Relationship and mutual obligations between the artist and gallery owners

[ВЯЧЕСЛАВ]

Originally Posted by DSF

In Soviet times, artists were forced to live on a double standard. Yes, the state gave the orders and controlled the artists, but they are something between a state-wing mat, and orders are not called otherwise than by the word "trash". We tried to hurry this "hack" painted and easily pass the admission committee. And so there were no problems, must have his people in key positions, so for these positions was a fierce struggle. Fate and the quality of the paintings did not worry anybody. I took their "Hurray", in others - were cut. And to justify this attitude came up with excuse: Behold, they say, hack I write - this is for earnings and for creativity in the studio, I write quite another. This dual approach is unnatural, but it is still very popular among artists. By habit, all that is done to order, is considered the "hack". Now they say: for the gallery - "plywood", and for exhibitions and for themselves - work. But man can not write one now with talent, and the other mediocre. This is called a split personality. As a result, the artist had either shalturivatsya (there were many, for they do not require effort), or to break off all relations with this flawed system to maintain its "I" (those little calls for courage), or try to include any work creatively, that to himself was not ashamed (of too little, and walked along this road is mainly a landscape painter, because apolitical genre).
This atmosphere of duplicity has created the special nature of man, particularly psychology. And this mentality is very difficult relationship gallerist and artist.

  Decide on what time you write. Read carefully you have written.
"In Soviet times, artists were forced to live on a double standard." - Yes even on a triple and pyaternomu.Net already these hudozhnikov.Fizicheski.V overwhelmingly gone to another world.
"This atmosphere of duplicity has created the special nature of man, particularly psychology. And this mentality is very difficult relationship gallerist and artist." - So who of who is and who is NOW that defines? What generation suchit legs with hack-work under his arm at the door of the gallery? Is psychology of today's generation is determined by the "soviet" way of life, who has played in the box with the USSR.
"By habit, all that is done to order, is considered" hack ». Now they say: for the gallery -" plywood ", and for exhibitions and for themselves - work." - why, the exhibition now are held in galleries, and organize their gallery in order to further "the promotion and sales. Not stick. Common sense .... Or perhaps a special place should know.
About Samara. What a charade-P in "Van Gog? And there is none ....