist from the Caribbean. For quite distinct style was an artist, eclectic - a bit surreal, a bit of expressionism. Agreed to 300 cu Wrote, sold in Moscow immediately after the opening day more than a dozen sound tracks, in large houses. They are so bright and merry, marvelous,'s surrealistic, with an ethnic element. Meet, requested a discount, said that he was with my fee discount on a tax will not, ie Tax at my expense. No more writing .

[nikolai nesterenko]

Сообщение от Pavel

If I'm wrong-popravte and prove the opposite.

AMPs. does not address below as a continuation of the discussion with you, because I have previously commented on your highly professional judgments.

I can only give my amateur opinion about the art of the sixties and the role of EM Belutin. art of the sixties were not limited to art, although it was a definite "engine" of common processes in the culture of those years because of its direct "visual" impact on the viewer. new trends in art were, of course, possible in the context of a weakening of the totalitarian pressure on society as a whole. Now this period of art devoted to the many, t.ch.iskusstvovedcheskie study. great importance of the sixties in the visual arts, music, theater, cinema and literature, as it seems to me beyond doubt. indeed, the art of the sixties contributed to some "de-Stalinization" consciousness of society, unfortunately, very weak, since it does not correspond to the general ideological tenets of the regime.

Ely Mikhailovich Belyutin made a significant contribution to the movement of the sixties as an artist, teacher, art critic and organizer. Student Lentulova ME, ME Tatlin, LA Bruni, an artist with a Ph.D. on the art of ancient Russia (A. Rublev), and a highly appreciated Alpatova MV (supervisor), and B, AN Lazarev, artist, recognized around the world (at the Center Pompidou), organizer of historic exhibition at the Manege, teacher-studio in Abramtsevo and the whole school - is not that the examples of his contributions to the arts?
and, last but not least, collector and owner of the congregation, which a little equal not only in Russia but also in the world