Russian avant

[Wladzislaw]

Leonid Zachs from Israel gave Belarus works of famous artists of avant-garde

[Meister]

Originally Posted by Posav

And me many pictures of those shown do not like. Those not interested in whatever freshman, or even on the applicant's engineering and execution

I think that such speech was not, for connoisseurs of Russian avant-garde art to explain the significance and value of these works, however briefly!

[Кирилл Сызранский]

Originally Posted by Maroussia

I have found in his short but very useful ссылочку Burliuks about the family with all their complicated names and their nest.

http://terra-futura.com/index.php?op...view&id=76

Ludmila losifovna Mikhnevich-Burliuk (1861 - 1923) - mother of the family, the painter. His work was exhibited at the exhibitions "Link", Kiev, 1908, "Salon" Izdebsky, I and II in 1909 - 1911. etc.

And LA Mikhnevich-Burliuk was his brother.
  "The brother of my mother Ludmila Yosifovna Mikhnevich-Vladimir Osipovich Mikhnevich known columnist, newsman 80-90-ies, published together with Notovitch" News ", has donated one hundred thousand naosnovanie" Literary Fund 900 -ies, with the inscription: "References to work, pay the literature.
_____________________
D. Burliuk.


But VO Mikhnevich (1841-1899) has bought a plot on Aptekarsky island. It rapolagalis four wooden houses. In place of one of them faces the quay Karpovka, in 1904-1905 he was a stone built two storey house (now the street. Writers, 19).
Here since 1919, he lived until his death in the first winter of the siege in 1941 P. Filonov.
And the house number 10 on Sand Street settled himself VO Mikhnevich with his wife.
Following his wishes, in 1894 to build on the second floor.
In 1899, after the death of Mikhnevich and in accordance with his will, two-thirds of the land with wooden buildings became the property of the Literary Fund, and in 1904 the fund has bought from the widow of the remainder of the plot with the house number 10 on Pesochnaya street.
In October 1912, in this house, in the three-room apartment number 12, located on the second floor (entrance to the apartment. Was separate from the courtyard up the stairs) settled Mikhail Matyushin (1861 -1934) and his wife Elena Guro Genrichovna (1877-1913).

That's how Uncle D. Burlyuk was connected, indirectly, with the Russian avant-garde.

[qwerty]

Third exhibition "Golden Fleece" (December 27, 1909 - January 31, 1910) consisted only of works of Russian artists, among which there are practically no modernists (left Riabushinskii, Chekhonin, Tarkhov and Ulyanov), but to Goncharova and Larionov joined by such prominent figures in the future as Mashkov, Falk, Kuprin and Konchalovsky. Rows of future innovators matured.
This exhibition "Golden Fleece" was the last, philanthropist Riabushinskii, the means of the same name which was published magazine and arranged these exhibitions, was ruined.
In 1910, the Moscow event should also note the one-day exhibition of Natalia Goncharova. This exhibition is arranged by some Society of Free Aesthetics only for its members and, ideally, would pass unnoticed, but the next day in the newspaper "Voice of Moscow appeared an anonymous article (it later emerged that the author was the famous B. Gilyarovsky), in which the artist was accused of spreading pornography.
The police came and arrested the three pictures (two are depicted ordinary a model, the third - a stone idol with a noticeable phallus). The case went to trial and ended with a December 22, 1910, when a magistrate ruled in favor of Goncharova on the basis that the pictures were shown at the exhibition closed, and therefore could not injure the masses. Only after this artist was able to rescue his paintings.

[Маруся]

In the latest issue of "Golden Fleece" 1909, № 11-12 (which is due to financial difficulties emerged only in early 1910) was published a few important notes:
First, a review of Mikhail Larionov, "The newspaper critics in the role of the Vice Squad" for the arrest of three works Goncharova's "The Model with his hands behind his back," "The Model with hands on waist" and "God" on the one-day exhibition, which told the Qwerty.
Secondly, the article by Alexander Kuprin "Transforming the Moscow School of the Academy Zh.V.i Z.".
This article, or rather the events described in it were the impetus for a "Jack of Diamonds".
And it is a small preview of the exhibition, which took place in February 1910 in St. Petersburg:

Youth League
Ongoing exhibition under this name produces extremely slovenly impression. Of those participating in its Goncharova, Larionov and midges put things that were in the "Golden Fleece" and some others of which have issued the first "Migraine", while the second - "Shopgirl waters. These three - the center of the exhibition. In the works of other participants or print hopeless dilettantism (Evseev, Matthew, Spandikov, Shkolnik, Filonov), or far-fetched contrivances, like Bystrenina. There is no sincerity, frankness and wind is no work, shtudirovki. Viscous swamp unfounded smears, and unskillful contours, coarse triumph of the canvas and paints over the intentions of artists - that's disappointing at the exhibition "Youth Union".

Initiative Organization Society of Artists' Union of Youth "in E. Guro and M. Matiushin. The Union has outlined a broad field, and many managed to do: made several theatrical productions, has issued a number of books, published three issues of the magazine. During the four years of the Youth League made a 7 exhibitions: 5 in St. Petersburg, one in Riga and one - with Larionovskim "Donkey's tail" in Moscow. His exhibitions and debates have helped to unite the artistic vanguard of St. Petersburg and Moscow.
At the first exhibition of the Union of Youth "appeared and the first work of Pavel Filonov, who became one of its founding members.

Only scans download does not work: the site refuses to process the request because: "there is no security token." What could it mean?

[Маруся]

While I am at war with scans article Kuprina (I can not understand why not loaded, maybe the volume will be too big), I have found in his description of relevant events Gleb Pospelov "Jack of Diamonds. Primitive and urban folklore in Moscow painting 1910-ies. M., 1990:
"The soil for convergence has become the workshop of Mashkov and his friend A. Michael in the Small Kharitonievsky lane. It was a fee the school studio, prepare to apply to the Moscow School of Painting. Founded in 1904, she said, since 1907 was called "Mashkova School and St. Michael's, and in the years under consideration was a notable center of artistic life in Moscow. The studio is constantly attend lectures and discussions with representatives of the press, poetry and other arts. Over the years through the shop Mashkova subsequently passed many famous artists . The process of teaching, according to Mashkov, lay in the fact that the owners themselves, and, apparently, painters, whom he invited for that purpose, to work directly next to the students. In Mashkova and St. Michael in the studio taught by A. Milman, later Konchalovsky: from 1911 studio officially called: "Studio drawing and painting Pyotr Konchalovsky, and Ilya Mashkov.
In 1909-1910 years in the studio was particularly lively. The reason - in the events which broke out in the Moscow School of Painting, Sculpture and Architecture. Group of radical students, among whom were Larionov and Mashkov, came into conflict with the teachers college and paid the price of exile from his walls. One of the excluded, AV Kuprin, wrote about this conflict as a "commits the transformation of the Moscow School of the Academy.
Naturally, that continuation of the conflict with the College in a workshop turned into a kind of headquarters of the opposition-minded artistic youth. Just at this time Mashkov, obviously, and invites you to the teaching of Goncharova and Larionov.
These facts have not been valued by historians of art. Studio, where next to each other to work with nature Goncharova, Larionov, Mashkov, was to become a powerful catalyst for artistic development, especially because it occurs before the eyes of many novice painters. Especially powerful was supposed to be an artistic impulse that group members received from the more experienced Larionov and Goncharova. Effect Larionov turned a kind of fermentation enzyme. According Lentulov, constantly upgrading his painting techniques "was given a completely new emotion and re-built the eye of the viewer, suggesting the correctness of imperative revelation.
The apogee of convergence of interest to us was the painters of the exhibition "Jack of Diamonds", which opened on December 10, 1910 Mr. .... "

But as described the events of the immediate parties - Vasily Christmas:
  "Portrait-genre workshop led by VA Serov, and KA Korovin. In the workshop were students of different timing of the end of a real class and directions. When I worked there: L. Turzhansky, Mashkov, S. Sudeikin, P. Kuznetsov and others young, but already established artists.
In the portrait studio and in the evenings drawing a model, it was monotonous. I wanted to work with the artist's model, so I went back to night classes in full-scale class to LO Pasternak.
Once at Serova occurred with the Art Council of the conflict over AS Golubkina, and he left the studio. In his place was appointed LO Pasternak. Students Serov protested, ceasing to attend class. At the general meeting of students, me being in the minority, protested against such drastic measures, saying that before the end of the workshop is still a month or two, and in such a short period can not learn anything from Serov or unlearn Pasternak. Council declared guilty in the case of the "Left", excluded from the School Larionova, Kuprin, Falk, and along with me. I was threatened with military service is a private, but I had privileges, so he was called a volunteer. While serving military duty in the camps near Mozhaisk, I met with the lieutenant PP Konchalovsky, and we became friends with him. "
VV Christmas. Notes by the artist. Soviet artist. M., 1963

[Wladzislaw]

At the auction will be sold work Stepanova and 2-nd of Rodchenko, with examinations of Ms. Mary Valyaeva.

http://auktionshaus-aldag.de/auktion.html

[Маруся]

Originally Posted by Samvel

In the early 90's, from the heirs of a deceased collector Yuri Mich. Podgrebnyaka bought this picture. I think that this work, brush Nicholas Kulbin interesting view foruchan.

Samvel, will not undertake to judge by the photos, besides, I know very little of Kulbin. But the name of "Behind the coffin", led me to some thoughts:
There are two poems of the same name: Alexander Blok (1908), but closer, I think, verse Gumilev (1907):
Underground has a secret cave,
There are high tombs
Fire dreams of Lucifer --
They wander slim whore.
  
What is interesting, and Blok, Gumilev, and intersected with Kulbin in 1912-1914 to Terioki.
Maybe there is some connection?

[fross]

Originally Posted by Wladzislaw

At the auction will be sold work Stepanova and 2-nd of Rodchenko, with examinations of Ms. Mary Valyaeva.

http://auktionshaus-aldag.de/auktion.html

Attributed, not their work, I think, qwerty confirm.

[Маруся]

Fross, at least we will know the name of another expert ...